Nobby Clark

2022 started with the UK fighting with Covid's Omicron variant, which was not really conducive to much theatrical mingling. However, much of the theatre world ralied, as it always does, to bring us some juicy shows and sparkling performances.

Get a first look at Kenneth Grahame's compelling The Wind in the Willows, now playing at Wilton's Music Hall, in a brand-new version. The Wind in the Willows Wilton's by acclaimed children's author Piers Torday will immerse adults and children into the charming and playful world of Ratty, Mole, Badger and Toad.

Noises Off is the original play that goes wrong. Michael Frayn's farce-within-a-farce is now forty years old and this revival both amuses and resonates more powerfully than ever.

McGovern is no stranger to the stage, recently seen on the West End in  AVA: The Secret Conversations. She has also been seen on Broadway in Time and the Conways, Hamlet, and Love Letters. BroadwayWorld caught up with McGovern to discuss what audiences can expect from the new film, the theatricality of Downton Abbey, and more.

Among the many reflections on the legacy of the late, great Stephen Sondheim, here comes a touchingly personal one from his frequent collaborator Maria Friedman, who also pays tribute to two other dearly departed composers: Marvin Hamlisch and Michel LeGrand.

The Menier Chocolate Factory, in association with Sonia Friedman Productions, today announces the extension of the world première of their brand-new show Maria Friedman & Friends – Legacy, celebrating the brilliance of Marvin Hamlisch, Michel Legrand and Stephen Sondheim, until 17 April due to popular demand. 

The characters of Brian and Roger were birthed by me and Harry Peacock on a TV set back in 2014. Hanging around between takes, we started to improvise and pretend to be these two divorced middle-aged men, trying really hard to see the positive side of their situation.

The stage version of the successful comedy podcast flounders on the transition from the everyday to the absurd

Simon Lipkin joins Dan Skinner in Brian & Roger – A Highly Offensive Play inspired by Skinner and Harry Peacock’s hit podcast Brian & Roger. Artistic Director of the Menier David Babani directs the production which previews from 22 October.

Richard Eyre’s production of Noël Coward’s 1941 Blithe Spirit was just settling into its West End home last year when lockdown struck. Now revived with most of its original cast, it settles into the Harold Pinter theatre for an eight-week run, featuring a stage-stealing appearance by Jennifer Saunders.

In 1941 two leading physicists secretly met in Nazi-occupied Denmark to discuss the race between Hitler and the allies to create the nuclear bomb. These men were Werner Heisenberg, a German working on Hitler's bomb programme, and his old mentor Niels Bohr, a half-Jewish Dane with links to the United States’ nuclear programme. First seen in 1998, Michael Frayn’s fascinating but ultimately frustrating play, Copenhagen, explores several possibilities of what may have happened between the men.

This group of ballet stars discuss their careers, inspirations and share tales of their time at Yorkshire Ballet Seminars exclusively on Saturday 24 July at 7:00pm (BST). Tickets are available to buy online now!

Can a controversial production that was staged nearly 30 years ago still feel relevant today? The answer is a resounding yes.

David Mamet’s provocative drama Oleanna, directed by Lucy Bailey stars Rosie Sheehy and Jonathan Slinger and is running at Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.

David Mamet’s provocative drama Oleanna, directed by Lucy Bailey stars Rosie Sheehy and Jonathan Slinger and is running at Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.

After a curtailed tour and a sold-out run at Cornwall’s Minack Theatre, Willy Russell’s beautifully poignant Educating Rita now comes to the Rose Theatre for its first performances inside a theatre in a Covid-restricted world. A bittersweet and very funny production; it has been worth the wait.

In the week that Dominic West appeared in a cringe-worthy “We’re still happily married” two-hander on the doorstep of his Wiltshire home with his deceived wife, the opening of Harold Pinter’s tale of betraying loved ones couldn’t be more timely.

This is perhaps an odd time for Nöel Coward's comedy about death and supernatural apparitions to land in the West End – Richard Eyre's revival transferring from Theatre Royal Bath. On the other hand, there's something comforting about Coward's portrait of the afterlife as essentially a continuation, with our personalities, desires and enmities very much intact. Plus the opportunity to socialise with Joan of Arc.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a musical with old Hollywood glamour to starry Chekhov and Coward, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Winner of the Tony Award for Best Play and the Olivier Award for Best New Comedy, this ruthlessly comic study of middle class parenting by the author of Art, is one of the most successful plays ever in the history of the West End.