Casting is confirmed and tickets are now on sale for the Signature Theatre (Paige Evans, Artistic Director; Erika Mallin, Executive Director; James Houghton, Founder) production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winnerSuzan-Lori Parks and directed by Lileana Blain-Cruz. Parks is Signature's current Residency One playwright; her plays Venus, directed by Lear deBessonet, and The Red Letter Plays: In the Bloodand f**king A, directed by Jo Bonney, will be presented in 2017.
Casting is confirmed and tickets are now on sale for the Signature Theatre production of The Death of the Last Black Man in the Whole Entire World, by Pulitzer Prize-winner Suzan-Lori Parks and directed by Lileana Blain-Cruz.
In response to popular and critical acclaim, Soho Rep., in association with John Adrian Selzer, announces a second and final extension of the U.S. premiere of Revolt. She Said. Revolt Again. to May 22.
In response to popular demand and three weeks before performances begin, Soho Rep., in association with John Adrian Selzer, extends the U.S. premiere of Revolt. She Said. Revolt Again. to May 15.
Soho Rep., in association with John Adrian Selzer, presents the U.S. premiere of Revolt. She Said. Revolt Again. by award-winning British playwright Alice Birch. Originally commissioned by the Royal Shakespeare Company, the American premiere is directed by Lileana Blain-Cruz, 30, with both rigor and a playful spirit, and features Daniel Abeles, Molly Bernard, Eboni Booth and Jennifer Ikeda. The production introduces American audiences to Birch, 29, who was a finalist for the Susan Smith Blackburn Prize in 2012 and 2015 and is a co-winner of the 2014 George Devine Award for Most Promising Playwright.
As part of its 2015-2016 Performing Arts Season, Japan Society presents Haruki Murakami's SLEEP, in a first look, work-in-progress showing from Ripe Time and PlayCo.
As part of its 2015-2016 Performing Arts Season, Japan Society presents Haruki Murakami's SLEEP, in a first look, work-in-progress showing from Ripe Time and PlayCo.
Considering all the second-rate operas by men that have received first-rate productions at major houses, it's a shock that the performances of Dame Ethel Smyth's early 20th-century opera, THE WRECKERS, at Bard Music Festival was the stage premiere of the work in this country. And a dazzling one it was. The question is: “What took so long?” The answer, I suppose, is “Because Conductor Leon Botstein didn't get on the case earlier.”
The USITT-USA curatorial team chose two shows from Ripe Time Theatre in New York, a multimedia production from Paul Abacus, a “wandering opera” staged at LA's Union Station, and performance pieces from faculty at Auburn University in Alabama and Colorado College as the best overall productions for the exhibit.
The 59th Annual Village Voice Obie Awards, celebrating achievement in the Off-Broadway and off-off Broadway theater, were given out at a ceremony last night at Webster Hall in Greenwich Village. The awards ceremony was co-hosted by Tamara Tunie and Hamish Linklater. The awards were presented by Betsy Aidem, Harvey Fierstein, Lena Hall, LaTanya Richardson Jackson, Andy Karl, David Bar Katz, Cristin Milioti, Kelli O'Hara, Lily Rabe and Stephen Trask. BroadwayWorld was there for the ceremony and you can check out photo coverage of the winners backstage below!
The 59th Annual Village Voice Obie Awards, celebrating achievement in the Off-Broadway and off-off Broadway theater, were given out at a ceremony last night at Webster Hall in Greenwich Village. The awards ceremony was co-hosted by Tamara Tunie and Hamish Linklater. The awards were presented by Betsy Aidem, Harvey Fierstein, Lena Hall, LaTanya Richardson Jackson, Andy Karl, David Bar Katz, Cristin Milioti, Kelli O'Hara, Lily Rabe and Stephen Trask.
Ripe Time, the Brooklyn-based company led by Rachel Dickstein, has garnered acclaim for creating physically charged, visually powerful adaptations of classic and contemporary stories by authors raging from Edith Wharton to Jhumpa Lahiri. Conceived, written and directed by Dickstein, the play The World is Round epitomizes the company's work, creating from Gertrude Stein's book a fable (for grownups and mature children) full of original, live music by Heather Christian and aerial movement choreographed by Nicki Miller. Ripe Time's first new show since its celebrated Mrs. Dalloway adaptation Septimus and Clarissa (2011), The World is Round makes its world premiere April 17 - 30 at BAM Fisher (Fishman Space, 321 Ashland Place, Brooklyn).
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
It's amazingly sad yet funny, intense yet whimsical, deep yet obvious, revealing yet obscure -- all at the same time and both Fisher and Mays capture our imaginations as they creating characters experiencing the wide range of emotions.
Yale Repertory Theatre presents the world premiere of Sarah Ruhl's DEAR ELIZABETH, a play in letters from Elizabeth Bishop to Robert Lowell and back again, directed by Les Waters, at Yale Repertory Theatre (1120 Chapel Street), November 30-December 22. Opening Night is tonight, December 6. The cast of DEAR ELIZABETH is Mary Beth Fisher and Jefferson Mays. Click below to go backstage with the stars, plus watch highlights from the show!
Yale Repertory Theatre presents the world premiere of Sarah Ruhl's DEAR ELIZABETH, a play in letters from Elizabeth Bishop to Robert Lowell and back again, directed by Les Waters, at Yale Repertory Theatre (1120 Chapel Street), November 30-December 22. Opening Night is tonight, December 6. The cast of DEAR ELIZABETH is Mary Beth Fisher and Jefferson Mays. BroadwayWorld has a first look at the pair onstage in the photos below!
Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of Sarah Ruhl's DEAR ELIZABETH, a play in letters from Elizabeth Bishop to Robert Lowell and back again, directed by Les Waters, at Yale Repertory Theatre (1120 Chapel Street), November 30-December 22. Opening Night is Thursday, December 6.
HERE proudly announces its 20th Anniversary Season, spanning September 2012 through June 2013, featuring three world premieres from Resident Artists in the HERE Artist Residency Program (HARP); two co-productions delivering hybrid performing arts premieres; the launch of PROTOTYPE: Opera/Theatre Now, an annual festival; and HERE's yearly CULTUREMART festival which gives audiences a first look at new work from HERE Resident Artists. Works include groundbreaking multidisciplinary productions from HARP Artists, representing the culmination of commissions and developmental residencies of up to three years, as well as presentations by visiting artists, curated by HERE, as part of HERE's various programs including the Dream Music Puppetry Program and much more.
