Theater J’s 'Tuesdays with Morrie' is a touching, emotional exploration of human connection. It’s an intimate portrait of a beautiful relationship between a man and his mentor in the face of tragic circumstances, but it’s also a greater insight into how we all relate to each other and ourselves.
Theater J presents internationally renowned bestselling author Mitch Albom for a talk on his #1 New York Times bestselling new book The Stranger in the Lifeboat. In his profound new novel of hope and faith, a group of shipwrecked passengers pull a strange man from the sea who claims to be “the Lord.” And, he says he can only save them if they all believe in him. At the event, Albom will talk about the book and answer questions submitted in advance from the audience.
Brandeis University sociology professor Morris S. Schwartz inspired millions with his lessons on life and loving in Mitch Albom's breakout memoir, Tuesdays with Morrie, which has been adapted for the stage by Albom and playwright and screenwriter Jeffrey Hatcher (Stage Beauty and Columbo) and will appear as the second play in Theater J's 2021-2022 season.
Theater J has announced Theater J’s 31st season, which includes five plays and a bonus holiday musical engagement. The nation’s largest and most prominent Jewish theater company, Theater J eagerly anticipates once again gathering audiences for a season that promises to be life-affirming, celebratory, and unforgettable.
One of the biggest challenges in producing Shakespeare, is making it appealing and fresh to audiences of all ages. 'How can it feel both accessible and intriguing?' With these thoughts in mind, Aaron Posner and his team must have had some long brainstorming sessions. Luckily, however, they have truly succeeded at a concept that is both loads of fun and works perfectly for William Shakespeare's The Merry Wives of Windsor. It's 1972 at the Folger and it's quite the time!
Folger Theatre concludes its successful 2019/20 season with The Merry Wives of Windsor. Aaron Posner (King John, The Winter's Tale, Twelfth Night at Folger Theatre) returns to the Folger to direct Shakespeare's delightful comedy on love, money, deception, and the power of women, set here in the early 1970s.
When the mischievous Falstaff overestimates his own scheming prowess and underestimates the savvy wives in the town of Windsor, hilarity is ahead. Folger Theatre concludes its successful 2019/20 season with The Merry Wives of Windsor. Aaron Posner (King John, The Winter's Tale, Twelfth Night at Folger Theatre) returns to the Folger to direct Shakespeare's delightful comedy on love, money, deception, and the power of women, set here in the early 1970s.
'The Curious Incident of the Dog in the Night-Time' at Bethesda's Round House Theatre, tells the story of Christopher, a 15-year-old boy with Aspergers syndrome, whose neighbor's dog is murdered with a pitchfork. Christopher goes on a mission to investigate who killed the dog and he ends up uncovering other people's secrets, as well as his own. He goes on an unintentional mission of self-discovery through London and Swindon
Jackie Sibblies Drury's play, Fairview, currently playing at Woolly Mammoth Theatre Company, is a show that desperately calls for conversation. It's no wonder, then, that each performance is immediately followed by community discussions led by Build With, a DC-based anti-racist training, facilitation, and consulting practice focused on people, power, and partnership. While I wasn't able to stay for this event following Saturday night's performance, it is an important step in ensuring this work's complicated themes are digested in a clear way. Fairview is one of the most conceptual shows in recent memory. Not every idea can be fully explored in this production, which has a tight 100-minute run time that director Stevie Walker-Webb keeps clipping at a good pace. Nevertheless, Fairview is a necessary piece for anyone looking to dive deeper into discussions of race and identity in America.
Oslo is an amazing against-all-odds story of risk, trust, and diplomacy. It is about overcoming hard-and-fast assumptions. Oslo shows the value in finding common ground and allowing ourselves to hope. This Round House Theatre production is a wonder-a brilliant heartfelt, heart-filling experience.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
Shakespeare Theatre Company is offering a limited number of free tickets to Government employees affected by the Government shutdown for their production of RICHARD THE THIRD during preview week, February 5-10 with the promo code FEDERAL19.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
The most remarkable part of Ford Theatre's production of 'Born Yesterday' may not be the superb performances or the sharp-tongued humor, but the unsettling realization that this 1946 comedy feels much like present-day Washington, D.C.