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Review: Uninhibited AIN'T NO MO' at Baltimore Center Stage

As the director says, this is a 'Black play that speaks to Black people and talks about Black shit.' But it allows larger audiences a chance to listen in to the conversation and laugh, if more gently, at the jokes. While not everything in the show is funny, much of it is irresistibly so.

Photos: AIN'T NO MO' Arrives At Baltimore Center Stage

Fasten your seatbelts, and prepare for turbulence. Baltimore Center Stage (BCS), in a co-production with Woolly Mammoth Theatre Company, presents the regional premiere of AIN’T NO MO’ written by Jordan E. Cooper and directed by Lili-Anne Brown now through November 20, 2022. See photos from the production.

Review: AIN'T NO MO' at Woolly Mammoth

What did our critic think of AIN'T NO MO' at Woolly Mammoth?Thanks to Barack Obama's presidency but, alas, because of Rachel Dolezal's wannabe caper, American drama requires some updated, Black-originated satire; Jordan E. Cooper obliges with Ain't No Mo', his 100 minute whupping of white privilege, supremacy, and presumptive cultural majority at Woolly Mammoth through October 9. Cooper follows the late Douglas Turner Ward and George C. Wolfe whose Day of Absence (1965) and The Colored Museum (1986) lampooned white dominance with comedy both uproarious and bitter, and so does this show. It's good to have the real, live, three-dimensional exchange that only theatre provides. No disrespect, Dear White People, Get Out, Sorry to Bother You, and the canon of Spike Lee.

Review: THE COLOR PURPLE at The Muny

This Muny production of THE COLOR PURPLE is too beautiful for words. It is a stunning love letter to Alice Walker and her epistolary novel of redemption. Director Lili-Anne Browne’s vison brings to the stage a concert-like version of this production similar to the 2016 Tony Award Winning Broadway revival. Her leadership, coupled with Breon Arzell's spirited choreography, help this epic 40-year story come to life with theatrical sophistication. Music Director Jermaine Hill’s perfectly balanced orchestrations were almost unnoticeable while supporting the beautiful score sung by this incomparable company of actors.

Anastacia McCleskey Joins The Muny's THE COLOR PURPLE as Celie; Full Cast, Design and Production Teams Announced

The Muny announced its full cast, design and production teams for the Muny Premiere of The Color Purple, August 3 – 9, 2022.   Joining the previously announced principal cast of Tracee Beazer (Shug Avery), Nasia Thomas (Nettie), Evan Tyrone Martin (Mister), Gilbert Domally (Harpo) and Nicole Michelle Haskins (Sofia) is Anastacia McCleskey (Celie).

Brittney Mack, Tracee Beazer, Evan Tyrone Martin & More To Lead THE COLOR PURPLE at The Muny

The Muny announced today that Brittney Mack, Nasia Thomas, Evan Tyrone Martin, Tracee Beazer, Gilbert Domally and Nicole Michelle Haskins will star in the moving and affirming tale,The Color Purple, August 12-18, 2022. The Muny and Regional Premiere is directed by Lili-Anne Brown, choreographed by Breon Arzell, with music direction by Jermaine Hill.

Creative Teams and Casts Announced For 2022 Oregon Shakespeare Festival

The imminent start of the 2022 Oregon Shakespeare Festival season—Artistic Director Nataki Garrett’s first full season—marks a celebratory return to repertory producing. The 2022 lineup features eight on-stage plays and musicals, from classic Shakespeare to works by some of today’s most exciting playwrights.

Victory Gardens Theater Continues IGNITE Chicago Reading Series With EXERCISE YOUR DEMONS

Victory Gardens Theater presents the Ignite Chicago reading of exercise your demons: a play on the trauma of a gay male body written by Gage Tarlton and directed by Ryan Dobrin, with movement direction by Breon Arzell. exercise your demons: a play on the trauma of a gay male body will be presented on Saturday, February 19 at 3pm at Hardware Strength and Conditioning, 1834 W. Balmoral Ave, Chicago.

BWW Review: ACOUSTIC ROOSTER'S BARNYARD BOOGIE: STARRING INDIGO BLUME at Family Theater/Kennedy Center

Kwame Alexander's 2010 picture book for the age 5-8 set, Acoustic Rooster and His Barnyard Band, secretly serves as Jazz 101 for children the way Prokofiev's Peter and the Wolf and Britten's Young People's Guide to the Orchestra introduce them to musical instruments. Alexander's book, with characters such as Mules Davis and Duck Ellington, not only brims with puns, it explicates jazz and packs its own gem of a glossary. His 2011 title, Indigo Blume and the Garden City, introduces his spunky 9 year old heroine who teaches an urban neighborhood to go green and make our garden grow. In 2020, Alexander blended some of the characters from both books to help children realize that the show must go on even when you're a little scared of getting up in front of groups and also that your parents love you. No. Matter. What The books are joys, but Alexander's and Mary Rand Hess' 2021 mashup of them into this 70 minute musical production, in the Family Theater of the Kennedy Center through November 28, has flaws. Let's get them over with so that the good news can follow.

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