David Ford News

With its extension run virtually sold out, The Marsh San Francisco announces an additional extension of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into August 2019.

The Marsh San Francisco adds five free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign and generous corporate contributions from Summit Bank, Clint Reilly Associates, The Handlery Hotel Union Square in San Francisco, and Fremont Bank, OSIsoft, and Galvan and Associates in San Leandro.

The Marsh San Francisco announces additional performances of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

Wayne Harris' award-winning, music-infused, spiritual, and uplifting Mother's Milk will return to The Marsh Berkeley. Original songs, traditional blues, and gospel classics come together to underscore an intricate and uplifting narrative on life, death, and the Baptist Church (not to mention the best recipe ever for banana pudding). Set against the background of the civil rights movement, a losing battle with breast cancer, and a slightly inebriated preacher, Mother's Milk tells the story of a young black man finding his way back home.

The Marsh San Francisco adds four free performances of Brian Copeland's The Waiting Period,due to ongoing support from a GoFundMe campaign and generous corporate contributions from The Handlery Hotel Union Square in San Francisco, and Fremont Bank and OSIsoft in San Leandro.

This April, The Marsh San Francisco brings Paul Sussman's The Wrong Kind of Pessimism to The Marsh Discovery Series, a showcase for works under development. Humans have traded up their caves, tripled their life spans, written Ulysses, and gone to the moon. And along the way, melted the ice caps, oppressed the crap out of each other, and elected you-know-who. Are humans getting anywhere? From the first gentrification (sorry, Neanderthals) to the secrets of the genome, Sussman takes on (and smacks down) the big questions of progress, faith, and where it all ends in The Wrong Kind of Pessimism. Directed by Kenny Yun, The Wrong Kind of Pessimism will be presented April 27 -May 18, 2019 with performances at 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Fridays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

With its extension run virtually sold out, The Marsh San Francisco announces an additional extension of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into June 2019. Based on Hoyle's conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds, the show has been greeted with unanimous critical acclaim, earning the highest rating from the San Francisco Chronicle, noting "This is what it is to witness a master of his craft. Dan Hoyle is one of our theatrical gems," and praised the production as "A testament to the core-to-nerve ending commitment and courage" of those living on borders of any kind.

The Marsh San Francisco announces the return of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

A captivating tale of a harrowing recovery, the hit solo show My Stroke of Luck will return to The Marsh Berkeley for a 2019 run. Not everyone knows that the average person loses 1.9 million brain cells every minute a stroke goes untreated, but Diane Barnes did.

With its initial and extension runs now largely sold out, The Marsh San Francisco has added six additional Wednesday performances of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle.

With its initial run virtually sold out just days after opening, The Marsh San Francisco announces that it has extended Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, into April 2019. Based on Hoyle's conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds, the show has been greeted with unanimous critical acclaim, earning the highest rating from the San Francisco Chronicle, noting "This is what it is to witness a master of his craft. Dan Hoyle is one of our theatrical gems," and praised the production as "

The Marsh Berkeley has announced that due to popular demand it has scheduled an extended run of Lisa Rothman's hit show, Dragon in the Drop-Off Lane. This hilarious and cautionary tale describes what happens when Rothman's Oakland-raised kids venture into the fairytale world of Marin, where all the children seem to know how to sew, speak in a "Crystal Cave whisper," and decorate their (vegan) gingerbread men with stevia icing, carob chips, and unsweetened coconut flakes. Of course, no fairytale would be complete without a fairy godmother to help Rothman reckon with her parenting choices.

The Marsh San Francisco presents the World Premiere of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, based on his conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds. Hoyle began work on the show after the election of Trump in November 2016; as the American immigration debate has grown more heated, Hoyle has worked with increased urgency to complete the work and bring it to the stage. Border People, directed and co-developed by Charlie Varon, will be presented January 11 - February 23, 2019 (press opening: January 25) with performances at 8:00pm Thursdays, 8:00pm Todays, and 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Todays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Today, 1pm-4pm).

