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Outer Critics Circle Nominations Announced: Hello, Dolly!, Anastasia, Groundhog Day and More!

The Outer Critics Circle, the organization of writers covering New York theatre for out-of-town newspapers, national publications and other media beyond Broadway, will welcome Danny Burstein and Jane Krakowski to announce the nominees for the 2016-17 season on Tuesday, April 25th (11AM) in the Oak Room at New York's renowned Algonquin Hotel (59 West 44th Street). You can watch the announcement live below!

Curran Presents PLUGGED IN AT CURRAN Event Series

Carole Shorenstein Hays and the Curran are excited to present PLUGGED IN AT CURRAN, a series of events that invites you to explore your relationship with sound in unique and innovative ways.

On the Red Carpet and Behind the Scenes at the Olivier Awards 2017

The sun and stars were out at the same time this afternoon as London's theatre community descended upon the Royal Albert Hall for this year's Olivier Awards. With excitement high, the nominees, presenters and guests were all keen to share their hopes and predictions for the evening ahead.

CURSED CHILD Wins Record-Breaking Nine Olivier Awards, GROUNDHOG DAY Best Musical

The winners of the Olivier Awards 2017 with Mastercard, the most prestigious event in the UK theatrical calendar, were announced tonight (Sunday 9 April 2017) at London's Royal Albert Hall. The biggest awards yet, the ceremony was hosted by Jason Manford. The full list of winners is available below and online at OlivierAwards.com

BWW Review: THE ENCOUNTER - An Innovative Means of Tripping Down a Photographer's Rabbit Hole

The West Coast premiere of Complicite's THE ENCOUNTER amazes with its cutting-edge technology of 3-D audio. Co-creator/performer Simon McBurney commands the Wallis stage as he recalls National Geographic photographer Loren McIntyre's 1969 photographic expedition into the depths of the Amazon rainforest. The inventive use of Sennheiser headphones astonishingly brings all the various sound effects and voices into your ears.

Tickets On Sale Today for the Innovative and Critically Acclaimed Complicite Production of THE ENCOUNTER at The Curran Theater

The Curran theater announced that tickets are on sale to the general public beginning today, Wednesday, March 22nd, at 12:00pmPST (Noon) for highly anticipated San Francisco engagement of the Complicite production of The Encounter, Simon McBurney's riveting one-man play where audience members must wear headphones to take part in the journey. Tickets can be purchased at SFCURRAN.com/shows/the-encounter, by calling 415-358-1220, or in person at the Curran Box Office (445 Geary Street). Performances begin Tuesday, April 25, 2017, for a strictly limited engagement through Sunday, May 7, 2017. For more information on The Encounter, visit SFCURRAN.com

Cast Announced for Inua Ellams' BARBER SHOP CHRONICLES at the National

BARBER SHOP CHRONICLES, a new play by Inua Ellams, begins previews at the National Theatre from 30 May, with press night 7 June, in repertoire until 8 July 2017, in a co-production with Fuel and West Yorkshire Playhouse. Directed by Bijan Sheibani.

Lyric Hammersmith Announces New Season

The Lyric Hammersmith has announced its new season running May 2017 to January 2018 including three major new productions: a UK premiere, a new adaptation of a classic and the return of the now traditional Lyric pantomime.

Fuel Theatre Announce Work Addressing Migration and Integration

Responding to a world where the movement of people is never far from the front pages, theatre producers Fuel are developing and presenting several projects with artists that address the most pressing issue of our time. Some are at early stages of development, some have new tour dates to announce, and some entirely new works will premiere. Among the new works will be The Hartlepool Monkey, produced in association with Stratford Circus Arts Centre and created by Gyre & Gimble, who met while working as puppeteers on the original production of War Horse.

BWW Review: LET THE RIGHT ONE IN a Frightening, Captivating Good Time

With the National Theatre of Scotland's production of LET THE RIGHT ONE IN coming to town, I approached with trepidation. How would that quiet, atmospheric film translate onto the stage. The answer, it turns out, is damn well. Jack Thorne's LET THE RIGHT ONE IN is damn close to a perfect play.

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