Streatham Space Project (SSP) is an ambitious new multi-million pound community arts venue featuring a purpose built 120 seat auditorium, bar and functions space and a studio space.
Following sell-out visits to HOME with The Beanfield in March/April 2016 and Tank in May 2017, award-winning multimedia theatre-makers Breach Theatre return to HOME in Manchester with The Drill, on Thu 14 - Sat 16 June 2018, an investigation into anti-terror training which explores political anxieties and emergency preparedness.
It is 1942, on the battlefields of North Africa, in a gold sequin gown, Marlene Dietrich takes to the stage to launch her own offensive against the German Reich. For the next three years she would fight the war her way, with an irresistible mix of songs, sequins, sex and sympathy.
Following the announcement of The Lovely Bones, A Christmas Carol and Everyman rock 'n' roll panto The Snow Queen earlier this year, the Liverpool Everyman & Playhouse has revealed its full programme for Autumn Winter 2018. Book adaptations, comedians, music, familiar faces and new collaborations to join their in-house productions for the season.
Artistic Director of Polka Theatre, Peter Glanville today announces their new season for Autumn/ Winter 2018 comprising both new Polka productions and visiting work as well as classes and workshops, celebrating some of the greatest living writers for children.
Boundless Theatre today announces Lace Akpojaro to join the company for a major revival of Judy Upton's Confidence. Akpojaro takes on the role of Edwin, replacing Vauxhall Jermaine who has left the company due to unforeseen circumstances. First performed in 1998 at Birmingham Repertory Theatre, Artistic Director of Boundless, Rob Drummer, directs the previously announced Tanya Burr in the role of Ella. The full cast are Anna Crichlow (Ruby), Will Pattle (Dean) and Rhys Yates (Ben). The production opens at Southwark Playhouse on 25 May with previews from 23 May.
Those of us who have played strategy computer games will be familiar with the frustration of coming across locked doors, retracing our steps and getting lost in a virtual world. A House Repeated plunges the audience into a virtual Brighton Dome and we are encouraged to 'explore' by the two guides/narrators (Seth Kriebel and Zoe Bouras).
the TEAM (Rachel Chavkin, Artistic Director; Alexandra Lalonde, Producing Director)the award-winning Brooklyn theatre ensemble will present BREAKING GROUND: A BENEFIT CELEBRATING THE LAUNCH OF THE TEAM's RECONSTRUCTION on June 14, 2018 at Dumbo Loft
Cambridge Arts Theatre today announce full casting for James Roose-Evans' adaptation of Helene Hanff's novel 84 Charing Cross Road, in collaboration with Lee Dean and Salisbury Playhouse. Joining the previously announced Stefanie Powers (Helene Hanff) and Clive Francis (Frank Doel) are Fiona Bruce (Mrs Todd), Loren O'Dair (Megan/Maxine), William Oxborrow (Mr Martin), Samantha Sutherland (Cecily Farr) and Ben Tolley (Bill Humphries/Alvin). The production opens at Darlington Hippodrome on Wednesday 23 May before touring to Wolverhampton, Malvern, Richmond, Oxford and finishing at Cambridge Arts Theatre on 30 June.
This May, following a sell-out run at Shoreditch Town Hall, award-winning theatre company Access All Areas and The Lowry will present MADHOUSE re:exit - an immersive piece examining the experiences of five artists with learning disabilities and their isolation from society. This ground-breaking production, part of Week 53 festival, will be the first major event at Barton Arcade's new underground venue which plans to bring innovative events to central Manchester.
Artistic Director of Sheffield Theatres Robert Hastie today announces the cast for Associate Director Javaad Alipoor's production of One Flew Over the Cuckoo's Nest by Dale Wasserman, from the novel by Ken Kesey - Nathan Amzi (Martini), Lucy Black (Nurse Ratched), Andrew Dennis (Ruckley and Aide Turkle), Harry Egan (Aide Warren), Joel Gillman (Randle P McMurphy), Clive Hayward (Dr Spivey), Tom Hodgkins (Scanlon), Arthur Hughes (Billy Bibbitt), Melissa Johns (Candy and Nurse Flinn), Mohammed Mansaray (Aide Williams), Shaun Mason (Cheswick), Jeremy Proulx (Chief Bromden), Jack Tarlton (Harding) and Shelley Williams (Sandra and Hospital Staff).
Born in Nigeria. Climb a mango tree. Get hit by a Peugeot 405. Move to the North Peckham Estate. Fall in love with Khami. Have a fight by the P.E gym. Start writing Grime lyrics. Leave school with 12 GCSEs. Begin selling drugs. Get my heart broken by Abigail. Get stabbed. Get shot. Read a book.......Change everything.
tackroom theatre today announces full casting for the world premiere production, Why is the Sky Blue? (Or How to Make Slime). Abbey Wright directs Tiani Hoath, Marina Marchevska, Louis Holley, Oscar Bennett, Gracie Weldon, Reuel Guzman, Osian Thompson, Violet Tucker?Steel, Hal Gordon, Lewis Elliot, Harrison Slater, Sophie Alibert, Jamal Simon, Zachary Hing, Millie Thew, Michael Sookhan, Ruby Ablett, Annie Hawkins and Corey Peterson. Devised by the company around a collection of interviews with children from around the UK, it opens in The Little at Southwark Playhouse on 1 May, with previews from 26 April and runs until 19 May.
Follow the adventures of two brothers and the night-time disappearance of a chocolate cake in this scrumptious new musical adaptation by the creators of We're Going on a Bear Hunt and How to Hide a Lion from Michael Rosen's beloved poem Chocolate Cake, which has just been published as a picture book.
The Yard Theatre welcome back the award-winning Company Three with The Act directed by James Blakey, a show about teenage sex, love and intimacy, made by teenagers.
Feminist theatre and music makers RashDash are ripping up Anton Chekhov's revered 1900 play and reimagining it with electric guitars. RashDash - Abbi Greenland, Helen Goalen and Becky Wilkie - take on the roles of the titular siblings Olga, Masha and Irina, to question why the men in this play have all the lines. With a radical take on a classic, join RashDash as they philosophise their heads off in the drawing room and take turn-of-the-century crinolines into 2018.