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TIMES UNSEEN Explores Diverse Responses To Politics At The Marsh Berkeley

A shocking political reversal has found Americans facing headlines filled with divisive rhetoric while polarized citizens passionately debate the issues of the day. In Times Unseen, a long-term performance workshop series at The Marsh spearheaded by solo director maestro David Ford, the interaction of the political and the personal in times of great change is chronicled onstage. Initiated in 2017 in response to the presidential election, Times Unseen spotlights performers from disparate social, geographical, and political backgrounds, who share their raw, honest, and American experiences. Monthly showcases will culminate in a festival of work in October 2018, just in time for the midterm elections. Times Unseen performers will present their works in progress 7:30pm Monday, June 4 and in collaboration with Stagebridge 7:30pm Tuesday, June 12. Both performances will be staged at The Marsh Berkeley, 2120 Allston Way, Berkeley. Tickets ($10-$15 sliding scale) and information available at www.themarsh.org or at The Marsh box office at 415-282-3055 (open 1-4pm, Monday through Friday). 

Copeland Continues: Additional THE WAITING PERIOD Performances

The Marsh San Francisco adds six free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign. This deeply moving and surprisingly funny work outlines Copeland's own struggles with depression and suicidal thought, and is presented at no cost to remove all barriers for those who may be struggling with depression themselves. Featuring humorous, poignant, and riveting insights, the solo show written by Copeland and directed by David Ford, will take place 2pm Sundays May 6 - July 29, 2018 (see exact schedule below), at The Marsh San Francisco, 1062 Valencia Street. General admission for this performance is free, although reservations ($55-$100), are recommended. To reserve tickets or for more information, the public may visit www.themarsh.org or call 415-282-3055 Monday through Friday between 1:00pm and 4:00pm.

A FATAL STEP Extends Through April At The Marsh

Due to popular demand, The Marsh San Francisco extends Jill Vice's solo show, A Fatal Step. Turning the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale. When Sarah's footing with her handsome podiatrist boyfriend is undermined by an archrival, she takes drastic steps to keep her man. The San Francisco Examiner praised Vice, noting "it's impossible to take your eyes off the animated actress," while the San Francisco Chronicle celebrated her performance declaring "Vice both does noir justice and impishly picks it apart." A Fatal Step, directed by Mark Kenward and developed with David Ford, will return for its extended run 8:00pm Thursdays and 8:30pm Saturdays March 24-April 28, 2018 at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).

Depression And Theater: Brian Copeland's THE WAITING PERIOD Extends at The Marsh

The Marsh San Francisco adds three free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign. This deeply moving and surprisingly funny work outlines Copeland's own struggles with depression and suicidal thought, and is presented at no cost to remove all barriers for those who may be struggling with depression themselves. Featuring humorous, poignant, and riveting insights, the solo show written by Copeland and directed by David Ford, will take place 5:30pm Sundays March 25 - April 29, 2018 (see exact schedule below), at The Marsh San Francisco, 1062 Valencia Street. General admission for this performance is free, although reservations ($55-$100), are recommended. To reserve tickets or for more information, the public may visit www.themarsh.org or call 415-282-3055 Monday through Friday between 1:00pm and 4:00pm.

WHAT THEY SAID ABOUT LOVE Extends at The Marsh

Due to popular demand, Steve Budd's What They Said About Love, the 2016 San Francisco Fringe "Best of Fringe" winner, will be extended at The Marsh. In this absorbing solo show, Steve wonders why other people can-and why he can't-tie the knot. He sheds light on how people meet and make it to the altar, the push and pull of relationships, singles who can't seem to settle down, and more.

DAUGHTER OF A GARBAGEMAN Returns to The Marsh

Back by popular demand, radio host/standup comic Maureen Langan returns to The Marsh San Francisco for a special limited engagement of her 2017 smash hit Daughter of a Garbageman. This comedic and moving tale was declared one of the "Top 3 Shows of 2017" by Theatre Eddys ("a one-woman tour-de-force, jam-packed with moments to be relished and remembered").

The Marsh San Francisco Presents RETURN TO THE SCENE OF THE CRIME

The Marsh San Francisco announces a new solo show by David Kleinberg, Return to the Scene of the Crime. Kleinberg - who chronicled his year as an army combat correspondent in Vietnam with his hit show Hey, Hey, LBJ! - describes his return for the first time in 50 years to Vietnam.

