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BWW Review: WOLF PLAY at Company One Theatre

For a long time within their history, Company One has cornered the market in Boston for selecting those cutting-edge new works that are able to effectively spark conversations and juxtaposing them against each other in ways that are both productive and incendiary. Hats off to Director of New Work, Ilana M Brownstein, as well as National New Play Network (NNPN) Producer in Residence, Jasmine Brooks, and the entire administrative staff for selecting, through NNPN, such a well-crafted text for a rolling premiere. Jung, who may be best known in Boston for her equally nuanced play, Cardboard Piano, does not stoop to begin with a message, as seems to be in vogue for playwrights right now. She does not set out to teach us anything in a certain, straightforward lecture subdivided into all-too-interchangeable dialogue. Instead, the genesis of her play seems to center around the hypothetical. As one character explains in a moment of meta-theatricality, the evening is nothing more than a series of 'what if?'s. What if a young boy was adopted from Korea by a a?oenot-future-orienteda?? white couple who have given up on having any biological children of their own? What if, once that couple is able to conceive, the boy is again put up for adoption? What if he is adopted by a lesbian couple, and his adoptive father is not entirely thrilled with the prospect of two women raising a boy? By asking these questions and not providing answers, Jung has effectively done what so many playwrights and their commissioners claim to want. She has created a work with the potential to generate conversations that lead to growth and change. Set against the thorough dramaturgical work one can expect from Company One, the production introduces issues within the idea of transracial adoption, America's systems for adoption, and the thin line between a?oevulnerability and violencea??.

McCarter Theatre Center Presents A CHRISTMAS CAROL

McCarter Theatre Center is proud to announce the return of A Christmas Carol, directed by Adam Immerwahr. This family-friendly production runs December 10 - 29 in the Matthews Theatre. A popular annual event for families all across the region, McCarter Theatre Center's production of Charles Dickens' timeless story brings a tale of memory and redemption beyond the stage and out into the aisles and lobbies.

BWW Review: TWISTED al Factory 32

Dal 4 al 6 Ottobre al Factory 32 di Milano è andato in scena TWISTED - IL MUSICAL SU JAFAR (perché su Aladdin l'hanno già fatto), presentato per la prima volta in Italia dalla Compagnia del Musical (CDM), in collaborazione con la Scuola del Musical (SDM), in seguito a una campagna di crowdfunding organizzata dalla stessa CDM.

AS MUCH AS I CAN Finds Principal Cast

Harley & Co. announces principal casting for As Much As I Can, a unique and powerful piece of activist, experiential theatre by Sarah Hall and directed by James Andrew Walsh. As Much As I Can will play 10 performances at Joe's Pub (425 Lafayette Street) from September 12-16 (two shows nightly at 7:00 and 9:30 PM).Produced by Harley & Co., and supported by ViiV Healthcare, the production is designed by Harley & Co. Additional casting is to be announced.

AS MUCH AS I CAN to Play Run at Joe's Pub This Fall

A unique and powerful piece of activist, experiential theatre, Sarah Hall's As Much As I Can will play 10 performances at Joe's Pub (425 Lafayette Street) from September 12-16 (two shows nightly at 7:00 and 9:30 PM). James Andrew Walsh will direct. Produced by Harley & Co., and supported by Viiv Healthcare, the production is designed by Harley & Co. Additional creative team and casting is to be announced.

4th Tennessee Williams Fest STL Is A Massive Success

Tennessee Williams Festival St. Louis produced its 2019 festival in the Grand Center Arts District to much critical acclaim and record-breaking attendance. Running May 9 through May 19, with multiple offerings across various venues, the Festival breathed new life into the work and legacy of St. Louis' own, Tennessee Williams.

BWW Review: THE NIGHT OF THE IGUANA Kicks Off Fourth Annual Tennessee Williams Festival St. Louis

If you know Tennessee Williams, and I hope you do/will, you know there's a lot to unpack in his work. His characters are tormented and textured, plotlines layered with the riddles and aches of the human heart. There's no mercy when Tennessee Williams shines a flashlight into the darkest corners of a soul, and you will likely come away from the work exhausted and amazed for both the damage and any bit of renewal you've witnessed. Such is the case in The Night of the Iguana, playing at The Grandel Theatre now, as the main stage production of the 2019 Tennessee Williams Festival St. Louis.

