The East End Special Players have announced, due to popular demand, they’re back with Turtles On The Tarmac, a repeat performance of their 2023 hit that premiered at Bay Street Theater!
Hadestown, the acclaimed Broadway musical phenomenon by singer-songwriter Anais Mitchell and director Rachel Chavkin has made its long-awaited West End premiere at the Lyric Theatre.
BETTY has been making music for 38 years. BroadwayWorld got a taste of their world – the wildness, the women, the wow. Their show on February 14th was quite something at Joe's Pub, welcomed by cheering fans.
The Detroit-based septet consists of vocalists Juno Parsons and Mel Caren, guitarists Kris Lane, Maya Chun, and Mac Porter, and a rhythm section consisting of bassist Jon Riley and drummer Andrew Coughlin. From the end of Chun's and Riley's previous band Youth Novel, the pair enlisted a number of Michigan musicians of varying levels of experience.
Grace Cummings releases new track 'Common Man' and sets US tour dates for May. Watch the visualizer for 'Common Man' now! The bluesy, Western-infused track boasts powerful vocals from Grace while grappling with her desire to be more than the common man. The accompanying visualizer is compiled of nostalgia-inducing Western film clip.
In celebration of The Vision & Art Project's 10th anniversary, a special benefit exhibition will be held at the National Arts Club in New York. What Was Once Familiar: The Vision & Art Project's Tenth Anniversary Benefit Exhibition will be on view from March 20 until April 26, 2024, with a cocktail reception to be held on Thursday April 4, 6-8pm.
Explore the controversial legacy of Leni Riefenstahl in the one-woman play that won top awards at United Solo Fest. Presented at Brooklyn’s Brave New World Rep from March 15-30.
London Theatre Week is the West End’s biggest promotion, giving you the chance to see over 50 amazing award-winning musicals and stunning plays with tickets from £15, £25 or £35
Samora Pinderhughes unveils a new song, “Keith LaMar: Sweet,” alongside a film by the same name. The new track is built around a phone call with poet, teacher, musician, writer and painter Keith LaMar, who has spent over 30 years in solitary confinement on Death Row in Ohio after being framed for murder following the 1993 Lucasville Prison Riot.
The new season will include Maci and Taylor McKinney, Catelynn and Tyler Baltierra, Jade Cline and Sean Austin, Cory Wharton and Taylor Selfridge, Cheyenne and Zach Davis, Kayla Sessler and Ryan Leigh, Mackenzie McKee and Khesanio Hall, Briana Dejesus, Leah Messer, and Kiaya Elliot. Watch the video preview now!
Indie rock mainstays Real Estate have shared a final pre-release taste of their upcoming album Daniel in the form of the song “Flowers,” which is accompanied by an animated video directed by Magnus Carlsson who also created Radiohead's “Paranoid Android” video. In it, band members assist singer Martin Courtney.
FUN HOME will make you laugh and might make you cry, but this nuanced musical features some excellent performances by a talented cast. FUN HOME is playing at New Village Arts through March 3rd.
This included the Impact Doc Awards where it won the Award of Recognition, the Tokyo Film Awards where it won Best Short Documentary, the Vegas Movie Awards where it won the Award of Prestige - Best Documentary Short, and the Golden Horse International Film Festival, where it won Best Writer, Best Director, and Best Documentary.
BroadwayWorld sat down with the co-directors of the production to learn more about their process and bringing the Jazz Age to life at Paper Mill. After Midnight intertwines the poetry of Langston Hughes with songs from big-band legends Duke Ellington, Cab Calloway, Harold Arlen, Dorothy Fields, and more.
The North/South Chamber Orchestra under the direction of Max Lifchitz will continue its 44th consecutive season on Friday evening, February 23 performing a free admission concert performing four works new to New York by composers from Argentina and the US.
There are great depths here, and great wisdom, and Playwright Ellen McLoughlin’s handiwork and that of Chesapeake Shakespeare convey them well. It is good to see a Shakespeare-oriented theater applying its tools and insights to other material from time to time, particularly classical material that is not often produced in these parts.