Dramatists Play service has announced a new play collection created exclusively for streaming platforms, a?oeTechnical Difficulties: Plays for Online Theatrea??, is available for licensing in the United States and Canada and for both professional and amateur theater companies.
UC Santa Barbara Department of Theater and Dance LAUNCH PAD's ALONE, TOGETHER premieres today, Saturday, June 6. The festival joins acclaimed writers and directors with acting and directing students for a virtual presentation of new work and new talent.
UC Santa Barbara Department of Theater and Dance is proud to present two unique events - LAUNCH PAD's ALONE, TOGETHER and THE SPOTLIGHT PROJECT - which join acclaimed writers and directors with acting and directing students for a virtual presentation of new work and new talent.
UCSB's Launch Pad Zooms Into Action With ALONE, TOGETHER
Heartwood Theater is launching a mini-series of play readings, streamed live to audiences each week during the month of April.
Rubicon Theatre Company of Ventura begins the new year with the West Coast Premiere of NEVER NOT ONCE, a powerful, compelling and timely new drama by CAREY CRIM. The production premiered earlier this season at JEFF DANIELS' Purple Rose Theatre. NEVER NOT ONCE previews February 5-7 and opens February 8 at Rubicon's home, 1006 E. Main Street in Ventura's Downtown Cultural District, continuing Wednesdays through Sundays through February 23. A thought-provoking response to the #MeToo movement, NEVER NOT ONCE is about the families we choose, and the secrets that can pull them apart. The production is helmed by Brit KATHARINE FARMER, who has directed acclaimed Rubicon productions of Gulf View Drive (Ovation Award, Best Production of a Play, Larger Theatre), Incognito (West Coast Premiere), Heisenberg with Faline England and Joe Spano, and South Pacific (all Critic's Choices in the L.A. Times). For tickets, call 805.667.2900 or go to www.rubicontheatre.org.
New Light Theater Project presents Brecht: Call and Respond (an evening of three one-acts), featuring The Jewish Wife by Bertolt Brecht with the commissioned one-acts Self Help in the Anthropocene by Kristin Idaszak and Sunset Point by Arlene Hutton. Directed by Jerry Heymann, Brecht: Call and Respond (an evening of three one-acts) begins performances on Thursday, January 30 for a limited engagement through Saturday, February 15. Press opening is Sunday, February 2 at 3 pm. The performance schedule is Wednesday a?" Friday at 7:30 pm, Saturday at 2 pm & 7:30 pm, and Sunday at 3 pm. Please note the following schedule adjustments: there is no matinee performance on Saturday 2/1; there is an added performance on Tue 2/11 at 7:30 pm. Performances are at The Paradise Factory (64 East 4th Street, between Bowery and Second Avenue). Tickets, which are on sale now, are $25. To purchase tickets, visit www.newlighttheaterproject.com.
Nylon Fusion Theatre Company will present the New York Premiere of The Listening Room, written by Michaela Jeffery (National Enbridge Playwrights Award recipient; Playwrights Guild of Canada's RBC Emerging Playwright Award finalist). and directed by Ivette Dumeng (Malan American Reconciliation at Royal Family: Jack in the Box/Medusa at Planet Connections) & Lori Kee (Luft Gangster at The Sheen Center) at The New Ohio Theatre (154 Christopher Street, New York, NY 10014), November 30 - December 21. Performances will be on Saturday, November 30 at 8pm, Sunday, December 1 at 8pm, Monday, December 2 at 8pm, Friday,
For one week each, beginning on August 6, three professional playwrights-in-residence will develop their new works in active collaboration with some of Santa Barbara's favorite actors and a cadre of talented UC Santa Barbara students as part of LAUNCH PAD's 6th annual Summer Reading Series.
The Big Bridge Theatre Consortium (BBTC), a group of 10 university theatre departments dedicated to peace and interfaith dialogue, has commissioned Rohina Malik as its second playwright in a three-part series of plays dedicated to combating the issues of xenophobia, sectarianism and racism within the U.S.
Parity Productions, the New York based theatre company dedicated to producing new work and filling at least 50% of the creative positions (playwrights, directors, and designers) with women and/or trans and gender nonconforming (TCNG) artists, is pleased to announce its selection to the 2019/2020 Season of Next Door at New York Theatre Workshop for its world premiere production of Mirrors by 2018 Parity Commission Winner Azure D. Osborne-Lee, to be directed by Parity's Founder and Artistic Director, Ludovica Villar-Hauser.
