Jason Manford and Ashley Banjo will star in the The Wizard of Oz, the musical based on the iconic story by L. Frank Baum, which plays a strictly limited season at the world famous London Palladium this summer.
Fourteen skilled participants have been selected for ‘Front and Centre 2023’ - a career coaching and professional development program for women and non-binary people with disability working in the arts, creative and cultural sectors across NSW, the ACT, Victoria, South Australia and Tasmania.
EXPOSURE, Holly Morris's visually stunning account of an 11-woman expedition to the North Pole is one of the featured documentaries at this year's Sedona International Film Festival.
Kaatsbaan Cultural Park will present a Spring Festival over three consecutive weekends from June 2-19, 2023 taking place both outdoors across its 153-acres in the Hudson Valley, as well as in its indoor theater.
The west coast premiere of playwright Anna Deavere Smith’s expanded solo show Twilight: Los Angeles, 1992 opens March 15, 2023, at the Mark Taper Forum (with previews beginning March 8th). Gregg T. Daniel directs the cast of Hugo Armstrong, Lovensky Jean-Baptiste, Lisa Reneé Pitts, Jeanne Sakata and Sabina Zúñiga Varela performing the 30-40 characters of the play that Anna originally performed all on her own. Gregg was most gracious to carve out time from rehearsals to answer a few of my queries.
The LaughtHER Collective, a fast-rising educational organization that amplifies womxn+ and diversity using techniques of comedy, will be producing an International Women's Day Comedy Show appropriately titled, The Future is... FUNNY!
Wolf Trap Foundation for the Performing Arts has awarded grants to eight teachers at public high schools in Virginia, Maryland, and Washington, DC to fund music, dance, and theater projects in their classrooms.
Roundabout Theatre Company has announced the complete cast for the world premiere of Primary Trust by playwright Eboni Booth, directed by Knud Adams. See who is starring, and how to purchase tickets!
On April 3, 2023, Virginia’s Tony Award-winning Signature Theatre will honor the theatrical icon Chita Rivera with the company’s twelfth Stephen Sondheim Award. See performers and more!
The Cincinnati Symphony Orchestra and Cincinnati Pops announced details for the 2023-24 season, Louis Langrée’s eleventh and final season as Music Director of the Orchestra.
Actors’ Equity Association has published Progress During an Atypical Year: Hiring Bias and Wage Gaps in Theatre in 2021.This document examines employment opportunity and average salaries for members of the union in 2021.
After an extensive nationwide search with Management Consultants for the Arts, the Indiana Repertory Theatre and its Board of Directors have announced the Theatre’s future Margot Lacy Eccles Artistic Director, Benjamin Hanna. Hanna is the current Associate Artistic Director, and he will work with Janet Allen on this monumental transition until he officially steps into the role after Allen’s retirement on July 1, 2023.
Ford's Theatre Director Paul R. Tetreault announced the hiring of Teela Foxworth as Director, Equity, Diversity and Inclusion. She joined the senior leadership of Ford's Theatre on February 21.
Celebrating Black History Month, Tribecarts presents a performance of Black Voices, features Black musicians and vocalists who have performed around the globe. Tribecarts Black Voices is Sunday, February 26th at 3pm at St. Mark's Church, Manhattan. Admission is a $15 suggested donation at the door and free for students and children.
The Louisville Orchestra (LO) presents LO Creators Corps composer Lisa Bielawa’s Louisville Broadcast, a new 45-minute musical piece for an unlimited number of participants that celebrates two historic sites and the vitality of Louisville’s many musical communities.
The Millbrook Playhouse Board of Directors, and new Producing Artistic Director, Shannon Agnew, have announced the professional summer theater’s 60th Season.
Owens scratches the surface of Welsh underdevelopment and economic deprivation, going as far as giving Julie a perfunctory invective against posh kids, but refraining from digging deeper into the issues. It’s disheartening to see such a big platform being under-exploited to the benefit of a silly narrative. Having a diversity of accents across three stages doesn't automatically guarantee quality.