Jason B McIntosh

Broadway veteran, Howard Kaye has joined the cast of Olney Theatre Center's production of Fiddler on the Roof, directed by Peter Flynn. 

Discover Olney Theatre Center's production of 'Fiddler on the Roof' with a fresh global perspective. This timeless musical explores themes of rising anti-Semitism, Russian aggression, refugee crises, and women's struggles against patriarchal authority. Don't miss this captivating show running from November 8 to December 31 in Olney, Maryland.

Today’s subject William T. Newman Jr. is currently living his theatre life portraying the esteemed African-American playwright August Wilson in How I Learned What I Learned at WSC Avant Bard. The production marks the company’s return to LIVE performances and runs through December 19th at Gunston Arts Center in Theatre Two.

Arena Stage at the Mead Center for American Theater’s latest world premiere film, “The 51st State', is now available to stream. You can watch the film by clicking here.  The hyper-local 60-minute docudrama created by Washington, D.C. artists through the voices of 11 residents was inspired by protests and the reignition of a movement after the murder of George Floyd and the quest for creating the 51st state and sovereignty in Washington, D.C. From a first-time protestor to a fourth-generation Washingtonian political scientist, to artists, an attorney, people of faith, and a retired couple moved to take part in the movement despite the COVID-19 risks, these diverse perspectives and real-life stories are vividly told and transformed into affecting narratives by 10 local playwrights. 

Arena Stage at the Mead Center for American Theater's latest world premiere docudrama, The 51st State, will receive its world premiere through Arena Stage's Supper Club on September 16 at 7 p.m. Following the premiere, viewers can join artists and creatives for a post-film discussion and after-party on Zoom.

Arena Stage at the Mead Center for American Theater has announced its Fall/Winter Looking Forward Season featuring more than 70 virtual events and programs to engage with and respond to audiences in Washington, D.C-metropolitan region and nationally.

And thus the struggle over ways of thinking and dealing commences. For Hicks, the past that Sterling and Barlow are protecting has no value, and the validity of Barlow's legal claim is irrelevant. From his standpoint, when the powers that be have firmed up their plans to a certain point, mere legality must step aside. For Wilks, abandoning the rule of law leads to chaos, even if following that principle leads to results that disappoint the oligarchs. I'll leave it to audiences to discover how the clash of perspectives works out, but it is clear that, regardless of what becomes of Aunt Ester's home, Wilks' choice to adhere to the rule of law and to honor his roots and ancestors would destroy his great plans, his business partnership, and probably his marriage. Though, of course, regardless of the outcome, such a choice would also make him a hero.

I​t's never the wrong time to do the right thing. ThisOctober,​EverymanTheatre's​next show is R​adio Golf, ​the final play in renowned playwright August Wilson's 10-play opus, THE AMERICAN CENTURY CYCLE. Radio Golf​​ highlights the challenges faced by modern-day African-Americans straddling the line between monetary success and cultural assimilation.

This October, Everyman Theatre's next show is Radio Golf, the final play in renowned playwright August Wilson's 10-play opus, THE AMERICAN CENTURY CYCLE. Radio Golf brings the a?oecrackle of a comedy with old-fashioned melodramaa?? (The New York Times) and highlights the challenges faced by modern-day African-Americans straddling the line between monetary success and cultural assimilation. 

Even after 65 years after Twelve Angry Men was first performed, we sit with the uncomfortable realization that prejudice shapes many of our interactions. The current production at Ford's Theatre is an important message, a provocative reminder, and a great night of theater

When the world you've known your whole life starts falling apart due to forces outside of your control, are you able to roll with the punches? When the bubble you've lived in for years starts imploding upon itself due to the choices made by others, are you able to move forward with compassion and understanding? What if the impact of those choices is caused by your friend? Or even your own mother? These are the questions audience members will ask themselves when they step into the world of Reading, Pennsylvania to see Sweat at Everyman Theatre.

From its origins in the painstakingly researched fieldwork of two-time Pulitzer Prize-winning playwright Lynn Nottage comes Sweat- the gritty, emotionally charged story of friendships and hardships in post-industrial small-town America. Hailed by The New York Times as "an extraordinarily moving drama" that "brims with the kind of ripe, richly imagined life associated with the work of the great August Wilson," the show's Baltimore debut runs October 23-November 25, 2018 and is directed by Everyman Theatre Founding Artistic Director Vincent M. Lancisi.

The tale of Robin Hood has provided source material for several famous screen adaptations over the years, including the classic Hollywood film with Errol Flynn and the Disney animated feature that portrayed all the characters as animals. With the exception of Young Robin Hood at Round House Theatre a few years back, there really hasn't been a good stage treatment for the guy who steals from the rich to give to the poor...until now.

Important content and several exceptional performances outweigh 1st Stage's flawed production of August Wilson's Ma Rainey's Black Bottom. 

From the extraordinary mind of Pultizer, Tony, and Academy Award recognized playwright August Wilson comes one of America's most renowned stories of race and music. Inspired by the real life of legendary blues singer, Gertrude "Ma" Rainey, Ma Rainey's Black Bottom is a powerful installment in August Wilson's Pulitzer Prize winning Century Cycle- 10 illustrious plays that explore the African-American experience in each decade of the 20th century.

From the extraordinary mind of Pultizer, Tony, and Academy Award recognized playwright, August Wilson comes one of America's most renowned stories of race and music. Inspired by the real life of legendary blues singer, Gertrude "Ma" Rainey, Ma Rainey's Black Bottom is a powerful installment in August Wilson's Pulitzer Prize winning Century Cycle- 10 illustrious plays that explore the African-American experience in each decade of the 20th century.

Today's subjects, Joy Zinoman and Logan Vaughn, are currently living their theatre lives over on H Street at Mosaic Theater Company. They are the directors for the company's current South Africa: Then & Now repertory, which is comprised of the Athol Fugard's classic Blood Knot and the newer A Human Being Died That Night by Pumla Gobodo-Madikizela and adapted for the stage by Nicholas Wright. The rep represents the old and the new. It's appropriate that Mosaic's genius Artistic Director Ari Roth has enlisted a veteran director of over 50 years and a hot up-and-coming director to bring the plays to vivid life onstage at the Atlas Performing Arts Center.

Mosaic Theater Company of DC completes its whirlwind inaugural year with WHEN JANUARY FEELS LIKE SUMMER, a play that is relevant, engaging and sweetly funny.

Mosaic Theater Company of DC's Inaugural Season arrives at a climactic finale with the lively and comedic Off-Broadway hit, WHEN JANUARY FEELS LIKE SUMMER, written by Cori Thomas and directed by Mosaic Theater Managing Director & Producer Serge Seiden (Bad Jews, Apple Family Plays). WHEN JANUARY FEELS LIKE SUMMER will open this Sunday, May 22 at 7:30 PM. Scroll down for a first look at the cast in action!

Mosaic Theater Company of DC's Inaugural Season arrives at a climactic finale with the lively and comedic Off-Broadway hit, When January Feels Like Summer, written by Cori Thomas and directed by Mosaic Theater Managing Director & Producer Serge Seiden (Bad Jews, Apple Family Plays).