A private first-act developmental reading of the new musical adaptation of 'The Talented Mr. Ripley' will be presented May 23rd at 3pm at the MTC Studios, and May 24th at 7pm in Stephen Schwartz's ASCAP Musical Theatre Workshop. Originally developed in the BMI Workshop (A Chorus Line, Ragtime, Avenue Q) by Gregory Bonsignore (Book/Lyrics) and Aaron Kenny (Music), it will be directed by Michael Berresse (Obie winner, Title of Show, Golden Apple).
A private first-act developmental reading of the new musical adaptation of 'The Talented Mr. Ripley' will be presented May 23rd at 3pm at the MTC Studios, and May 24th at 7pm in Stephen Schwartz's ASCAP Musical Theatre Workshop. Originally developed in the BMI Workshop (A Chorus Line, Ragtime, Avenue Q) by Gregory Bonsignore (Book/Lyrics) and Aaron Kenny (Music), it will be directed by Michael Berresse (Obie winner, Title of Show, Golden Apple).
The Tony Award-winning musical 'Fun Home' opened last night, February 22, at the Ahmanson Theatre and continues through April 1, 2017. BroadwayWorld has photos from the starry opening festivities below!
Happy New Year, BroadwayWorld! As we eagerly anticipate the amazing musicals and plays coming up in 2017, we're taking a moment to look back at the significant Broadway closings of 2016.
The New York City premiere of MCC Theater's new musical Ride the Cyclone, the third musical in MCC's now-iconic 30-year history of producing new works for the American theater, began previews on November 9, 2016 at the Lucille Lortel Theater and opened just last night November 30.
MCC Theater (Robert LuPone, Bernard Telsey, William Cantler, Artistic Directors; Blake West, Executive Director) has announced a two-week extension - now through December 29, 2016 - for the New York City premiere of MCC Theater's new musical Ride the Cyclone, the third musical in MCC's now-iconic 30-year history of producing new works for the American theater.
This December, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
Dress Circle Publishing will celebrate their new book THE UNTOLD STORIES OF BROADWAY, VOLUME 3 - the latest in a series by acclaimed historian and producer Jennifer Ashley Tepper - with a special event at The Drama Book Shop (250 West 4oth Street in Manhattan) today, December 1 at 5:30 PM.
MCC Theater presents the thrilling New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater. With book, music and lyrics by Jacob Richmond and Brooke Maxwell, Ride the Cyclone had its celebrated U.S. premiere in 2015 at Chicago Shakespeare Theater under the direction and choreography of Rachel Rockwell, who returns for the MCC production.
For a musical about the accidental death of six teenagers and a contest to select just one of them to return to life, Brooke Maxwell and Jacob Richmond's Ride the Cyclone, mounted by MCC after development in Canadian cabarets and a successful Chicago run, is curiously lacking in any kind of emotion or tension.
Dress Circle Publishing will celebrate their new book THE UNTOLD STORIES OF BROADWAY, VOLUME 3 - the latest in a series by acclaimed historian and producer Jennifer Ashley Tepper - with a special event at The Drama Book Shop (250 West 4oth Street in Manhattan) on Thursday, December 1 at 5:30 PM.
MCC Theater presents the thrilling New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater.
On Sunday, October 16, 2016 at 7:30pm, Works & Process at the Guggenheim presents excerpts from the new musical Ride the Cyclone by Brooke Maxwell and Jacob Richmond, which later this year makes its New York City premiere as part of MCC Theater's 30th Anniversary Season.
On Sunday, October 16, 2016 at 7:30pm, Works & Process at the Guggenheim presents excerpts from the new musical Ride the Cyclone by Brooke Maxwell and Jacob Richmond, which later this year makes its New York City premiere as part of MCC Theater's 30th Anniversary Season.
MCC Theater will soon present the New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater. With book, music and lyrics by Jacob Richmond and Brooke Maxwell, Ride the Cyclone had its celebrated U.S. premiere in 2015 at Chicago Shakespeare Theater under the direction and choreography of Rachel Rockwell, who returns for the MCC production.
MCC Theater will soon present the New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater. With book, music and lyrics by Jacob Richmond and Brooke Maxwell, Ride the Cyclone had its celebrated U.S. premiere in 2015 at Chicago Shakespeare Theater under the direction and choreography of Rachel Rockwell, who returns for the MCC production.
Today's big news: ALL THE WAYS TO SAY I LOVE YOU with Judith Light opens Off-Broadway, Molly Pope brings A STAR IS BORN to Feinstein's/54 Below, a starry production of THE PRODUCERS starts tonight at Paper Mill, and THE FRONT PAGE's Nathan Lane & John Goodman stop by TODAY!
MCC Theater today announced casting and full creative team for its thrilling New York City premiere of the new musical Ride the Cyclone, which marks just the third musical in MCC's now-iconic 30-year history of producing new works for the American theater.
It is an actor's intent as old as time not to become boxed into a certain type of role or performative style, be it the ingenue, the sassy sidekick, or the bad boy too smolderingly handsome for his own good (not the worst problem to have, frankly). One essential key to eluding that conundrum is the laser-sharp understanding of who you are as a performer, outside of a given character or show.
So what happens, then, when actors known primarily for their roles in musical theatre take to the stage to perform purely as themselves? The question was answered at Feinstein's/54 Below's Broadway Sings Their Own concert on August 29, as eight vastly disparate performers stepped into the spotlight, each to perform two original songs they wrote themselves, stripped of characters to hide behind.
