In My Stroke of Luck, a new solo show at The Marsh San Francisco, Barnes recounts her experience of having a stroke, her path to recovery, and more. A spellbinding and funny look at love, family, and seemingly insurmountable obstacles, Barnes shares the story of a single adoptive mother of special needs and gifted sons and how she forges a new identity after a debilitating stroke.
The Marsh San Francisco welcomes a new solo show to the Studio stage, Ain't That Rich by Kate Robards. A favorite of the 2016 Capital Fringe Fest in DC, the show was named one of the Best of Fringe by DC Metro Theater Arts and won first prize at the 2017 Maui Fringe Festival. In this compelling work, Kate describes growing up poor in an East Texas town, where she tries to keep up with the small-town wealthy people.
The Marsh San Francisco presents the return of the family-friendly Bay Area holiday favorite The Jewelry Box in December.
The Marsh San Francisco announces award-winning performer Brian Copeland is performing his final free show for this year of his acclaimed solo piece, The Waiting Period, an unflinching examination of depression. This performance is particularly directed at those struggling with depression that would be otherwise unable to attend due to the cost of admission. Featuring humorous, poignant, and riveting insights, the solo show is written by Copeland and directed by David Ford, which will return in 2018 at The Marsh. Also performing his hit show Not a Genuine Black Man for the month, this added performance of The Waiting Period will take place 5:30pm Sunday, November 19, at The Marsh San Francisco Studio, 1062 Valencia Street. General admission for this performance is free, although reservations are recommended. To reserve tickets or for more information, the public may visit www.themarsh.org or call 415-282-3055 Monday through Friday between 1:00pm and 4:00pm.
The Marsh San Francisco announces Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland, will extend with performances in November at The Marsh due to popular demand.
Emmy winner John Leguizamo (Ghetto Klown) is making his highly-anticipated return to Broadway this fall in his original one-man comedic play LATIN HISTORY FOR MORONS, direct from his acclaimed engagements at The Public Theater and Berkeley Repertory Theater.
ODC/Dance is pleased to announce the 31st season of The Velveteen Rabbit, KT Nelson's now classic dance theater interpretation of Margery Williams' beloved children's book. Performances take place at Yerba Buena Center for the Arts November 25 -December 10, 2017.
In My Stroke of Luck, a new solo show at The Marsh San Francisco, Barnes recounts her experience of having a stroke, her path to recovery, and more. A spellbinding and funny look at love, family, and seemingly insurmountable obstacles, Barnes shares the story of a single adoptive mother of special needs and gifted sons and how she forges a new identity after a debilitating stroke.
The Marsh San Francisco announces award-winning performer Brian Copeland is continuing with a free performance of his acclaimed solo piece, The Waiting Period, an unflinching examination of depression in October.
The Marsh San Francisco announces Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland, will extend at The Marsh due to popular demand.
The Marsh San Francisco welcomes a new solo show to the Studio stage, Ain't That Rich by Kate Robards.
The Marsh San Francisco presents Charlie Varon's Storyborscht, a new pop-up experience featuring storytelling and cooking by award-winning performer Charlie Varon.
The Marsh Berkeley has announced Colette Uncensored, the first solo show by acclaimed actress Lorri Holt, will return to the East Bay for the fall with a revised script.
Emmy winner John Leguizamo (Ghetto Klown) will make his highly-anticipated return to Broadway this fall in his original one-man comedic play LATIN HISTORY FOR MORONS, direct from his acclaimed engagements at The Public Theater and Berkeley Repertory Theater, producers Nelle Nugent and Kenneth Teaton announced today.
Berkeley Repertory Theatre today announced the world premiere of Imaginary Comforts, or The Story of the Ghost of the Dead Rabbit, written by Daniel Handler and directed by Tony Taccone. The new play begins previews on Thursday, October 5 and the show runs through Sunday, November 19. Individual tickets begin at $30 and can be purchased online at berkeleyrep.org or by phone, 510 647-2949. Press night will be on Thursday, October 12.
The Public Theater announced today that three final performances have been added to the critically acclaimed New York premiere of Latin History for Morons, created and performed by John Leguizamo. Directed by Tony Taccone, this fiercely funny, satirical one-man show was inspired by Leguizamo's observation that Latinos are essentially invisible in the standard American history curriculum.
Previews for the New York premiere of Latin History for Morons begin tonight, February 24, at The Public Theater.
Previews for the New York premiere of Latin History for Morons will begin on Friday, February 24 at The Public Theater.
ODC is pleased to celebrate the 30th Anniversary of its much-loved holiday tradition, The Velveteen Rabbit. Created and choreographed by ODC's Co-Artistic Director KT Nelson, The Velveteen Rabbit is a warm, witty interpretation of Margery Williams' time-honored children's tale.
Berkeley Repertory Theatre presents a new adaptation of Sinclair Lewis' novel, It Can't Happen Here.
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