Christopher Koelsch, the Sebastian Paul and Marybelle Musco President and CEO of LA Opera, has announced details for the company's 2026/27 season, which will launch on October 17, 2026.
This February, Seattle Opera will present the trailblazing opera Fellow Travelers, a gay love story set during the Lavender Scare, a McCarthy-era witch hunt that ousted thousands of gay and lesbian employees from the federal government.
Curtis Institute of Music has announced new appointments in its voice and opera department, effective with the 2025–26 school year. Learn more about them here!
There’s an old expression, “A lawyer who defends himself has a fool for a client.” While John Adams didn’t decide to take on the libretto for his latest opera, Monday night’s Met premiere, ANTONY AND CLEOPATRA, all on his own, I wonder whether he might have bypassed the one resource that might have been most useful: Arrigo Boito.
Seattle Opera has revealed the 2025/26 mainstage season. The company’s 62nd season offers three McCaw Hall premieres, including Fellow Travelers and more. See the full lineup and learn how to purchase tickets.
Curtis Institute of Music will present New Music Month, a celebration of musical innovation and ingenuity featuring four exciting contemporary classical music concerts. See full programming and learn how to purchase tickets.
The Curtis Institute of Music announces updates for the 2023-24 season, featuring newly commissioned works and tributes to composers George Lewis and Ned Rorem.
There are a number of parallels between the two operas I saw in Santa Fe (NM) this past weekend: The Benjamin Britten/Peter Pears treatment of Shakespeare’s A MIDSUMMER NIGHT’S DREAM and the world premiere of the John Corigliano/Mark Adamo THE LORD OF CRIES. The first was, for me at least, an all-around, marvelous success, while the other was a disappointment.
North Carolina Opera's General Director, Eric Mitchko has announced the company's upcoming 2021-22 season. The season will open on November 14 with Beethoven's only opera FIDELIO, followed by two timeless classics, Puccini's LA BOHÈME (Jan. 28 & 30) and Mozart's THE MAGIC FLUTE (Apr. 8 & 10).
This June, Music of Remembrance will stream a special all-new production of two works by composer Jake Heggie and librettist Gene Scheer: For a Look or a Touch and Intonations: Songs from the Violins of Hope.
Jarrett Ott, a Philadelphia opera singer, was married to his husband by Justice Ruth Bader Ginsberg two summers ago. He recently remembered her in an interview with CBS.
On Friday evening August 28, Santa Fe Opera screened a filmed performance of Joseph Illick and Andrea Fellows Waltersa?? one-act opera UnShakeable, composed for the a?oeShakespeare 400a?? celebration in 2016. Meridian had lost her memory due to a pandemic of a?oeerasure,a?? but Wyatt still retained some memories of the past and his love for Meridian.
The New York Philharmonic and Music Director Jaap van Zweden's World Premiere performances of David Lang's prisoner of the state will be released in digital and physical formats on June 26, 2020, on Decca Gold, Universal Music Group's US classical music label.
The Los Angeles Philharmonic and Classical KUSC continue their annual radio broadcast partnership, reaching listeners across Southern and Central California. Concerts recorded during the LA Phil's 2019/20 season feature the orchestra with an impressive roster of guest artists and conductors, and an eclectic repertoire including the world premiere of Esteban Benzecry's Piano Concerto, a?oeUniversos infinitos.a??
On Tuesday, May 19, 2020 at 7:30 p.m., Music of Remembrance (MOR) presents a concert at the San Francisco Conservatory of Music's Caroline H. Hume Concert Hall featuring a rare double bill of works by the incomparable team of composer Jake Heggie and librettist Gene Scheer. Tickets are $60 and $75 and available at www.musicofremembrance.org.
On July 26, 2019, Santa Fe Opera presented R. B. Schlather's rambunctious production of W. A. Mozart's dramma giocoso Così fan tutte. His first act started with Don Alfonso as a cowboy and the two couples, Fiordiligi with Gugliemo and Dorabella with Ferrando dressed in tennis whites. Amanda Majeski, who has sung several leading roles at Santa Fe, showed herself to be a capable Fiordiligi whose top notes bloomed with silver magic as she romped around the stage. For a?oeCome Scoglioa?? (a?oeLike a rocka??), she was comedically impassive and for a?oePer pietàa?? (a?oeFor pitya??) she truly begged for forgiveness as she used every note in her wide range to encompass the scope of Mozart's writing. whose top notes bloomed with silver magic as she romped around the stage.
The New York Philharmonic finished up its season with a powerful performance of a new version of the FIDELIO story by composer David Lang, which he neatly titled PRISONER OF THE STATE, summing up a key part of the story. Lang's score and the staging by Elkhanah Pulitzer—and the pulsating performance of the score by the Philharmonic under music director Jaap van Zweden--were triumphs, keeping the audience on the edge of their seats as the 70-minute work unfolded.
Last night Jaap van Zweden and the New York Philharmonic gave the World Premiere performance of David Lang's prisoner of the state - a fully staged reimagining of Beethoven's Fidelio, directed by Elkhanah Pulitzer. The program concludes the Orchestra's three-week Music of Conscience series, exploring how composers respond to the social and political issues of their times.