Photo Flash: The Marsh Berkeley presents WHAT THEY SAID ABOUT LOVE

The Marsh welcomes a new solo show to the Berkeley stage, What They Said About Love by Steve Budd, which was awarded the Best of Fringe at the 2016 San Francisco Fringe Festival. In this absorbing solo show, Steve wonders why other people can and why he can't tie the knot. Budd sheds light on how people meet and make it to the altar, the push and pull of relationships, singles who can't seem to settle down, and more. The Oakland based actor captures the physical and vocal nuances of more than a dozen Bay Area characters, using their own words taken from hours of interviews, and weaves in his relentless search for the one. What They Said About Love, directed by Mark Kenward and developed with David Ford, will be presented 8:00pm Fridays and 8:30pmSaturdays February 2-March 3, 2018 (press opening: February 9) at The Marsh Berkeley, 2120 Allston Way, Berkeley. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).

Jill Vice's A FATAL STEP Returns to The Marsh This Month

The Marsh San Francisco announces a new solo show by Jill Vice, A Fatal Step. Turning the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale.

Free Performances to be Offered to THE WAITING PERIOD

The Marsh San Francisco announces award-winning performer Brian Copeland will offer free performances of his acclaimed The Waiting Period, a deeply moving and surprisingly funny work on his own struggles with depression and suicidal thought. This performance is particularly directed at those struggling with depression that would be otherwise unable to attend due to the cost of admission.

Jill Vice's A FATAL STEP Returns to The Marsh This Month

The Marsh San Francisco announces a new solo show by Jill Vice, A Fatal Step. Turning the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale.

MY STROKE OF LUCK Solo Show Extends at The Marsh

The Marsh San Francisco kicks off the New Year with an extension of 2017 United Solo Theatre Festival winner My Stroke of Luck, from January 4 through February 3, 2018.

Sundance Now Exclusively Premieres New Docu-Film CIRCUS KID Today

Sundance Now, AMC Networks' premium video streaming service dedicated to bringing members high-quality, acclaimed independent film, documentaries and TV series, announced today its new documentary film, CIRCUS KID, will premiere exclusively on the service starting December 21st.

A Spin On Film Noir: Jill Vice's A FATAL STEP Comes To The Marsh

The Marsh San Francisco announces a new solo show by Jill Vice, A Fatal Step. Flipping the tables on film noir tropes, Vice's 60-minute dramedy tells its shadowy tale not from the typical point of view of the hardboiled detective, but from that of the femme fatale. When Sarah's footing with her handsome podiatrist boyfriend is undermined by an archrival, she takes drastic steps to keep her man. Returning to The Marsh after her highly acclaimed run of Tipped & Tipsy, Vice's A Fatal Step was hailed as a delicious turn on noir by the Winnipeg Free Press. A Fatal Step, directed by Mark Kenward and developed with David Ford, will be presented 8:00pm Thursdays and 8:30pm Saturdays January 18-March 3, 2018 (press opening: January 25) at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved), the public may visit www.themarsh.org or call The Marsh box office at 415-282-3055 (open 1pm-4pm, Monday through Friday).

MY STROKE OF LUCK Solo Show Extends at The Marsh

The Marsh San Francisco kicks off the New Year with an extension of 2017 United Solo Theatre Festival winner My Stroke of Luck, from January 4 through February 3, 2018.

Sundance Now Exclusively Premieres New Docu-Film CIRCUS KID 12/21

Sundance Now, AMC Networks' premium video streaming service dedicated to bringing members high-quality, acclaimed independent film, documentaries and TV series, announced today its new documentary film, CIRCUS KID, will premiere exclusively on the service starting December 21st.

WHAT THEY SAID ABOUT LOVE Comes to The Marsh Berkeley This February

The Marsh welcomes a new solo show to the Berkeley stage, What They Said About Love by Steve Budd, which was awarded the Best of Fringe at the 2016 San Francisco Fringe Festival. In this absorbing solo show, Steve wonders why other people can and why he can't tie the knot. Budd sheds light on how people meet and make it to the altar, the push and pull of relationships, singles who can't seem to settle down, and more. The Oakland-based actor captures the physical and vocal nuances of more than a dozen Bay Area characters, using their own words taken from hours of interviews, and weaves in his relentless search for the one.

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