Anthony Lee Bryant News

The National Tour of WICKED recently welcomed new cast members beginning performances Tuesday, May 7 at The Bushnell in Hartford, CT. Check out all new photos of the cast here!

The national tour of Wicked is welcoming new cast members. See who is starring and learn how to purchase tickets!

The National Tour of the Broadway sensation WICKED began performances Tuesday, May 2 at the Fabulous Fox Theatre in St. Louis, MO. To celebrate their STL engagement, members of the company spent one short day with Fred Bird and the rest of The St. Louis Cardinals. Go inside their visit with behind the scenes video!

The National Tour of the Broadway sensation WICKED will welcome Olivia Valli as Elphaba and Celia Hottenstein as Glinda beginning performances Tuesday, May 2 at the Fabulous Fox Theatre in St. Louis, MO.

The National Tour of the Broadway sensation WICKED will welcome Olivia Valli as Elphaba and Celia Hottenstein as Glinda beginning performances Tuesday, May 2 at the Fabulous Fox Theatre in St. Louis, MO.

The National Tour of Broadway sensation WICKED will welcome new cast members beginning next month!

The producers of the hit musical have also announced complete casting for the relaunch of the North American Tour. Talia Suskauer (Elphaba), Allison Bailey (Glinda), Sharon Sachs (Madame Morrible) and Tony Award and Drama Desk Award winner Cleavant Derricks (The Wizard) will return to their roles.

The Los Angeles Philharmonic Orchestra, conducted by Gustav Dudamel, played magnificently July 16, 2019 as they first featured award-winning Pablo Ferrandez in Antonin Dvorak's Cello Concerto in B minor, Opus 104 in a most passionate and stirring performance. The piece was written by Dvorak about his sister-in-law, who never acknowledged her affection for him, giving this piece an extraordinary range of emotions that Ferrandez fervently played, seeming to feel every note and every nuance with his body and his soul. He is an extraordinary musician, and fully captivated the audience; so much so there were numerous encores of appreciation. It was a moving, heart-felt performance, and I would go anywhere to hear and watch him play again, play anything, as this performance was exalting. Part two of the evening was a reprise, or rather reworking of the performance L. A. Dance Project originally performed at the Walt Disney Concert Hall, which I reviewed, in 2018. (https://www.broadwayworld.com/los-angeles/article/BWW-Review-ROMEO-JULIET-at-Walt-Disney-Concert-Hall-20181106)