Bistro, BroadwayWorld, MAC, and Margaret Whiting Award winner Celia Berk will return to the Laurie Beechman Theatre in April for three performances following a successful, sold-out debut of On My Way To You: Improbable Stories That Inspired An Unlikely Path.
The Life, directed and adapted by Billy Porter, is getting ready to begin performances at City Center Encores! this week. The production stars Jelani Alladin as Lou, Alexandra Grey as Queen, Antwayn Hopper as Memphis, Grammy nominee Mykal Kilgore as Young JoJo, Grammy Award winner Ledisi as Sonja, Erika Olson as Mary, Destan Owens as Old Jojo, and Ken Robinson as Fleetwood. Performances run March 16-20, 2022.
The production includes Jelani Alladin as Lou, Alexandra Grey as Queen, Antwayn Hopper as Memphis, Grammy nominee Mykal Kilgore as Young JoJo, Grammy Award winner Ledisi as Sonja, Erika Olson as Mary, Destan Owens as Old Jojo, and Ken Robinson as Fleetwood.
For the tenth year in a row, Jim Caruso & Billy Stritch return to Bemelmans Bar at The Carlyle, A Rosewood Hotel with their evening of swinging standards on Sundays, March 13, 20, 27, May 1, 22 and 29, from 9pm to midnight. Bassist Steve Doyle will once again join the duo.
Jews, God, and History (Not Necessarily in That Order), a solo show written and performed by Michael Takiff, directed by Brian Lane Green (Tony Award nominee), will receive its World Premiere at The Siggy Theater at The Flea (20 Thomas Street New York, NY 10007), May 18-June 5.
The Shaker Theatre Arts and Music Departments will present Barnum, playing March 17, 18, and 19 @ 7 pm, in the Large Auditorium at 15911 Aldersyde Drive, Shaker Heights, OH 44120.
Next week, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
At Birdland Jazz Club, catch The Cookers, Celebrating the Slide Hampton Octet, Maria Schneider Orchestra, Grace Fox Big Band, Maqueque, Sean Harkness Quartet, Monty Alexander, and Emmet’s Place Live.
The real star of the evening was the musical arrangements that Huffman and McSweeney created themselves. They reimagined some wonderful classics by artists as diverse as Ann Margaret, Nat King Cole, Jimi Hendrix, The Pointer Sisters, Cole Porter, Joni Mitchell, and Peggy Lee, utilizing only bass and voice with a little sprinkling of piano, violin, and Ms. Huffman’s “Low G” ukulele. The sparseness of the ensemble was a huge asset, focusing attention on the lyrics and the performances themselves. And the performances were lovely. Ms. Huffman is a gifted and versatile actress and Ms. McSweeney is a truly soulful jazzwoman.
As the pandemic nears its much overdue endemic end, artists are coming out of the woodwork to sum up the past 24 months with their personal stories of survival and thriving. Last September, Tony award winner Cady Huffman and respected jazz bassist Mary Ann McSweeney presented such an evening at Birdland. With only the two of themselves, they put together an eclectic evening of jazz-flavored tunes with Ms. McSweeney on bass and Ms. Huffman on vocals entitled IT WAS A VERY GOOD YEAR: SONGS INSPIRED BY A PANDEMIC. This coming Tuesday, February 22, Huffman and McSweeney will present a new and improved version of the show at The Green Room 42, with a few surprises for those who caught the show before.
GHOSTLIGHT RECORDS has announced the new release from renowned singer, actress and author Melissa Errico, the compelling new studio album, Out Of The Dark: The Film Noir Project today Friday, February 18.
At the height of the pandemic in 2020, when the world was locked away in lonely rooms with only old movies to watch at midnight, Errico suddenly returned to one of her life-long obsessions – noir! The genre is noted for its dark, disturbing sensibility of intractable fatalism that Paris existentialists discovered in American film during the 1940’s. Noir continues to run as a mesmerizing, mysterious current through modern movies and music, and Errico has embraced it in her own artistic endeavors.
FEINSTEIN’S/54 BELOW will present Andrew Zachary Cohen in Don’t Ask the Lady on March 2 at 9:45 PM. While ushering at the New Am, his boss said that positioning him in the balcony was akin to putting the Mona Lisa in a warehouse. So now momma’s lettin’ loose Gypsy style, movin’ down from the balcony to center stage, and not lettin’ go of the mic.
THERESE LEE makes her New York debut with her new show, RIDING THE BUS TO THE RED CARPET. In it, she recalls her days in Los Angeles as an entertainment reporter too broke to own a car, and shares what her interactions with some of Hollywood's biggest stars during that time did to change her life forever.
BIRDLAND JAZZ CLUB will present the solo concert debut of Sam Gravitte on Monday, March 7 at 7:00 PM. Currently starring as “Fiyero” in Wicked on Broadway, Gravitte will team up with a quartet of some of New York City’s most dynamic young musicians to reinvent some old and new favorites.
New York Festival of Song, led by Artistic Director Steven Blier, continues its 2021-22 Mainstage Series with Love Songs in 176 Keys: 4 hands, 4 voices, 4 countries on Tuesday, March 15, 2022 at 8:00pm at Merkin Hall, co-presented by Kaufman Music Center.
The show is a musical answer to the question, “Can two women of a certain age do a show together without driving each other crazy?” The ammunition is an eclectic song list from yesterday and today, from Kander and Ebb to Carole King, Stephen Sondheim to Billy Stritch, and from Tom Lehrer and Garth Brooks to Cy Coleman and David Zippel.