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AWAKE & SING! Yiddish Theater Walking Tours Set for Sunday and Monday

The first 24 premium ticket buyers to the upcoming Off-Broadway revival of Clifford Odets' masterpiece AWAKE AND SING!, will receive a Yiddish theater walking tour of Manhattan's Lower East Side with the inimitable Shane Baker. The two options to join this very special 90-minute tour are this Sunday, November 26 or Monday, November 27 at 11 am, beginning at Second Ave. & 12th St. and concluding at 143 East Houston.

Performances Begin Saturday For AWAKE AND SING!

New Yiddish Rep will present Clifford Odets' 1935 masterpiece AWAKE AND SING! beginning this Saturday, November 25, with Opening Night set for December 6th at the Theater at the 14th Street Y, 344 East 14 Street (between First & Second Aves.) A Yiddish version of AWAKE AND SING! was produced on Broadway by WPA's Federal Theatre Project in 1938 and it is this translation that will be performed in the upcoming Off-Broadway revival with English supertitles.

Israeli Husband & Wife Stars to Appear Off-Broadway in AWAKE AND SING!

Renowned husband & wife Israeli actors Gera Sandler and Ronit Asheri are set to star in the upcoming Off-Broadway revival of Clifford Odets' masterpiece AWAKE AND SING!, with performances beginning this Saturday, November 25th at the Theater at the 14th Street Y, 344 East 14 Street (between First & Second Aves.)

RHINOCEROS Ends Off-Broadway Run Today

The Yiddish world premiere of Eugene Ionesco's RHINOCEROS will conclude its acclaimed limited run today (Sunday) at 2 pm at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) The production opened on September 14th to ecstatic reviews led by Theater Pizzazz which praised New Yiddish Rep's Exquisite masterpiece!

BWW Review: The One Note Play Deflates This RHINOCEROS

Moshe Yassur's direction is bold and intelligent. Eli Rosen's translation is clear. Susannah Norris-Lindsay's costumes are simple and effective. Unfortunately most of the performances are delivered in one mode: whiny, angsty, and loud.

New Yiddish Rep's RHINOCEROS Opens Tomorrow Off-Broadway

A friendly reminder! The Yiddish world premiere of Eugene Ionesco's Rhinoceros is set to open tomorrow night (Thursday) at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) New Yiddish Rep, which produced last season's smash hit GOD OF VENGEANCE, is presenting Rhinoceros in association with the Castillo Theatre.

Company of RHINOCEROS to Appear on WBAI Radio Today

The Yiddish world premiere of Eugene Ionesco's RHINOCEROS began performances September 7th and the official Opening is set for this Thursday, September 14th at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.)

Photo Flash: First Look at New Yiddish Rep's RHINOCEROS, Starting Tonight Off-Broadway

The Yiddish world premiere of Eugene Ionesco's Rhinoceros begins performances tonight at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) New Yiddish Rep, which produced last season's smash hit GOD OF VENGEANCE, is presenting Rhinoceros in association with the Castillo Theatre. Rhinoceros is performed in Yiddish with English supertitles. BroadwayWorld has a first look at the cast in action below!

New Yiddish Rep Revives RHINOCEROS Off-Broadway, Starting Tonight

Distinguished Israeli actor, Gera Sandler, stars in the Yiddish world premiere of Eugene Ionesco's Rhinoceros in the role of Dudard. Performances are set to begin tonight, September 7th, with the Opening on Thursday, September 14th at the Castillo Theatre, 543 West 42 Street (between Tenth & Eleventh Aves.) New Yiddish Rep's rare revival of Rhinoceros will be performed in Yiddish with English supertitles.

BWW REVIEW: Despite Talented Cast, Lost and Found's OLD NEW YEAR Fails To Find Its Way

OLD NEW YEAR, the latest production of the experimental theater collective Lost and Found (which operates under the National Yiddish Theater Folksbeine umbrella) has both lofty and worthwhile intentions. In fact, reading an interview with producer and curator Anya Zicer after seeing the play on its opening night at Art 345, I was impressed by the innovativeness of the company's 'verbatim' technique, as well as by the attempt to deploy that technique in this particular work.

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