Sadiq Ali Company will present TELL ME, a sequel to award-winning THE CHOSEN HARAM, at the Edinburgh Festival Fringe as part of the Made in Scotland Showcase, blending dance, circus and storytelling to explore HIV through a contemporary lens.
Ockham's Razor returns to the Edinburgh Fringe for the first time since 2019 with Collaborator, an intimate duet performed by Artistic Directors Alex Harvey and Charlotte Mooney exploring decades of creative partnership through aerial circus.
A documentary about Guy Harvey premiered at the Fort Lauderdale Film Festival. The film explores his work as an artist and scientist. The screening took place at the Museum of Discovery and Science. Check out photos of the event.
Heartworm, a new sci-fi drama featuring Tony Award nominee Amber Gray, will make its World Premiere at the 2026 Cinequest Film & Creativity Festival, running March 10 through March 22, 2026 in Silicon Valley.
Meet the talented cast of Eureka Day on Broadway, featuring Amber Gray, Jessica Hecht, Bill Irwin, Thomas Middleditch, and Chelsea Yakura-Kurtz.
THE ROCK ‘N’ ROLL HITMAKERS runs 2 -11 August at Le Monde – Shanghai (venue 47). Learn more here!
Umphress had the 54 Below audience in the palm of her hand this weekend with 15 STORIES.
Filled with a couple of operas’ worth of tragedy, Thomas Hardy’s Tess of the d’Urbervilles is not the likeliest source of inspiration for a dramatic circus show but Ockham's Razor are here to prove us wrong.
Revolutionising musical theatre when it first premiered in 1963, Joan Littlewood’s Oh What A Lovely War found humour in expressing its anti-war sentiments to songs popular for the period, even garnering a film adaptation directed by Richard Attenborough.
When I began re-reading the original material I instantly felt drawn to a circus backdrop in terms of design and aesthetic. A troop of entertainers, from the Ringmaster to the clowns, coming together to put on a show in a worn-out tent filled with the ammunition needed to put on a touring show, travelling away from home.
The Lowry has announced four new Partner Companies that will collaborate and work closely with the arts venue to regularly present work of the highest calibre to Salford audiences.
Ockham's Razor, the UK's foremost circus theatre company, presents a bold new vision of Hardy's classic novel, Tess of the D'Urbervilles.
A moving exploration of loss and grief for ages 4 to 8, infused with funky beats from the seventies.
Banana Bag & Bodice has announced the premiere of their film Space//Space as part of the Special Screenings program at the Anthology Film Archive.
Banana Bag & Bodice will present the premiere of their film Space//Space as part of the Special Screenings program at the Anthology Film Archive. Space//Space is a cinematic reimagining of their 2012 critically acclaimed live theatre piece of the same title.
The bar is to be transformed into the refreshment room at Milford Junction railway station. The year is 1936. The play is STILL LIFE, that poignant and romantic tale of forbidden love written by Noël Coward, the inspiration for David Lean's classic film BRIEF ENCOUNTER.
'Tis the season for Loose Cattle's album Seasonal Affective Disorder, With its mix of joy and skepticism, this clear eyed and big hearted record could be the perfect soundtrack for this year's particular seasonal moment.
Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, is bringing the world of William Shakespeare into our homes with a reading of his classic tragedy, Othello. This reading, on Wednesday May 6 at 7:30 p.m., will be streamed on Facebook (www.facebook.com/QuintessenceTheatre) and on the company's website www.qtgrep.org.
The second production at the recently reopened Riverside Studios in Hammersmith marks Robert Bathurst's highly anticipated return to the stage. Joined by Rebecca Johnson, Love, Loss & Chianti is a double bill of poet Christopher Reid's A Scattering and The Song of Lunch.
For me, it's always the same: I'm asked to adapt a novel, I get all excited, have all these ideas… Then I read the source material and think, "Wow. Follow that." So it was here. Jane Eyre was the first time I'd been asked to adapt a novel by a female writer. I was honoured… and nervous. I knew the book; I'd read it when I was younger, purely for pleasure. Coming to it as a playwright was entirely different, I'd say - you're looking for ways to weave a satisfying theatrical structure as seamlessly as possible into a beautiful, revered text without losing the quality of the character work or the richness of the world created within its pages.
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