Sam Carl

LetsGo Entertainment nos trae GHOST de nuevo a Madrid, esta vez al Espacio Ibercaja Delicias hasta el próximo 21 de abril tras su gira nacional. El musical, basado en la inolvidable película de los 90 que incluye el tema “Unchained Melody” de los Righteous Brothers, está dirigido por Federico Bellone, responsable de la producción de EL FANTASMA DE LA ÓPERA en el Teatro Albéniz de Madrid.

El elenco estará encabezado ahora por Christian Sánchez en el papel de Sam y Ana Dachs, que da vida a Molly.

Urgent, compelling and extravagant. Dutch National Opera's Opera Forward Festival (OFF) is a contrarian exploration of as yet uncharted territory. OFF seeks sounds that are still underrepresented in opera through groundbreaking musical theatre productions, in-depth programs, and new collaborations.

El musical se representará en el Teatro Tívoli con David Bustamante en el papel de Sam.

Whether it's a memory of seeing a middle school performance in an orchestra classroom like yours truly, watching the movie for a class, or starring as Tevye in your high school’s production, you would be hard-pressed to find someone who has no connection to the musical. And for cast members in the current National Tour like Jack O’Brien, that means being received by audiences like an old friend.

El musical regresa a la Gran Vía el 28 de septiembre.

This June, Dutch National Opera will present a new production of Die ersten Menschen by Rudi Stephan. The opera was given a world premiere in 1924 and has only been staged sporadically over the past century (the last time was in 1988).

The premiere of Mozart's Le nozze di Figaro will be available online on Sunday 29 November. Now that the tightened corona measures do not make it possible to perform in front of an audience, Dutch National Opera has decided to record the performance and present it online.

Today, the Dutch National Opera announced that, despite the coronavirus measures in place, Mozart's opera Le nozze di Figaro will still be performed live at Dutch National Opera & Ballet. The performance will be based on the version directed by David Bösch and will not have an intermission. Director Bösch and conductor Riccardo Minasi have created an abridged two-hour version for the occasion. Mozart specialist Riccardo Minasi will be directing the Netherlands Chamber Orchestra.

GHOST acaba de celebrar sus 100 funciones de éxito en el Teatro EDP Gran Vía con un gran éxito de crítica y público y con el cartel de Localidades agotadas colgado en muchas de sus representaciones.

El espectáculo, que llegará a Madrid la temporada que viene, busca sus protagonistas.

New production company Quite Good Theatre are pleased to announce additions to the line up for their first event of 2017, Some People Singing. 

New production company Quite Good Theatre has announced the lineup for their first event of 2017, Some People Singing.

ANYTHING HELPS GOD BLESS tells the story of panhandlers on the median strip versus the City of Portland - a 100% true tale.  

“Park and bark” is a term usually used derogatively when speaking about opera--a kind of old-style singing that involves standing still and bursting forth in song, with little or no acting skills involved. There certainly wasn't anything old-fashioned about the operas or the group of young singers who performed them at NYU's black box theatre on May 7 (except perhaps their good training) in “Park and Bark--6 Mini-Operas about Brooklyn's Fort Greene Park.”

Many may not be familiar with the musical Ghost. Ghost is the musical adaption of the 1990 movie by the same name, written by Bruce Joel Rubin. The musical garnered incredible attention over on Britain's West End. The show's music and overall structure is very different from most classic musicals, with much of the music shouldering away from the typical "show tune" genre. What audiences hear will sound more like Christian Rock, Gospel, and even Disco. "[The music] is definitely more demanding," says music director Kyle Carozza, "the vocal ranges necessary are higher, and there gets to be well over eight parts at some points. I don't dislike it (the style of music), but I like the big, belty, vibrato type of musical theatre better." When I prompted Kyle about whether or not teaching this genre was harder, he surprised me by saying, "No, I think it's somewhat easier. It's more choir-like and isn't as intricate as some musical theatre."

Jason Tramm, Artistic Director and principal conductor of the Morristown based MidAtlantic Opera leads the Amore Opera orchestra, chorus and featured soloists in Giacomo Puccini's La Bohème, arguably the world's most beloved opera. Directed by Nathan Hull, Amore Opera's fully staged production, with original sets designed by Richard Cerullo (for lower Manhattan's famed impresario Anthony Amato) opened December 18th and runs for 8 performances through January 3rd in the intimate 275 seat Loreto Theatre at the Sheen Center for Thought and Culture in New York City. Check out an exclusive look below!