Full cast and creative team has been announced for the production which will open in previews at Wyndham’s Theatre on 21 October, with a press night on 31 October. The final performance in London will be on 9 December. In autumn 2024 the production will transfer to The Shed’s Griffin Theater in New York.
BroadwayWorld go on a field trip to watch dance artist Esther Huss, and her collaborators, practice their community work in a project called STAIRWALL: THE THINGS WE FIND.
Opera based on much loved 1946 film offers a vision of a town without music, without joy, without love and, in doing so, compels us to value what we have - a moral shared by everyone in the house, but not outside it.
From Giles Terera as Othello at the National Theatre, to Daniel Craig as James Bond at the Royal Albert Hall, November has some real theatrical treats in store. There's also the first of the festive offerings, with a new opera at the London Coliseum based on a classic Christmas film and a much-loved revival of a Dickens' classic at The Old Vic.
This November, opening the festive season at the London Coliseum, the English National Opera (ENO) presents the highly anticipated UK premiere of It's a Wonderful Life. Composed by Jake Heggie in 2016 with the libretto by Gene Scheer, this is an operatic adaptation of the 1946 Frank Capra Christmas classic film, sung in English.
Acclaimed rapper, playwright and world record-breaking beatboxer Testament is making a triumphant return to the Quarry stage at Leeds Playhouse with his hit show Orpheus in the Record Shop.
New live performances by Opera North are announced today, with four performances of Beethoven’s only opera, Fidelio, planned to be the first large scale production for over a year as the Leeds-based opera company builds back towards a fuller programme of public events.
Luca Silvestrini, Artistic Director of Luca Silvestrini’s Protein has been awarded a prestigious Premio della Critica by the Associazione Nazionale Critici di Teatro (ANCT). The ANCT awards, given annually by Italy’s national association of theatre critics, exist to celebrate the vitality of the performing arts sector.
On November 21st from 7.30 pm, you can experience Jean-Philippe Rameau's HIPPOLYTE ET ARICIE, conducted by Sir Simon Rattle, staged by Aletta Collins and with costumes, stage and light design by Ólafur Elíasson, as free video-on-demand on www.staatsoper-berlin.de during the digital BAROCKTAGE weekend.
London Theatre Runway is a bespoke training and connectivity programme for performing arts graduates which will be based at Troubadour Wembley Park Theatre. With new Government advice allowing dance studios to open this month, the programme is due to begin in September with applications open until 27th July.
London Theatre Runway is a bespoke training and connectivity programme for performing arts graduates which will be based at Troubadour Wembley Park Theatre. The first term is due to begin in September and the application process opens today.
The Visit plays on the Olivier Stage at The National Theatre. Based on the play by Friedrich Dürrenmatt adapted by Tony Kushner, original English version by Maurice Valency. Read the reviews!
Three years after the National's enthralling revival of Tony Kushner's Angels in America, the playwright returns with his new adaptation of Friedrich Dürrenmatt's tragicomic 1956 parable a?' which has also been turned into an Ingrid Bergman-starring film and a Kander and Ebb musical.
In the town of Slurry, New York, post-war recession has bitten. Claire Zachanassian, improbably beautiful and impenetrably terrifying, returns to her hometown as the world's richest woman. The locals hope her arrival signals a change in their fortunes, but they soon realise that prosperity will only come at a terrible price.
In the town of Slurry, New York, post-war recession has bitten. Claire Zachanassian, improbably beautiful and impenetrably terrifying, returns to her hometown as the world's richest woman. The locals hope her arrival signals a change in their fortunes, but they soon realise that prosperity will only come at a terrible price.
Royal Shakespeare Company's (RSC) present a new musical, The Boy in the Dress. Based on the best-selling novel by David Walliams, The Boy in the Dress features sixteen original compositions by Robbie Williams and his long-term writing partner Guy Chambers.
Pure magic are the two words I would use to describe The Boy in the Dress. Appearing for the first time on stage, David Walliams' book has sold over 32 million copies worldwide. Most recently the BBC adapted it for screen, which went down very well and ensured that the story reached even more people. Now, it is the RSC and Mark Ravenhill's turn to bring it to life, under the direction of the venue's Artistic Director Gregory Doran. It's an adventurous challenge and clearly there has been no expense spared to ensure that the musical remains as authentic to its origins as possible.