Ben Shahn

Philadelphia's Weitzman National Museum of American Jewish History (The Weitzman) announces that it will reopen its building to visitors on May 13 -- with four exciting and timely new installations and exhibits.

The Jewish Museum is presenting We Fight to Build a Free World: An Exhibition by Jonathan Horowitz upon reopening to the public on Thursday, October 1, 2020. Originally scheduled to open in March 2020,

The Jewish Museum will present We Fight to Build a Free World: An Exhibition by Jonathan Horowitz which looks at how artists have responded to the rise of intolerance and authoritarianism, addressing issues surrounding immigration, assimilation, and cultural identity, from March 20 through August 2, 2020.

The Jewish Museum will present We Fight to Build a Free World: An Exhibition by Jonathan Horowitz which looks at how artists have responded to intolerance and authoritarianism, and how they've addressed immigration, assimilation, and cultural identity, from March 20 through August 2, 2020. The exhibition will feature works of art primarily from the early 20th century to now. Examples of American social realism from the 1930s and 1940s, new works by Jonathan Horowitz, and newly commissioned political posters by contemporary artists are highlighted. The approximately 80 works include a range of media: sculpture, painting, drawing, photography, and video.

Continuing its popular tradition, The Jewish Museum will be open on Wednesday, December 25 from 11 am to 5 pm. For those looking for something special to do on Christmas, the Jewish Museum offers a fun-filled way to spend an enjoyable day during the holiday season and Hanukkah.

Come to the Jewish Museum every Thursday in December, January, and February to toast the exhibitions Edith Halpert and the Rise of American Art and Rachel Feinstein: Maiden, Mother, Crone. Enjoy signature cocktails in the Museum's lobby inspired by the exhibitions on view, crafted and served by Russ & Daughters at the Jewish Museum.

The Jewish Museum will present Edith Halpert and the Rise of American Art, the first exhibition to explore the remarkable career of Edith Gregor Halpert (1900-1970), the influential American art dealer and founder of the Downtown Gallery in New York City. A pioneer in the field and the first significant female gallerist in the United States, Halpert propelled American art to the fore at a time when the European avant-garde still enthralled the world. The artists she supported a?" Stuart Davis, Jacob Lawrence, Georgia O'Keeffe, Yasuo Kuniyoshi, Ben Shahn, and Charles Sheeler key among them a?" became icons of American modernism. Halpert also brought vital attention to overlooked nineteenth-century American artists, such as William Michael Harnett, Edward Hicks, and Raphaelle Peale, as well as little-known and anonymous folk artists. With her revolutionary program at the Downtown Gallery, her endless energy, and her extraordinary business acumen, Halpert inspired generations of Americans to value the art of their own country, in their own time.

The Jewish Museum will present Edith Halpert and the Rise of American Art, the first exhibition to explore the remarkable career of Edith Halpert (1900-1970), the influential American art dealer and founder of the Downtown Gallery in New York City. A pioneer in the field and the first significant female gallerist in the United States, Halpert propelled American art to the fore at a time when the European avant-garde still enthralled the world. The artists she supported - Stuart Davis, Jacob Lawrence, Georgia O'Keeffe, Yasuo Kuniyoshi, Ben Shahn, and Charles Sheeler key among them - became icons of American modernism. Halpert also brought vital attention to overlooked nineteenth-century American artists, such as William Michael Harnett, Edward Hicks, and Raphaelle Peale, as well as little-known and anonymous folk artists. With her revolutionary program at the Downtown Gallery, Halpert inspired generations of Americans to value the art of their own country, in their own time.

On Today, October 19, 2018 at 8:00pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a performance by Jace Clayton aka DJ /rupture in conjunction with the African Americans in WNC & Southern Appalachia Conference. The event features Clayton's latest video The Jacob Lawrence of Jacob Lawrence, a hand-drawn animation with texts that form part of the script for the live performance, inspired by BMCM+AC's landmark exhibition Between Form and Content: Perspectives on Jacob Lawrence.