The Marsh San Francisco announces a one-night-only Marsh benefit performance of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America. "In the current political climate, empathy seems to be a lost commodity. By showing people the world through the eyes of a bullied and lonely little African-American boy, I hope they will develop compassion for the demonized 'other,'" says Copeland. The San Francisco Chronicle described the show as "relentlessly introspective and disarmingly honest, Copeland takes apart the false notion that black masculinity is some monolithic concept, in a way that has continued, unfortunately, to be relevant long after the show's 2004 premiere." Not a Genuine Black Man will play as a Marsh benefit performance for one-night-only at 8:00pm, Thursday, January 10, 2019 at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($30-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh Berkeley has announced that due to popular demand it has scheduled an extended run of Lisa Rothman's hit show, Dragon in the Drop-Off Lane. This hilarious and cautionary tale describes what happens when Rothman's Oakland-raised kids venture into the fairytale world of Marin, where all the children seem to know how to sew, speak in a "Crystal Cave whisper," and decorate their (vegan) gingerbread men with stevia icing, carob chips, and unsweetened coconut flakes. Of course, no fairytale would be complete without a fairy godmother to help Rothman reckon with her parenting choices.

The Marsh San Francisco adds five free performances of Brian Copeland's The Waiting Period, due to ongoing support from a GoFundMe campaign and generous corporate contributions from Fremont Bank and OSIsoft in San Leandro. This deeply moving and surprisingly funny work outlines Copeland's own struggles with depression and suicidal thought, and is presented at no cost to remove all barriers for those who may be struggling with depression themselves. Featuring humorous, poignant, and riveting insights, the solo show written by Copeland and directed by David Ford, will take place January 6 & 20,  February 3, March 3 & 17, 2019 with performances at 5:30pm, Sundays at The Marsh San Francisco, 1062 Valencia Street. General admission for this performance is free, although reservations are recommended. To reserve tickets or for more information, the public may visit the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco announces the extension of Why Would I Mispronounce My Own Name?, Irma Herrera's hit solo show weaving history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions.

The Marsh San Francisco presents the World Premiere of Border People, the newest solo show by award-winning actor and playwright Dan Hoyle, based on his conversations with immigrants, refugees, asylum seekers, and border crossers of all kinds. Hoyle began work on the show after the election of Trump in November 2016; as the American immigration debate has grown more heated, Hoyle has worked with increased urgency to complete the work and bring it to the stage. Border People, directed and co-developed by Charlie Varon, will be presented January 11 - February 23, 2019 (press opening: January 25) with performances at 8:00pm Thursdays, 8:00pm Fridays, and 5:00pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($25-$35 sliding scale Thursdays and Fridays; $30-$35 sliding scale Saturdays; $55 and $100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

The Marsh San Francisco presents Irma Herrera's solo show Why Would I Mispronounce My Own Name?, a new work that weaves history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions. When giving her name its correct Spanish pronunciation, she often gets the "where are you from?" question. The assumption: that she is a foreigner. Irma's family has been in South Texas for generations, and the award-winning social justice activist, lawyer, and journalist thinks of herself as American as apple pie. Irma's notes from American history and laugh out-loud humor invite audience members to consider what it will take for everyone to get along. Post-show talkbacks, featuring experts in everything from civil liberties to laws related to baby naming, will be offered throughout the run.

The Marsh San Francisco presents Irma Herrera's solo show Why Would I Mispronounce My Own Name?, a new work that weaves history and comedic insights into stories about names, shedding light and throwing shade on societal prejudices and assumptions. When giving her name its correct Spanish pronunciation, she often gets the "where are you from?" question. The assumption: that she is a foreigner. Irma's family has been in South Texas for generations, and the award-winning social justice activist, lawyer, and journalist thinks of herself as American as apple pie. Irma's notes from American history and laugh out-loud humor invite audience members to consider what it will take for everyone to get along. Post-show talkbacks, featuring experts in everything from civil liberties to laws related to baby naming, will be offered throughout the run.