Believe it or not, Dear Readers, I was a dancer in my youth. I took tap lessons for 12 years starting in 3rd Grade. And while I didn't do much in the way of competitions, I did see my fair share of stage moms and dancer heartache. So, a play such as Clare Barron's a?oeDance Nationa??, currently being offered from Washington Ensemble Theatre, should be right up my alley. Or it would be if it had a real story. Instead what we got was a too-long one act play that chose to shock more than anything else. With a series of vignettes and dance numbers that ultimately amounted to nothing, the show repeatedly attempts to be over the top rather than clever and has no arc or through line to hold it all together.
Washington Ensemble Theatre (WET) and its Board of Directors announced today an executive leadership transition already underway that will be finalized by June 2020. Current Artistic Director Samie Spring Detzer, who was the first sole Artistic Director of the company, and Managing Director Jeffrey Azevedo will transition away from their company leadership roles but continue to curate The GUSH Series, WET's program for visiting contemporary performance.
Hunter Theater Project's return engagement of the critically acclaimed Red Bull Theater production of Mac Beth is currently in performance at the Frederick Loewe Theatre at Hunter College, East 68th Street, between Park and Lexington Avenues.
Performances begin tonight for Hunter Theater Project's strictly limited return engagement for Red Bull Theater's critically acclaimed production of Mac Beth, adapted and directed by Erica Schmidt, from the play by William Shakespeare.
Washington Ensemble Theatre has announced the cast for the Seattle premiere of Dance Nation, the Pulitzer-nominated play by Clare Barron about a group of young people discovering the power inside of them and deciding what they're going to do with their potential. Will they squash it, embrace it, sexualize it, share it, or hoard it?
Hunter College president Jennifer J. Raab announced today that Hunter Theater Project will present a strictly limited return engagement for Red Bull Theater's critically acclaimed production of Mac Beth, adapted and directed by Erica Schmidt, from the play by William Shakespeare.
THEY GOT THE BEAT! Join us this holiday for a fairy-tale celebration of love and acceptance in this raucous royal family a?oevacation,a?? HEAD OVER HEELS. Venture to the forest with the royals of Arcadia on a quest to save their beloved kingdom after they learn of an Oracle's prophecy of doom, all while moovin' and groovin' to the music of The Go-Go's in this exuberant Elizabethan-inspired musical!
Magical spirits aid an exiled duke towards reconciliation and release in Shakespeare's final solo masterpiece, The Tempest. Annie Lareau directs the production which begins previews on Oct. 15, opens Oct. 18 and runs through Nov. 10 at the Center Theatre at Seattle Center.
Pittsburgh Public Theater begins its rousing 45th anniversary season with iconic writer Aaron Sorkin's masterpiece, A Few Good Men. Directed by The Public's Artistic Director, Marya Sea Kaminski, A Few Good Men runs September 12 - October 13, 2019 at the O'Reilly Theater, Pittsburgh Public Theater's home in the heart of Downtown's Cultural District. For tickets call 412.316.1600, go to ppt.org, or visit the Box Office. A Few Good Men is presented by PNC. Check out clips from the show below!
Pittsburgh Public Theater begins its rousing 45th anniversary season with iconic writer Aaron Sorkin's masterpiece, A Few Good Men. Directed by The Public's Artistic Director, Marya Sea Kaminski, A Few Good Men runs September 12 a?" October 13, 2019 at the O'Reilly Theater, Pittsburgh Public Theater's home in the heart of Downtown's Cultural District. For tickets call 412.316.1600, go to ppt.org, or visit the Box Office. A Few Good Men is presented by PNC.
A Contemporary Theatre announces its summer production of The Year of Magical Thinking written by acclaimed reporter, essayist, and literary icon, Joan Didion.
Red Bull Theater presents Mac Beth, the second of its two Off-Broadway productions at the Lucille Lortel Theatre (121 Christopher Street between Bleecker & Hudson Streets).
Red Bull Theater today announced a one-week extension for Mac Beth, the second of its two Off-Broadway productions this season. Performances begin tonight, Tuesday May 7th, at the Lucille Lortel Theatre (121 Christopher Street between Bleecker & Hudson Streets). Tickets are now on sale through June 9th! Opening Night set for May 19th.
Washington Ensemble Theatre has announced its 2019/2020 Season, a magical lineup of plays that revels in the beauty of ritual and rite, histories and futures, and the sacred and mystic. Centered around the theme "The Divine," WET will celebrate the magnificent and transcendent forces of nature that change the way we live. The season includes the quasi-fable Is God Is by Alesha Harris, the razor-sharp preteen energy-filled play Dance Nation by Clare Barron, Raja Feather Kelly's UGLY (Black Queer Zoo), which is the second installment of its GUSH Series, and an examination of the cosmic duality of good and evil in a new collaboration with the beloved Cherdonna Shinatra, The Strange Case of Dr. Cher and Mr. Donna. WET will continue to produce as a resident company at 12th Avenue Arts in Capitol Hill. Subscriptions start at $60 and are on sale now at www.washingtonensemble.org.
Red Bull Theater will soon present the second of its two upcoming Off-Broadway productions at the Lucille Lortel Theatre (121 Christopher Street between Bleecker & Hudson Streets). Isabelle Fuhrman (Orphan, The Hunger Games, All The Fine Boys), Ismenia Mendes (CSC's The Liar, Cressida in NYSF's Troilus & Cressida), AnnaSophia Robb ('The Carrie Diaries,' 'The Act,' 'Mercy Street,' Down A Dark Hall), Sharlene Cruz (Den of Thieves at Harlem Rep), Sophie Kelly-Hedrick (Off-Broadway debut), Lily Santiago (New York Shakespeare Festival's Othello), and Ayana Workman (The Price of Thomas Scott - Mint, Juliet in NYSF's Romeo & Juliet) will star in MAC BETH, adapted and directed by Erica Schmidt from Shakespeare.
This month Washington Ensemble Theatre (WET) will present a limited engagement of Singlet, a critically acclaimed new theatre work by the genre-defying performer and creator Erin Markey. Singlet is the inaugural show in The GUSH Series, WET's new program that presents theatrical works from outside Seattle that are curated by the Ensemble and performed on its mainstage.
American Repertory Theater (A.R.T.) announceS that award-winning storyteller, playwright, and activist Sara Porkalob will return to OBERON (2 Arrow Street, Cambridge) this month
Washington Ensemble Theatre has announced the cast for the Seattle premiere of Feathers and Teeth, the twisted horror comedy by Charise Castro Smith that grapples with the power of grief and the dangers of the other side. WET members Rachel Guyer-Mafune (WET: Teh Internet Is Serious Business, ACT: The Wolves, Book-It: Howl's Moving Castle) and Samie Spring Detzer (WET: Teh Internet Is Serious Business, Revolt. She said. Revolt again.) return to the WET stage to star as the creepy cool daughter/stepmother duo, Chris and Carol. Brandon J. Simmons (WET: Sextet, The Seagull Project: The Cherry Orchard, The Three Sisters) joins the cast as Arthur and James Schilling (ArtsWest: Peter and the Starcatcher, The Horse in Motion: The Great Noise) makes his WET debut as Hugo. WET's Associate Artistic Director Bobbin Ramsey directs. This is the second play by Castro Smith to be produced by WET; the world premiere of The Hunchback of Seville was the company's final play produced at The Little Theater on 19th Avenue East before moving to its current home, 12th Avenue Arts
Red Bull Theater today announced the cast for the second of its two upcoming Off-Broadway productions at the Lucille Lortel Theatre (121 Christopher Street between Bleecker & Hudson Streets). Tickets are now on sale.
