Abingdon Theatre Company has added to their second annual “Virtual Festival of Short Plays” by including a live talkback session with the playwrights, directors and cast members which will be moderated by Tony Award winning producer, Rashad V.
Abingdon Theatre Company has announced the finalists for their second annual “Virtual Festival of Short Plays”.
The Chain has announced free Zoom readings of WHITE KNUCKLE by Juan Ramirez, Jr.
Obie Award winner Metropolitan Playhouse will present its next free 'screened' readings, live-streamed at no charge, with talkback to follow: DECEIVERS, William C.
In this time of change, Abingdon Theatre Company is recommitting to creating opportunities for all voices to be heard.
All New Plays Premiere in EAST SIDE STORIES, BACK AGAIN.
New York: Victor L.
Beginning this weekend, Victor L.
Artistic director, Richard Mazda, and frequent collaborator, director Alberto Bonilla (Richard III, Merchant of Venice, Raft of Medusa) have teamed up again for The Secret Theatre's upcoming production of King Lear.
The Secret Theatre is celebrating ten years of existence with a great season packed with great shows and productions.
Fresh from receiving six New York Innovative Theatre nominations for A Chorus Line the team of Richard Mazda [A Chorus Line, Richard III] and Alberto Bonilla [To Protect The Poets, Richard III] follow their wildly successful award winning Richard III with a production of The Merchant or Venice.
Core Creative Productions will premiere an updated version of CHOKEHOLD by Anthony P.
TO PROTECT THE POETS is a full-length drama about a poet and her principles colliding with a policeman's sense of justice.
TO PROTECT THE POETS is a full-length drama about a poet and her principles colliding with a policeman's sense of justice.
Core Creative Productions (CCP) -- the company that produced Chokehold, the Outstanding Overall Production of a New Play at the 2015 Planet Connections Festivity - returns to the festival this year with Drones, a new play written and directed by Anthony P.
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