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Review: San Diego Opera's Production of GHOSTS at Balboa Theatre

Nicolas Reveles was diagnosed with late-stage pancreatic cancer shortly after completing Ghosts, and it is tragic that he died just weeks before its world premiere in a San Diego Opera production. A sincerely religious man, his spirit lives on in the minds of the many grieving friends and admirers who attended the premiere and knew how important he was to San Diego opera lovers as a pre-performance lecturer, pianist and composer.

San Diego Opera Presents World Premiere Of GHOSTS By Composer Nicolas Reveles

San Diego Opera's 2022-2023 season continues with another world premiere evening when the Company presents Ghosts, an evening of three horror-inspired one-act operas by local composer Nicolas Reveles on Friday, April 14, 2023 at 7:30 PM at the Balboa Theatre (868 4th Ave. San Diego, CA). Additional performances are April 15 at 7:30 PM and April 16 at 1 PM. 

Washington Concert Opera Presents Verdi's Masterpiece NABUCCO

On Saturday, March 4, 2023 at 6:00 p.m. at Lisner Auditorium, Washington Concert Opera (WCO) will present one of Verdi's first works, Nabucco, an opera that catapulted his career and is considered a masterpiece as well as the first patriotic opera of its time.

MSA Agency Produces ONE NIGHT ONLY: MSA IN PARADISE

McDonald/Selznick Associates' groundbreaking New York City production features exclusively MSA artists, from the Direction and Choreography of MSA's Creative Department, to the Actors, Singers, Dancers, and Specialty Acts of MSA's Talent Department- all together, in one immersive party!

Madison Opera Returns To The Stage With Donizetti's LUCIA DI LAMMERMOOR

Forbidden love, political intrigue, and a soprano gone mad: Madison Opera returns to Overture Hall to open its 61st season with Donizetti's Lucia di Lammermoor. Performances of this classic bel canto work are Friday, November 5 at 8 PM and Sunday, November 7 at 2:30 PM.

Chausson's Opera Presents KING ARTHUR Fully Staged U.S. Premiere, Live At Bard SummerScape

Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). This year's immersion in “Nadia Boulanger and Her World” presents the long overdue first fully staged American production of King Arthur (“Le roi Arthus”), the only opera by Boulanger's compatriot and close contemporary Ernest Chausson.

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