Brian Scott News

The New York Drama Critics' Circle awards were presented at a private cocktail reception last night. Thursday, May 10. The award for best play carries a cash prize of $2,500. The prize is made possible by a grant from the Lucille Lortel Foundation. BroadwayWorld attended the big night and you can check out photos below!

The New York Drama Critics' Circle today named Mary Jane by Amy Herzog best play of the 2017-18 season.  Hangmen by Martin McDonagh was named best foreign play. No award was given for best musical. The selections were made at the organization's 83rd annual voting meeting.

The winners of the 2018 New York Drama Critics' Circle Awards will be announced Thursday, May 3, 2018 at approximately 5:30pm. The selections will be made at the organization's 83rd annual voting meeting.

Luray Productions and Club Phred, a perfect match for New Year's Eve 2017. Lois Parker, founder and producer of successful Golden Oldie events, teams with Club Phred, a self-proclaimed Rock n Roll Event to tear down the house at their 5th annual New Year's Eve celebration.

Just yesterday, the New York Drama Critics' Circle gathered to honor their 2017 award winners at Feinstein's/54 Below- Best Play: Oslo and Best Musical: The Band's Visit. The award for best play carries a cash prize of $2,500. The prize is made possible by a grant from the Lucille Lortel Foundation.

Just yesterday, the New York Drama Critics' Circle gathered to honor their 2017 award winners at Feinstein's/54 Below- Best Play: Oslo and Best Musical: The Band's Visit. The award for best play carries a cash prize of $2,500.  The prize is made possible by a grant from the Lucille Lortel Foundation.

The awards include a cash prize of $2,500 for Best Play, made possible by a grant from the Lucille Lortel Foundation. The awards will be presented at a private cocktail reception on Thursday, May 18.

The winners of the 2017 New York Drama Critics' Circle Awards will be announced Monday, May 8, 2017 at approximately 5:30pm. The selections will be made at the organization's 82nd annual voting meeting.

Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.

Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.

In February of 2016, EXIT Theatre - the original epicenter of indie theatre in San Francisco - presented a brand new experiment: the Fog City Magic Fest, a week of shows from some of the Bay Area's most acclaimed magicians, produced by EXIT Theatre and curated by co-founders, national magicians, and Bay Area treasures Jay Alexander and Christian Cagigal. The Fog City experiment was a smashing success, with attendance topping that of any other first-year festival produced by the EXIT.

In February of 2016, EXIT Theatre - the original epicenter of indie theatre in San Francisco - presented a brand new experiment: the Fog City Magic Fest, a week of shows from some of the Bay Area's most acclaimed magicians, produced by EXIT Theatre and curated by co-founders, national magicians, and Bay Area treasures Jay Alexander and Christian Cagigal. The Fog City experiment was a smashing success, with attendance topping that of any other first-year festival produced by the EXIT.

THE GONG SHOW's 'Victory or Die Tour' opens in Paramus at The Ciccone Theatre, 400 Paramus Road, Paramus NJ on Today, September 16 and Saturday, September 17.

THE GONG SHOW's 'Victory or Die Tour' opens in Paramus at The Ciccone Theatre, 400 Paramus Road, Paramus NJ on Friday, September 16 and Saturday, September 17.

Principal photography is underway on New Line Cinema's comedy LIFE OF THE PARTY, starring award-winning actor Melissa McCarthy under the direction of Ben Falcone. McCarthy and Falcone co-wrote the screenplay and will produce through their production company On the Day Productions.

The cars are faster and the stakes are higher, but nearly 50 years since Richard Petty won a historic ten consecutive races, the spirit of NASCAR racing remains the same.

The New York Drama Critics' Circle just presented its 2015-2016 Best Play and Best Musical: Stephen Karam's THE HUMANS and George C. Wolfe, Eubie Blake and Noble Sissle's SHUFFLE ALONG, OR THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT FOLLOWED. The selections were made at the organization's 81st annual voting meeting.

Tonight, May 17, New York Drama Critics' Circle honors its 2015-2016 Best Play and Best Musical: Stephen Karam's THE HUMANS and George C. Wolfe, Eubie Blake and Noble Sissle's SHUFFLE ALONG, OR THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT FOLLOWED.

The New York Drama Critics' Circle just announced its 2015-2016 Best Play and Best Musical: Stephen Karam's THE HUMANS and George C. Wolfe, Eubie Blake and Noble Sissle's SHUFFLE ALONG, OR THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT FOLLOWED.

FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center. Rude Mechs creates new works collaboratively, and with FIELD GUIDE they are actively engaging their audience to get feed back on what works and what doesn't in order to help shape the piece. FIELD GUIDE, commissioned by the Yale Repertory Theatre, is a mash-up of Dostoyevsky's The Brothers Karamazov, stand-up comedy, dance and some frankly uncomfortable direct audience addressing confessions. How much of the direct confessions are fact or fiction we'll never really know. What we do know is this is an excitingly different evening of pure theatricality… an evening that you, as an audience member, are being asked to help define. Along the way during your 90 minute journey the Mechs cover topics from the longest Russian novel written such as intellectualism, spiritualism, sensuality and hedonism. While it is ostensibly an adaptation of The Brothers Karamazov, it really just uses the characters in the briefest Cliff Notes sense. This approach allows the performers to riff on the underlying themes present. There is even an unaccredited moment by Tom Lehrer when Robert S. Fisher performs 'They're Rioting in Africa'. What you are treated to is highly experimental in nature and at moments what ensues is truly magical.