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Birth Place: Orianienbaum, RUSSIA

Boston Ballet Presents MY OBSESSION in October

Boston Ballet Presents MY OBSESSION in October

by Stephi Wild — August 30, 2022

Artistic Director Mikko Nissinen and Boston Ballet present My Obsession, a program that explores our obsessions, devotions, and idols, featuring George Balanchine's Apollo and Allegro Brillante, Helen Pickett's 月夜Tsukiyo, and the return of crowd-favorite Stephen Galloway's DEVIL'S/eye.

Park ICM Announces 2022 - 2023 20th Anniversary Season

by Stephi Wild — August 15, 2022

Park University’s International Center for Music (Park ICM), under the direction of founder, Van Cliburn Gold Medalist Stanislav Ioudenitch, has for the last 20 years taken magnificent young instrumentalists, already identified as superior performers, and molded them into international virtuosos.

Orquesta Sinfónica Nacional Presents Valses de Strauss This Week

Orquesta Sinfónica Nacional Presents Valses de Strauss This Week

by Stephi Wild — July 19, 2022

Ante la gran acogida, la Orquesta Sinfónica Nacional, bajo la dirección del maestro Fernando Valcárcel, vuelve a presentar en el Gran Teatro Nacional con el concierto “Valses de Strauss y más”, que incluye una selección de reconocidos temas del compositor vienés popularmente conocido como

Review: ROME CHAMBER MUSIC FESTIVAL al Teatro Argentina

Review: ROME CHAMBER MUSIC FESTIVAL al Teatro Argentina

by ETTORE FARRATTINI — July 6, 2022

What did our critic think of ROME CHAMBER MUSIC FESTIVAL at TEATRO ARGENTINA? Nella splendida cornice del Teatro Argentina di Roma, con un'ottima selezione di brani e musicisti di ogni età, di ogni continente e tutti di notevole talento, si è potuto assistere a quattro serate di grande qualità ar

BWW Review: Stravinsky's RAKE Progresses Briefly at the Met

BWW Review: Stravinsky's RAKE Progresses Briefly at the Met

by Richard Sasanow — June 6, 2022

While I was watching the Met’s current beautiful yet somehow languid production of the Igor Stravinsky and WH Auden/Chester Kallman opera THE RAKE’S PROGRESS the other night--with only two more performances until it goes back into mothballs for probably many years--I couldn’t help wishing that


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