Reelz Announces New Original Programming for June 2019

REELZ today announced new original programming for June 2019 including four new specials, a new documentary and a returning series. Kicking off the June premieres is the special Ghostbusters: Behind Closed Doors about the movie that surprised everyone and became a cultural phenomenon with its perfect mix of stars, special effects and laughs. Then entertainment journalist Nancy O'Dell hosts the special Fatal Addiction: Hollywood's Secret Epidemic focused on the opioid crisis afflicting celebrities. In the documentary Elton John: Ten Days That Rocked the remarkable days that molded the music legend's life are revealed. As a solo artist Elton John doesn't worry about a band break up but that's not the case for members of Mötley Crüe, Guns N' Roses, New Kids on the Block and the Spice Girls whose splitting up stories take center stage in fan favorite returning series Breaking the Band. Real stories behind the music continue with the special The Michael Jackson Story examining the King of Pop's meteoric rise to fame and legacy tarnished by controversy. And finally the special Farrah Fawcett: Behind Closed Doors is an intimate look at the life of the beloved star who left an everlasting mark on entertainment and culture.

National Tour Of KINKY BOOTS Comes To Folsom

A huge-hearted, high-heeled hit, Kinky Boots is a joyous musical celebration about the friendships we discover and the belief that you can change the world when you change your mind. Inspired by true events, and with songs by Grammy and Tony winning pop icon Cyndi Lauper, direction and choreography by two-time Tony Award-winner Jerry Mitchell (Legally Blonde, Hairspray) and a book by Broadway legend and four-time Tony Award-winner Harvey Fierstein (La Cage Aux Folles), Kinky Boots is the winner of six Tony Awards including Best Musical, Best Score and Best Choreography. (An extensive list of Kinky Boots's awards is at bottom of attached press release.) During its extensive run on Broadway, the New York Times called it 'the hottest musical on Broadway!'

National Tour Of KINKY BOOTS Comes To Folsom

A huge-hearted, high-heeled hit, Kinky Boots is a joyous musical celebration about the friendships we discover and the belief that you can change the world when you change your mind. Inspired by true events, and with songs by Grammy and Tony winning pop icon Cyndi Lauper, direction and choreography by two-time Tony Award-winner Jerry Mitchell (Legally Blonde, Hairspray) and a book by Broadway legend and four-time Tony Award-winner Harvey Fierstein (La Cage Aux Folles), Kinky Boots is the winner of six Tony Awards including Best Musical, Best Score and Best Choreography. (An extensive list of Kinky Boots's awards is at bottom of attached press release.) During its extensive run on Broadway, the New York Times called it 'the hottest musical on Broadway!'

Admiral Montojo One Night Performance Packs Manhattan Repertory Theatre

A Spanish American War historical court room drama, The Court Martial of Almirante (Admiral) Montojo, was successfully performed off-off-Broadway last December 8, 2018 at the Manhattan Repertory Theatre on 17-19 West 45th Street. 'I was only hoping for a respectable attendance but thankfully both the matinee and evening shows were fully filled,' said Filipino playwright Dennis Posadas.

THE COURT MARTIAL OF ALMIRANTE MONTOJO Comes to Manhattan Rep Theatre

A Spanish American War courtroom drama written by Filipino playwright Dennis Posadas will be performed off-off-Broadway on December 8. The Court Martial of Almirante Montojo historical courtroom drama takes off from US Admiral George Dewey's 1913 Scribner autobiography where he said he came to the courtroom defense of Spanish Contraalmirante Patricio Montojo after his victory in Manila Bay on 1 May 1898 one hundred and twenty years ago.

THE COURT MARTIAL OF ALMIRANTE MONTOJO Comes to Manhattan Rep Theatre

A Spanish American War courtroom drama written by Filipino playwright Dennis Posadas will be performed off-off-Broadway on December 8. The Court Martial of Almirante Montojo historical courtroom drama takes off from US Admiral George Dewey's 1913 Scribner autobiography where he said he came to the courtroom defense of Spanish Contraalmirante Patricio Montojo after his victory in Manila Bay on 1 May 1898 one hundred and twenty years ago.

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