Hannah Wasileski News

ANGEL'S BONE, by Du Yun with a libretto by Royce Vavrek was awarded the 2017 Pulitzer Prize in Music. The opera--a bold work that that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world--debuted on January 6, 2016 at the Prototype Festival, 3LD Arts and Technology Center in New York.

This summer, Lincoln Center Theater (under the direction of Andre Bishop) will produce PIPELINE, a new play by Dominique Morisseau.  PIPELINE, which will be directed by Lileana Blain-Cruz, will begin performances Thursday, June 15 and open on Monday, July 10 at the Mitzi E. Newhouse Theater (150 West 65 Street).

Due to popular demand, the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, has been extended an additional week. The production will now run through December 18, 2016 at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). 

Due to popular demand, the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World AKA the Negro Book of the Dead, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, has been extended an additional week.

Signature Theatre presents The Death of the Last Black Man in the Whole Entire World AKA The Negro Book of the Dead, written by Suzan-Lori Parks and directed by Lileana Blain-Cruz. The production runs now through Sunday, December 11, with an official opening slated for Sunday, November 13, 2016 at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). BroadwayWorld has a first look at the cast in action below!

Signature Theatre's production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz, begins tonight, October 25, and runs through December 4, 2016 with a Sunday, November 13 opening night in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). 

Casting is confirmed and tickets are now on sale for the Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winnerSuzan-Lori Parks and directed by Lileana Blain-Cruz. Parks is Signature's current Residency One playwright; her plays Venus, directed by Lear deBessonet, and The Red Letter Plays: In the Bloodand f**king A, directed by Jo Bonney, will be presented in 2017.

Casting is confirmed and tickets are now on sale for the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz.

In response to popular and critical acclaim, Soho Rep., in association with John Adrian Selzer, announces a second and final extension of the U.S. premiere of Revolt. She Said. Revolt Again. to May 22.

In response to popular demand and three weeks before performances begin, Soho Rep., in association with John Adrian Selzer, extends the U.S. premiere of Revolt. She Said. Revolt Again. to May 15.

Soho Rep., in association with John Adrian Selzer, presents the U.S. premiere of Revolt. She Said. Revolt Again. by award-winning British playwright Alice Birch. Originally commissioned by the Royal Shakespeare Company, the American premiere is directed by Lileana Blain-Cruz, 30, with both rigor and a playful spirit, and features Daniel Abeles, Molly Bernard, Eboni Booth and Jennifer Ikeda. The production introduces American audiences to Birch, 29, who was a finalist for the Susan Smith Blackburn Prize in 2012 and 2015 and is a co-winner of the 2014 George Devine Award for Most Promising Playwright.

As part of its 2015-2016 Performing Arts Season, Japan Society presents Haruki Murakami's SLEEP, in a first look, work-in-progress showing from Ripe Time and PlayCo.

As part of its 2015-2016 Performing Arts Season, Japan Society presents Haruki Murakami's SLEEP, in a first look, work-in-progress showing from Ripe Time and PlayCo.

Considering all the second-rate operas by men that have received first-rate productions at major houses, it's a shock that the performances of Dame Ethel Smyth's early 20th-century opera, THE WRECKERS, at Bard Music Festival was the stage premiere of the work in this country. And a dazzling one it was. The question is: “What took so long?” The answer, I suppose, is “Because Conductor Leon Botstein didn't get on the case earlier.”

The USITT-USA curatorial team chose two shows from Ripe Time Theatre in New York, a multimedia production from Paul Abacus, a “wandering opera” staged at LA's Union Station, and performance pieces from faculty at Auburn University in Alabama and Colorado College as the best overall productions for the exhibit.

The 59th Annual Village Voice Obie Awards, celebrating achievement in the Off-Broadway and off-off Broadway theater, were given out at a ceremony last night at Webster Hall in Greenwich Village. The awards ceremony was co-hosted by Tamara Tunie and Hamish Linklater. The awards were presented by Betsy Aidem, Harvey Fierstein, Lena Hall, LaTanya Richardson Jackson, Andy Karl, David Bar Katz, Cristin Milioti, Kelli O'Hara, Lily Rabe and Stephen Trask. BroadwayWorld was there for the ceremony and you can check out photo coverage of the winners backstage below!

The 59th Annual Village Voice Obie Awards, celebrating achievement in the Off-Broadway and off-off Broadway theater, were given out at a ceremony last night at Webster Hall in Greenwich Village. The awards ceremony was co-hosted by Tamara Tunie and Hamish Linklater. The awards were presented by Betsy Aidem, Harvey Fierstein, Lena Hall, LaTanya Richardson Jackson, Andy Karl, David Bar Katz, Cristin Milioti, Kelli O'Hara, Lily Rabe and Stephen Trask.

Ripe Time, the Brooklyn-based company led by Rachel Dickstein, has garnered acclaim for creating physically charged, visually powerful adaptations of classic and contemporary stories by authors raging from Edith Wharton to Jhumpa Lahiri. Conceived, written and directed by Dickstein, the play The World is Round epitomizes the company's work, creating from Gertrude Stein's book a fable (for grownups and mature children) full of original, live music by Heather Christian and aerial movement choreographed by Nicki Miller. Ripe Time's first new show since its celebrated Mrs. Dalloway adaptation Septimus and Clarissa (2011), The World is Round makes its world premiere April 17 - 30 at BAM Fisher (Fishman Space, 321 Ashland Place, Brooklyn).

To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.

To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.