Adam Silverman News

St. Ann’s Warehouse will present the North American premiere of Michael Keegan-Dolan’s How to Be a Dancer in Seventy-two Thousand Easy Lessons, a Teaċ Daṁsa / Gate Theatre, Dublin production. Learn how to purchase tickets!

All new rehearsal photos have been released for the English National Opera's Peter Grimes  at the London Coliseum. Check out the photos here!

This September, opening the 2023/24 Season at the London Coliseum, the English National Opera (ENO) presents Benjamin Britten’s searing psychological drama, Peter Grimes. David Alden’s production returns for its second revival. Following its premiere in 2009, this production won a South Bank Sky Arts Award in the Opera category.  

The Old Vic has announced the full cast and creative team for Pygmalion, a play by George Bernard Shaw, directed by Richard Jones

Sounds from a Safe Harbour (SFSH) returns for its fourth edition, from Thursday 7th to Sunday 10th September, welcoming some of the finest International and Irish artists to stages across Cork city.

Chief Executive John Crumlish and Artistic Director Paul Fahy announced the programme for Galway International Arts Festival 2023, its most ambitious programme in the Festival's 45 year-history. Celebrating on a larger scale than ever before across theatre, music, circus, dance, visual arts, comedy, street spectacle and talks over 14 exciting days and nights.  

You won't want to miss Fedora via live simulcast at the Peterborough Players on Saturday, January 14th. Tickets are on sale now!

This February comes The Rhinegold, the first opera in Wagner’s epic Ring Cycle, a radical political satire entrenched in magic and mythology.

Fedora officially opened at the Metropolitan Opera on New Year's Eve, December 31. Performances run through January 28. Read the reviews for Fedora here!

Musicologist Joseph Kerman is probably most widely remembered for calling Puccini’s TOSCA “a shabby little shocker.” I wonder whether he’d have something similar to say about Giordano’s FEDORA, which brought the Met audience to its feet on New Year’s Eve?

Playwrights Horizons (Adam Greenfield, Artistic Director; Leslie Marcus, Managing Director) has extended the New York premiere of Bruce Norris's provocative, critically lauded play Downstate, directed by Pam MacKinnon, a second and final time, to January 7, 2023.

See photos of the New York premiere of Bruce Norris’s provocative, critically lauded play Downstate, directed by Pam MacKinnon, now extended at Playwrights Horizons to December 22.

Playwrights Horizons will present the New York premiere of Bruce Norris’s Downstate, directed by Pam MacKinnon, October 28–December 11 (opening November 15). This provocative work surrounds a registered address in downstate Illinois, where four men convicted of sex crimes share a group home, living out their days post-incarceration.

Last season, the company gave its first presentation of the French version (that’s the one called DON CARLOS, with a final S to his first name), in the five-act version that lasted almost 5 hours. This year, we’re back to Italian, under Carlo Rizzi’s firm baton, in one of a number of versions (this one running about 4 hours) of DON CARLO, which uses shortcuts to tell the story elements deleted with the excision of the first act (usually referred to as “the Fontainebleau scene”).

The Metropolitan Opera has announced the launch of The Met: Live at Home, a streaming platform that allows audiences to watch the Met’s acclaimed series of live simulcasts from any device in the comfort of their homes—the latest effort by the company to reach as broad a public as possible.

Playwrights Horizons will present the New York premiere of Bruce Norris’s Downstate, directed by Pam MacKinnon, October 28–December 11 (opening November 15). This provocative work surrounds a registered address in downstate Illinois, where four men convicted of sex crimes share a group home, living out their days post-incarceration.

Patrick Furrer will conduct the final performance of Verdi’s Don Carlos today, Saturday, March 26th, replacing Music Director Yannick Nézet-Séguin, who has withdrawn due to illness. Furrer previously conducted the March 18 and 22 performances.

DON CARLOS--Verdi’s original French language version, for the first time at the Met, of the opera better known in these parts as the Italian DON CARLO--was as grim as its setting in the Spanish inquisition in the new David McVicar production introduced last night. And about as long (though for once it ended earlier than expected)--Verdi's longest opera.

Before the opening night performance of Verdi's Don Carlos, the audience observed a moment of silence, followed by the Ukrainian national anthem, performed by the Met Orchestra and Chorus and conducted by Music Director Yannick Nézet-Séguin.

For the first time in company history, the Metropolitan Opera will present the original five-act French version of Verdi’s Don Carlos, with eight performances February 28–March 26. Verdi’s epic opera about doomed love during the Spanish Inquisition first premiered in French at the Paris Opera in 1867.