On Friday, October 19, 2018 at 8:00pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a performance by Jace Clayton aka DJ /rupture in conjunction with the African Americans in WNC & Southern Appalachia Conference. The event features Clayton's latest video The Jacob Lawrence of Jacob Lawrence, a hand-drawn animation with texts that form part of the script for the live performance, inspired by BMCM+AC's landmark exhibition Between Form and Content: Perspectives on Jacob Lawrence.

Black Mountain College Museum + Arts Center (BMCM+AC) has announced its fall 2018 season of exhibitions and cultural events in Asheville.

On Saturday, September 8, 2018 at 8pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a special, free preview concert by Grammy-nominated vocalist Theo Bleckmann and jazz guitarist Ben Monder, part of BMCM+AC's celebration of its new permanent home at 120 College St. in downtown Asheville. For over 15 years, the Theo Bleckmann & Ben Monder Duo has toured the U.S., Europe, and Asia creating a unique approach to what might be called 'jazz art song,' blurring the boundaries between jazz, classical, ambient and rock.

Picturing Mississippi, 1817 2017: Land of Plenty, Pain, and Promise, the landmark exhibition exploring Mississippi identity, commemorates the 200th anniversary of Mississippi's statehood. Illuminating the perception and depiction of Mississippi over more than 200 years, the exhibition showcases 175 works by 100 artists who either resided in the state, visited, or lived elsewhere and were compelled to respond to a multiplicity of subjects. From Choctaw objects and sweeping landscapes to portraiture and contemporary work, the exhibition reveals that Mississippi has continuously resonated with artists in powerful ways as lived experience, memory, and imagination.

Picturing Mississippi, 1817 2017: Land of Plenty, Pain, and Promise, the landmark exhibition exploring Mississippi identity, commemorates the 200th anniversary of Mississippi's statehood. Illuminating the perception and depiction of Mississippi over more than 200 years, the exhibition showcases 175 works by 100 artists who either resided in the state, visited, or lived elsewhere and were compelled to respond to a multiplicity of subjects. From Choctaw objects and sweeping landscapes to portraiture and contemporary work, the exhibition reveals that Mississippi has continuously resonated with artists in powerful ways as lived experience, memory, and imagination.

International Conference Gathers Artists and Scholars Who Explore the History and Legacy of the Groundbreaking Black Mountain College, Where Willem de Kooning, John Cage, Buckminster Fuller, Merce Cunningham, Franz Kline and Robert Rauschenberg Collaborated in the Mid-20th Century

When the Zimmerli's curators first devised two complementary exhibitions of American art titled Circa 1966 - one focusing on prints, the other on paintings and sculpture - the intention was to commemorate the museum's golden anniversary by spotlighting key works created around the time of its founding. But in addition to spotlighting revolutionary movements that now have an established presence in art history, the subjects of many of the works focus on social and political discussions from the era that have prominently re-emerged across the United States.

With a striking new exhibition, the Jewish Museum transports its visitors to the early days of mass-market television--and reveals the artistic ingenuity behind this emerging medium.

On Sunday, June 31, 2015, New York City Ballet offered the sweet, the mundane, and the historical. If I were a lyricist I could write a song about this, but since my iambic pentameter is almost non-existent, and my Stephen Sondheim thesaurus nowhere to be found, I guess I'll have to push forward in everyday prose.

Revolution of the Eye: Modern Art and the Birth of American Television, the first exhibition to explore how avant-garde art influenced the look and content of network television in its formative years, will be on view at the Jewish Museum from May 1, 2015 through September 20, 2015.

The Black Mountain College Museum + Arts Center (BMCM+AC) celebrates the completion of the first phase of its renovation and expansion in downtown Asheville with the presentation of poemumbles: 30 years of Susan Weil's poem/images. Curated by Brian E. Butler, University of North Carolina Asheville Thomas Howerton Distinguished Professor of the Humanities, and Rachael Inch, Susan Weil Studio archivist and administrator, the exhibition is on view January 30 - May 23, and is accompanied by a roster of public programs. The exhibition includes over 60 of Weil's poemumbles made between 1984 and 2014. Additionally, several of her notebooks will be on display to provide a deeper look into her artistic process.