Vagabond Players continues its 107th season with the riotously funny Shakespeare mashup, THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) by Adam Long, Daniel Singer, and Jess Winfield, and directed by Daniel Douek.
Maryland Ensemble Theatre (MET)'s FUN Company is proud to present Tomás and the Library Lady. From the best-selling children's book by Pat Mora, this musical adaptation by José Cruz Gonzales is sure to be a magical story for the whole family. FUNCompany Artistic Director Julie Herber is directing this show with an incredible cast and crew.
Fells Point Corner Theatre has announced that they will continue their 2021-2022 season of homecoming with Maricela de la Luz Lights the World by José Rivera. Directed by Daniel Douek, the show opens on November 19th and runs through December 12th.
The bad guy is supposed to proclaim how much he despises American values. But when we boo him, what are we booing? The foreign, the unknown, the threatening, the challenge to our self-righteousness. We don our Make America Great Again hats. But in a world where more and more of us, like the villain, are from the Outer Boroughs in one way or another, can the viewpoint hold?
The Hairy Ape is a 1922 expressionist play by American playwright Eugene O'Neill. Spotlighters Theatre presents the play October 27-November 19, 2017.
The Hairy Ape is a 1922 expressionist play by American playwright Eugene O'Neill. Spotlighters Theatre presents the play October 27-November 19, 2017.
Cohesion Theatre Company is proud to announce the second main stage show of their 2016/17 Season, William Shakespeare's Henry the Fifth.
Cohesion Theatre Company is proud to announce the second main stage show of their 2016/17 Season, William Shakespeare's Henry the Fifth.
MAN OF LA MANCHA, written by Dale Wasserman with music by Mitch Leigh and lyrics by Joe Darion, will be directed by Daniel Douek at Laurel Mill Playhouse this month.
MAN OF LA MANCHA, written by Dale Wasserman with music by Mitch Leigh and lyrics by Joe Darion, will be directed by Daniel Douek at Laurel Mill Playhouse this month.
The Kennedy Center hosts its 14th annual Page-to-Stage new play festival from Today, September 5 to Monday, September 7, 2015, featuring more than 50 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The 14th Annual Page-to-Stage event showcases more than 40 new plays by female playwrights and includes nine works that are part of the citywide Women's Voices Theater Festival, which officially begins on September 8.
The Kennedy Center hosts its 14th annual Page-to-Stage new play festival from Saturday, September 5 to Monday, September 7, 2015, featuring more than 50 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The 14th Annual Page-to-Stage event showcases more than 40 new plays by female playwrights and includes nine works that are part of the citywide Women's Voices Theater Festival, which officially begins on September 8.
The Baltimore Playwrights Festival continues its 34th Season with Saving Myself for Steve Martin at the Strand Theatre, performing at Church & Company, 3647 Falls Road, Baltimore, MD 21211.
The Baltimore Playwrights Festival, www.baltplayfest.org, continues its 34th Season with Saving Myself for Steve Martin at the Strand Theatre, performing at Church & Company, 3647 Falls Road, Baltimore, MD 21211.
On February 28, as Black History month comes to a close, the Baltimore Playwrights Festival will dramatize two critical elements of the African-American experience, ranging from the assassination of Dr. Martin Luther King to the struggle for equal opportunity by African-American professionals.
The Baltimore Playwrights Festival has scheduled the first Workshop Development Readings for its 34th Season.
The Baltimore Playwrights Festival has scheduled the first Workshop Development Readings for its 34th Season.
The Mobtown Players concludes its 2013-2014 season with the Baltimore premiere of Thomas Kyd's The Spanish Tragedy, the Elizabethan thriller considered by some to be the first modern play.
The Mobtown Players concludes its 2013-2014 season with the Baltimore premiere of Thomas Kyd's The Spanish Tragedy, the Elizabethan thriller considered by some to be the first modern play.
Currently at Laurel Mill Playhouse, a group of enthusiastic, great performers have taken on Andrew Lippa's THE WILD PARTY in a production that, while enthusiastic and lively, unfortunately suffers from some creative decisions and is hindered by the limitations of its small venue.
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