Parity Productions, the New York based theatre company dedicated to producing new work and filling at least 50% of the creative positions (playwrights, directors, and designers) with women and/or trans and gender nonconforming (TCNG) artists, opened Charlie's Waiting by Inaugural Parity Commission Winner Melisa Annis on March 31 at Theaterlab (357 W 36th St, New York, NY 10018) hosted by TLab Shares. Charlie's Waiting is playing an extended run of 21 performances now through April 20. The cast is led by Tony nominee Xanthe Elbrick (Broadway: Coram Boy, Candida), and features Stephanie Heitman (A Snowfall in Berlin), and Amy Scanlon (Balladeers Play to the Moon) and is directed by Parity Productions Artistic Director, Ludovica Villar Hauser.
LAGUNA PLAYHOUSE presents a co-production with the Rubicon Theatre Company, HEISENBERG, written by Simon Stephens (The Curious Incident of the Dog in the Night-Time) directed by Katherine Farmer (South Pacific, Gulf View Drive) and starring Faline England (Valentine's Day) & Joe Spano (Hill Street Blues and NCIS).
Katharine Farmer directs Lin Blakely (Eastenders/ Silent Witness) as Bea, Michael Brandon (Episodes/Jerry Springer the Opera) as Jorgy, Amy Burke (Serial Thriller) as Kate, Rob Locke (NCIS, General Hospital) as Larry and Mark Rose (True West) as Coles in a timely revival of Jerry Sterner's darkly comic Off-Broadway hit, Other People's Money at Southwark Playhouse. Written in 1989, Other People's Money is a funny, fast-paced and provocative comment on the greed and excess of the 1980s.
Parity Productions, the New York based theater company dedicated to producing new work and filling at least 50% of the creative positions (playwrights, directors, and designers) with women and/or trans and gender nonconforming (TCNG) artists, has announced the full cast and crew for their world premiere production of Charlie's Waiting by Melisa Annis, Parity's 2017 Commission Winner, as well as an extension of the run. Charlie's Waiting will now play March 28 through April 20 at Theaterlab (357 W 36th St, New York, NY 10018) hosted by TLab Shares. The cast is led by Tony nominee Xanthe Elbrick (Broadway: Coram Boy, Candida), and features Stephanie Heitman (A Snowfall in Berlin), and Amy Scanlon (Balladeers Play to the Moon) and is directed by Parity Productions Artistic Director, Ludovica Villar Hauser.
In response to the unanimous critical raves and enthusiastic audience reaction, the Washington Stage Guild has announced that its current offering, Gulf View Drive by Arlene Hutton, will extend its run until Sunday, Feb. 17.
In response to the unanimous critical raves and enthusiastic audience reaction, the Washington Stage Guild has announced that its current offering, Gulf View Drive by Arlene Hutton, will extend its run until Sunday, Feb. 17.
xWashington Stage Guild in its time has accomplished a number of serialized works over the years, including just about all of Shaw. But few have been so optimally presented as the Arlene Hutton trilogy that ends with the current 'Gulf View Drive.'
The Washington Stage Guild presents the third and final play in Arlene Hutton's romantic trilogy portraying married life in the mid-20th Century. Gulf View Drive explores the lives of Raleigh and May Brummett, who met by chance during World War II, married in haste and faced the challenges of finding their own way. It is now 1953 and Raleigh's published stories have gained success. But success brings new challenges as both mothers-in-law and a sister descend on the couple. Along the way, each adjusts to the meaning of family life in his or her own way and faces an America beginning to confront its racial divide. The play opens on Thursday, January 17 and will run through Sunday, February 10, 2019. Press performance will be on Sunday, January 20 at 2:30 pm. A special talkback with playwright Arlene Hutton is scheduled immediately following this performance.
The Washington Stage Guild presents the third and final play in Arlene Hutton's romantic trilogy portraying married life in the mid-20th Century. Gulf View Drive explores the lives of Raleigh and May Brummett, who met by chance during World War II, married in haste and faced the challenges of finding their own way.
