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Review: FLYBY, Southwark Playhouse

The Last Five Years meets Gravity to introduce their unfortunate lovechild. Daniel steals a spacecraft and leaves Earth; his ex-girlfriend, Emily, is left behind. A trio of scientists breaks down their complicated relationship while Daniel records his days orbiting the planet. On paper, Theo Jamieson’s new musical is a thrilling original concept. The core idea and its philosophical foundations are utterly compelling, so it’s a real shame that they bear very little weight against a shallow plot and uninteresting characters. Adam Lenson (credited as co-creator too) directs with profound empathy for the human race, trying hard to bring to life our harrowing need to feel connected. The material fails him. 

Review: CABLE STREET, Marylebone Theatre

October 1936, Oswald Mosley and the British Union of Fascists march on East London. When they reach Cable Street, a stone’s throw from Whitechapel, they find that its people have gathered in a united front against fascism. British, Irish, Jewish, and communists are blocking the road, ready to fight. Written by Tim Gilvin and Alex Kanefsky, Cable Street couldn’t be more timely. After two successful runs at Southwark Playhouse, the musical returns to remind us that there’s strength in unity. As ICE murders innocent citizens who stand up to injustice across the pond and Union Flags keep going up on our home turf, this is the comeback we need. This is a high-energy, anti-fascist history lesson.

CABLE STREET Returns to London at the Marylebone Theatre

Sell-out sensation Cable Street will return by popular demand to London, opening at Marylebone Theatre this winter. This powerful new iteration brings to life an electrifying reimagining of one of London’s most significant days.

Review: 35MM: A MUSICAL EXHIBITION, Phoenix Arts Club

“Who cares what happened after?” This is the question posed by song cycle 35MM, which takes its structure from a series of photographs, each projected onto the back wall, and giving us a musical insight into a single moment, where nothing beforehand or afterwards matters – a breakup, the tender beginnings of romance, or on one occasion a parent wrangling their Satanic baby.

Review: IVORIES, Old Red Lion Theatre

It’s a truth universally acknowledged that bisexuals are often underserved when it comes to theatre and media. Poltergeist thriller Ivories valiantly sweeps in at the close of Pride Month, but it over-promises and under-delivers. Beyond the messy and exceedingly protracted set-up, lies a great story that will delight all queer fans of the genre. After all, an eerie old house, a dying grandmother, and a bunch of secrets bound for the grave are the bones of any good spooky summer horror.

1984 Comes to Edinburgh in July

Confronting surveillance, misinformation, and authoritarianism in the modern age, this fresh adaptation of Orwell's 1984 fuses puppetry and storytelling with original music and a shape-shifting set. F

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