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BWW Review: WE WILL ROCK YOU at Casino De Paris

BWW Review: WE WILL ROCK YOU at Casino De Paris

by Patrick Honoré — October 15, 2018

We Will Rock You, originally produced by Robert De Niro and written by Ben Elton, who, building on Queen's repertoire, collaborated with the remaining members of the group roger Taylor and Brian May, was one of the first highly successful jukebox musicals.

BWW Review: LOVE NEVER DIES at The Orpheum

BWW Review: LOVE NEVER DIES at The Orpheum

by Chris Miritello — September 5, 2018

As Memphis theatergoers pile into the Orpheum to kick off a record-breaking 2018-2019 season for ticket sales at the much beloved venue, they are confronted with a familiar, albeit masked face.

National Youth Music Theatre Announces 2018 Season

National Youth Music Theatre Announces 2018 Season

by A.A. Cristi — July 2, 2018

The National Youth Music Theatre is proud to announce their 2018 season, opening with a mini touring production of Super Hero at Theatre Royal, Bury St Edmunds as part of The Bury Festival before going on to Curve, Leicester and, finally, The Rose Theatre, Kingston for the International Youth Arts F

BWW Review: LOVE NEVER DIES Closes Out TPAC's 2017-18 Season

BWW Review: LOVE NEVER DIES Closes Out TPAC's 2017-18 Season

by Jeffrey Ellis — June 20, 2018

We cannot help but wonder: Do peacock feathers foretell of something far more sinister and portentous than what we've seen already in both Love Never Dies and The Phantom of the Opera await our heroine in the moments to follow? We won't spoil the outcome for you, of course, but suffice it to say th

BWW Review: The Phantom Stages A Comeback in LOVE NEVER DIES at Segerstrom Center

BWW Review: The Phantom Stages A Comeback in LOVE NEVER DIES at Segerstrom Center

by Michael Quintos — May 1, 2018

There are many, very obvious spectacular things that stand out while watching LOVE NEVER DIES, Andrew Lloyd Webber's infamously, uh, troubled 2010 musical follow-up to his long-running global hit THE PHANTOM OF THE OPERA, now continuing its two-week engagement at Segerstrom Center for the Arts in Co


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