Alice Babidge

Is there another Shakespearean drama filled with as many quotable quotes as “Hamlet” (even when they’re used out of context and given a foreign meaning)? But “To be or not to be” is surely the most referenced and, certainly, in the new operatic HAMLET currently at the Met by Brett Dean and Matthew Jocelyn, in Neil Armfield’s thoughtful, urgent production, it's given the best showcase. Indeed, it helps shed a different light on the hero of the story.

On May 13, the Metropolitan Opera will present the company premiere of Australian composer Brett Dean’s Hamlet, a bold adaptation of Shakespeare’s timeless drama, with six additional performances through June 9.

The Metropolitan Opera will present an audacious new production of Donizetti’s Lucia di Lammermoor, which moves the bel canto masterpiece from 18th-century Scotland to a present-day town in the American Rust Belt, with nine performances April 23–May 21, 2022.

Well, no one can say that the Met doesn’t have guts. After the tepid response that subscribers gave its Las Vegas version of Verdi’s RIGOLETTO by Michael Mayer, no one would have suspected that they’d come up with a version of Donizetti’s LUCIA DI LAMMERMOOR that made anything else it’s produced look tame. And while the new LUCIA isn’t something that will send every Met attendee into quivers of excitement--I don’t think I’ve ever heard so many pros and cons discussed at an intermission before--it also won’t send them to sleep either.

The Metropolitan Opera will present an audacious new production of Donizetti’s Lucia di Lammermoor, which moves the bel canto masterpiece from 18th-century Scotland to a present-day town in the American Rust Belt, with nine performances April 23–May 21, 2022.

The Metropolitan Opera will present an audacious new production of Donizetti’s Lucia di Lammermoor, which moves the bel canto masterpiece from 18th-century Scotland to a present-day town in the American Rust Belt, with nine performances April 23–May 21, 2022.

Named for STC's founding Artistic Director, the Richard Wherrett Fellowship is a year-long opportunity for emerging directors to gain experience and mentorship while being embedded in the Company.

Sydney Theatre Company announces Shari Sebbens and Courtney Stewart will join our existing Resident Artists in 2021. Shari (Black is the New White, The Bleeding Tree) has been appointed Resident Director and Courtney (White Pearl, Hamlet: Prince of Skidmark) is the company's new Richard Wherrett Fellow - a career pathway opportunity for emerging directors. 

The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.

Nominations were announced today for the Sydney Theatre Awards for 2018, which will be presented at a gala ceremony on Monday 21 January 2019 at 6pm at the York Theatre, Seymour Centre.

Sydney Theatre Company announced today that it has appointed its former Richard Wherrett Fellow and Directing Associate Jessica Arthur in the role of Resident Director in 2019. Jessica joins the Resident Artist team of Associate Director Paige Rattray and Resident Designer Elizabeth Gadsby.

Kip Williams (Director) reinterprets Patrick White's A CHEERY SOUL with new technology to enable an intriguing look at underlying emotions as the town's outcast seeks to help everyone she encounters, whether they want it or not.

The American Theatre Wing (Heather Hitchens, President and CEO) and The Village Voice (Peter Barbey, President and CEO) announced the winners of the 63rd Annual Obie Awards® on May 21 at Terminal 5.

The Young Vic's highly praised West End production of Cat on a Hot Tin Roof will be broadcast to cinemas around the world on 22 February 2018, marking the fourth collaboration between The Young Vic and National Theatre Live. Watch a trailer for the broadcast below!

Sydney Theatre Company brings Anton Chekhov's much-loved tragi-comedy back to the mainstage with Andrew Upton's adaptation of THREE SISTERS, directed by Kip Williams.

Sydney Theatre Company presents a new interpretation of the Chekov classic Three Sistersthis November at the Sydney Opera House, directed by STC Artistic Director Kip Williams, with design by Alice Babbage.

The 49th consecutive Glyndebourne Tour is preparing to hit the road, with The Marlowe Theatre in Canterbury its first stop.

The Young Vic's highly praised West End production of Cat On A Hot Tin Roof, currently playing to capacity each night at the Apollo Theatre, will be broadcast to cinemas around the world on 22 February 2018 marking the fourth collaboration between the Young Vic and National Theatre Live.

After dazzling audiences and critics alike at its recent world premiere produced by the renowned Glyndebourne Festival Opera in the UK, Neil Armfield's production of Australian composer Brett Dean's masterpiece Hamlet.

The adult cast for the Young Vic's West End production of Cat on a Hot Tin Roof at the Apollo Theatre comprises Sienna Miller (Maggie), Jack O'Connell(Brick), Colm Meaney (Big Daddy), Lisa Palfrey (Big Mama), Hayley Squires(Mae), Brian Gleeson(Gooper), Richard Hansel (Doctor) and Michael J Shannon(Reverend). Let's see what the critics had to say!