Karen Slack
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Karen Slack News

by Marissa Tomeo - May 11, 2022
 Shriver Hall Concert Series (SHCS) — Baltimore’s premier presenter of chamber music ensembles and solo recitalists — has rescheduled its concert featuring the two-time Grammy Award-winning Pacifica Quartet and soprano Karen Slack, to Sunday, June 19 at 5:30pm, due to Covid-related challenges (originally scheduled for May 15).

by Stephi Wild - May 6, 2022
Carnegie Hall today announced that Pacifica Quartet must regretfully postpone their concert scheduled for this Friday, May 6 at 7:30 p.m. in Weill Recital Hall due a positive COVID-19 case among the artists. This performance has been rescheduled for Saturday, June 18 at 8:00 p.m.

by Chloe Rabinowitz - Apr 19, 2022
 Portland Opera’s 2022/23 season will feature the cultural touchstone Carmen; Thumbprint, a powerful new opera inspired by the story of Mukhtar Mai, a trailblazing Pakistani human rights activist; the company’s first production of the iconic and magical Dvořák opera Rusalka and more.

by Chloe Rabinowitz - Apr 19, 2022
On Sunday, May 15, 2022 at 5:30pm, Shriver Hall Concert Series (SHCS) - Baltimore's premier presenter of chamber music ensembles and solo recitalists - will present the two-time Grammy Award-winning Pacifica Quartet and soprano Karen Slack in the Baltimore premiere of A Double Standard, a new SHCS co-commission by Baltimore-based composer James Lee III.

by Marissa Tomeo - Apr 7, 2022
Both before and throughout the pandemic, National Sawdust’s mission has been to provide artists with financial and creative opportunities, audiences with access to groundbreaking work presented in remarkably high fidelity, and to support young creators by means of a rigorous mentorship network. These three goals serve as the inspirations for The Future Is… Festival, which takes place June 7 through June 16, features work by 6 composers and choreographers developing new work through residencies co-produced with the Center for Ballet and the Arts at NYU, and funded by the Virginia B. Toulmin Foundation.

by Marissa Tomeo - Apr 7, 2022
American Lyric Theater (ALT) announced today InsightALT: Opera in Eden, a performance featuring three new one-act operas on themes of temptation developed by Resident Artists in the company’s nationally acclaimed Composer Librettist Development Program. ALT’s current Resident Artists (Composers Jasmine Barnes, Johanny Navarro, and Alex Weiser; and Librettists Joshua Banbury, Deborah D.E.E.P. Mouton, and Marcus Yi) were selected from over 200 applicants to join the CLDP this season. Opera in Eden, which is the culminating event of the first year of these artists’ residency, will take place at National Sawdust in Brooklyn on Tuesday, May 17th, 2022 at 7:00pm.

by Chloe Rabinowitz - Mar 17, 2022
Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.

by Chloe Rabinowitz - Jan 21, 2022
The Juilliard Blueprint Fellowship is an annual National Sawdust mentorship and commissioning initiative that connects Juilliard student composers with career and project mentorship, culminating in a concert of their commissioned projects.

by Chloe Rabinowitz - Dec 16, 2021
Following a two-year pandemic-imposed hiatus, National Sawdust has announced the January reopening of its in-person performance space in Williamsburg, Brooklyn for the organization’s seventh season of artistic programming.

by A.A. Cristi - Dec 15, 2021
American Composers Orchestra continues its 2021-2022 season, under the leadership of Artistic Director Derek Bermel and President Melissa Ngan, with new and ongoing partnerships with the Apollo, National Black Theatre, and Carnegie Hall in spring 2022.
Karen Slack Videos

by BroadwayWorld TV - Oct 7, 2020
On Saturday, October 17, 2020 at 8:00pm ET, Orpheus Chamber Orchestra presents Speaking Truth to Power, an online performance of Beethovena??s Egmont, Op. 84 featuring the world premiere of an incisive new Orpheus-commissioned English translation, adapted for the current day, by Philip Boehm.