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Review: SWEAT, Citizens Theatre

In a small Rust Belt town in Pennsylvania, friendships are forged through sweat and laughter. For decades, Tracey and Cynthia have worked side by side, bound by shared history and hard-earned pride. But when whispers of layoffs grow louder, opportunity turns into betrayal. A community built on solidarity begins to splinter, as bitter resentments and unspoken racial divides rise to the surface.

Cast Set For CORAM BOY at Chichester Festival Theatre

The full cast has been announced for Anna Ledwich’s new production of Coram Boy, running at Chichester Festival Theatre from 24 May – 15 June and at The Lowry, Salford from 21 – 29 June.

Review: DISRUPTION, Park Theatre

Disruption comes from a place of curiosity. It’s an intellectually provocative story, expertly woven into an absorbing piece of choral theatre.

Review: I, JOAN at Shakespeare's Globe

Joan of Arc has long been a symbol of female empowerment. Her ascent to patron saint of France is often described as a tale of gender non-conforming rebellion for women to aspire to. Shakespeare's Globe and writer Charlie Josephine (they/he) have dismantled this depiction of womanhood, redefining Joan's experiences through the lens of trans existence. In I, Joan, the protagonist traverses the same war and faith we as an audience are accustomed to, whilst also advocating for and navigating their nonbinary identity.

BWW Review: HENRY VIII, Shakespeare's Globe

As the most notorious monarch in British history, Henry VIII's rule was tyrannous and imposing. Known for his colossal physique and consort of six unlucky wives, Henry Tudor has long stood as an example of the damage done by brutish men with excessive power. His reputation as a prolific abuser of women has inspired an array of assertive feminist theatre and this offering by Shakespeare's Globe is no exception.

VIDEO: Royal Shakespeare Company Releases SONNETS IN SOLITUDE

The Royal Shakespeare Company today released Sonnets in Solitude, a selection of Shakespeare's sonnets self-recorded by RSC actors while in lockdown. Many of the actors were working with the RSC at the time of the theatre's temporary closure on 17 March and have been unable to perform or rehearse since.

BWW Review: THE WHIP, Swan Theatre

The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.

Full Cast Announced For A MUSEUM IN BAGHDAD At The Kiln Theatre

Following the world premiere at Stratford a?"upon-Avon, Kiln Theatre and the Royal Shakespeare Company today announce the full cast for the London run of A Museum in Baghdad. Director Erica Whyman reunites David Birrell (Professor Leonard Woolley), Houda Echouafni (Layla Hassan), Emma Fielding (Gertrude Bell), Ali Gadema (Kidnapper, Prime Minister), Rendah Heywood (Ghalia Hussein), Zed Josef (Salim), Nadi Kemp-Sayfi (Nasiya), Debbie Korley (Sam York), Riad Richie (Mohammed Abdullah), and Rasoul Saghir (Abu Zaman). The production opens at Kiln Theatre on 28 April, with previews from 22 April, and runs until 23 May.

BWW Interview: Katherine Pearce Talks THE WHIP

Actress Katherine Pearce makes her Royal Shakespeare Company debut this season, featuring in both King John and The Whip, a new play by Juliet Gilkes Romero.

RSC Announces Casting For THE WHIP

As the 19th Century dawns, politicians of all political persuasions gather in London to abolish the slave trade once and for all. But will the price of freedom turn out to be a multi-billion pound pay off to the slave owners, even though such a bailout could drive the country into economic and political ruin?

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