Birth Place: Brisbane, Australia
Forty floors up, behind the windows of a posh Swiss hotel, a man sings, a maid cleans, children run wild, a banker makes things difficult, and one elderly woman's fight against a corrupt world order changes everything.
Colt Coeur is thrilled to announce that Zurich, a new play by Amelia Roper and directed by Adrienne Campbell-Holt (The Women's Project's What We're Up Against, Colt Coeur's Dry Land), will make its world premiere as part of the company's 2017-2018 season.
The League of Professional Theatre Women (Kelli Lynn Harrison & Lisa Rothe, Co-Presidents) will present the 2018 Theatre Women Awards at The TimesCenter (242 West 41st Street between 7th and 8th Avenues) on Friday, March 16 beginning at 6:30PM.
Newly announced 2018 Jonathan Larson Grant Recipients ZOE SARNAK (music & lyrics) and EMILY KACZMAREK (book) are bringing their new, original musical AFTERWORDS to the stage, as part of the Beta Series at Village Theatre, a leading producer of musical theatre in the Pacific Northwest.
Casting has been announced for The Trial, the next play in the Politics of the Absurd reading series presented by Christopher Maring/ CM Stage Productions.
The League of Professional Theatre Women (Kelli Lynn Harrison & Lisa Rothe, Co-Presidents) will present the 2018 Theatre Women Awards at The TimesCenter (242 West 41st Streetbetween 7th and 8th Avenues) on Friday, March 16 beginning at 6:30PM.
WP Theater, by special arrangement with Segal NYC Productions, presents the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's 'Smash'), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
Colt Coeur and WP Theater (formerly Women's Project Theater) announce casting for the fourth annual Parity Plays Festival reading series, celebrating the work of female and trans playwrights and directors.
Whilst Australia was relatively protected from the worst of the Global Financial Crisis fallout, for those that did feel it, SHE RODE HORSES LIKE THE STOCK EXCHANGE is a pithy and poignant tragi-comedy.
WP Theater, by special arrangement with Segal NYC Productions, presents the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's 'Smash'), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
While it's hard to fully embrace this comedic play, it is worth a watch if only for the fine acting and compelling thematic content.
As part of its 2017-2018 season Colt Coeur has announced the company's 9th world premiere, The Big and the Small, a new play by Amelia Roper, directed by Adrienne Campbell-Holt.
WP Theater, by special arrangement with Segal NYC Productions, announces the complete cast of the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's Smash ), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
Kings Cross Theatre continues their run of astounding productions in 2017 with the Australian premiere of Amelia Roper's biting comedy, SHE RODE HORSES LIKE THE STOCK EXCHANGE which will gallop into KXT from October 20th.
New York Theatre Workshop (NYTW) has announced the inaugural season of Next Door at NYTW in the Fourth Street Theatre, NYTW's newly renovated 65-seat black box space.
Boulder-based square product theatre presents the Regional Premiere of Australian-born playwright Amelia Roper's "She Rode Horses Like the Stock Exchange" at the Dairy Arts Center in Boulder.
Marin Theatre Company stirs the stage this season with the West Coast Premiere of peerless by Jiehae Park, a new dark comedy riff on Shakespeare's classic cursed tale Macbeth.
LOCAL Theater Company, under the artistic leadership of Pesha Rudnick, will welcome three playwrights from across the country to Boulder for the 2016 LOCAL Lab New Play Fest.
Marin Theatre Company stirs the stage this season with the West Coast Premiere of peerless by Jiehae Park, a new dark comedy riff on Shakespeare's classic cursed tale Macbeth.
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