Video: See A Trailer For THE WHITE FACTORY At Marylebone Theatre
by A.A. Cristi
- Sep 29, 2023
The trailer has been released for The White Factory, a heart-wrenching new play, written by internationally acclaimed author Dmitry Glukhovsky, now facing an eight year jail sentence in Russia, running From 14 September – 4 November 2023 at The Marylebone Theatre.
London's Newest Theatre Opens Doors With The World Premiere Of An Unfinished Schiller Play
by Stephi Wild
- Oct 5, 2022
London’s newest performing arts venue, Marylebone Theatre, has launched with a world premiere directed by Tim Supple. Marylebone Theatre, near Baker Street, intends to carve out a special place on the London cultural scene as a beautiful and grand but intimate setting offering cross-arts programming with theatre, music, dance and spoken word.
Photos: Go Inside Rehearsal for DMITRY at Marylebone Theatre
by A.A. Cristi
- Sep 22, 2022
Marylebone Theatre presents a realisation of an unfinished, visionary work by Friedrich Schiller. Dmitry (based on the peerless dramatist’s incomplete play Demetrius), will launch the bold new venue’s inaugural season and will star The Crown’s Tom Byrne (The Crown, Netflix; Twelfth Night, RSC; Black Mirror, Netflix) in the title role. See photos from inside rehearsal.
Cast Announced for DMITRY at Marylebone Theatre
by Stephi Wild
- Jul 27, 2022
Marylebone Theatre has announced the cast for their realisation of an unfinished, visionary work by Friedrich Schiller. Dmitry (based on the peerless dramatist’s incomplete play Demetrius), will launch the bold new venue’s inaugural season and will star The Crown’s Tom Byrne (The Crown, Netflix; Twelfth Night, RSC; Black Mirror, Netflix) in the title role.
BWW Review: THE 47TH, The Old Vic
by Cindy Marcolina
- Apr 9, 2022
One for the money, two for the show. The second play written by Mike Bartlett has now opened in London. With a revival of Cock running at the Ambassadors and Scandaltown opening in Hammersmith next week, the playwright is quite the rarity, one of the very few to’ve had multiple productions on at the same time in the capital.
Shakespeare's Globe Announces Full Casting For AS YOU LIKE IT
by Stephi Wild
- Jun 27, 2019
Shakespeare's Globe is delighted to announce the full cast for William Shakespeare's As You Like It, co-directed by Federay Holmes and Elle While, opening on Wednesday 7 August. The production returns to the Globe Theatre following a critically acclaimed run in summer 2018.
Review Roundup: Rachel Chavkin Directs AN AMERICAN CLOCK At The Old Vic
by A.A. Cristi
- Feb 15, 2019
Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller's ground-breaking play about hope, idealism and a nation's unwavering faith in capitalism, opening at The Old Vic on 13 February, with previews from 4 February.
Photo Flash: First Look at THE AMERICAN CLOCK at The Old Vic
by Stephi Wild
- Feb 14, 2019
Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller's ground-breaking play about hope, idealism and a nation's unwavering faith in capitalism, opening at The Old Vic on 13 February, with previews from 4 February.
COME FROM AWAY Leads February's Top 10 New London Shows
by Marianka Swain
- Feb 2, 2019
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a hit Canadian musical to showbiz satire and a classic sitcom reborn, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Shakespeare's Globe Announces Casting For The Winter Season
by Stephi Wild
- Sep 19, 2018
Shakespeare's Globe has announced casting for the Winter Season 2018, its plans for a year-long cycle of history plays from February 2019, and Globe Associates, to include Sean Holmes, who is to become Associate Artistic Director.
BWW Review: AS YOU LIKE IT/HAMLET, Shakespeare's Globe
by Marianka Swain
- May 18, 2018
Michelle Terry's first season as Artistic Director of the Globe will be carefully scrutinised. Emma Rice's contentious exit raised important questions about the venue's purpose, its balancing of tradition and innovation, new and returning audiences, and about how we engage with Shakespeare in the 21st century.
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