Review Roundup: Tom Stoppard's ARCADIA at The Old Vic
by Aliya Al-Hassan - Feb 5, 2026
Arcadia is set in April 1809 in a stately home in Derbyshire. Thomasina, a gifted pupil, proposes a startling theory, beyond her comprehension. All around her, the adults, including her tutor Septimus, are preoccupied with secret desires, illicit passions and professional rivalries. Two hundred years later, academic adversaries Hannah and Bernard are piecing together puzzling clues, curiously recalling those events of 1809, in their quest for an increasingly elusive truth.
Review: ARCADIA, The Old Vic
by Aliya Al-Hassan - Feb 5, 2026
Of all Tom Stoppard's work, Arcadia has always stood out. Touching on sex, Fermat's last theorum, the second law of thermodynamics, landscape gardening with a detective story thrown in, it is a mixture of subjects that few playwrights could attempt to combine. Does it matter if you don't understand the complex scientific and mathematical theories? Not at all. Carrie Cracknell's magnificent revival has huge amounts of humour and heart, which is not always a given with Stoppard's work.
Review: DEAD MAN WALKING, London Coliseum
by Gary Naylor - Nov 6, 2025
A confession. It’s a guilty pleasure of mine to read the death notices on Wikipedia - I am my mother’s son after all and, without the columns of classifieds in the Liverpool Echo, where else is there to look?
Full Cast Set for COW I DEER at Royal Court Theatre
by Chloe Rabinowitz - Jul 3, 2025
The Royal Court Theatre has revealed the cast for Cow I Deer, a one-of-a-kind collaboration between Katie Mitchell, Nina Segal and Melanie Wilson. See who is starring and learn more!
Review: THE GRAPES OF WRATH, National Theatre
by Cindy Marcolina - Aug 1, 2024
The piece is heavy in topic and method, but Carrie Cracknell’s quiet direction smooths out the nearly three hours of running time. It’s by any means not an easy-breezy show to experience, but it sinks into your soul in a way that only an epic does. The problem is that it’s so, so slow.
Review: PORTIA COUGHLAN, Almeida Theatre
by Cindy Marcolina - Oct 18, 2023
Marina Carr’s award-winning play returns to London directed by Carrie Cracknell and starring Conversations with Friends starlet Alison Oliver (who trod the same boards earlier this year in Women, Beware the Devil). A compelling analysis of toxic dysfunction and female pain, Portia Coughlan is a jarring family drama shackled by tragedy. It propels Oliver into theatre stardom.
BWW Review: OLEANNA, Arts Theatre
by James Ayles - Jul 29, 2021
An unflinching examination of power and gender roles told through the perspective of a student-teacher relationship that is unafraid to pose difficult questions of its audience.
OLEANNA Will Transfer to the West End Transfer and Embark on Tour
by Stephi Wild - Apr 21, 2021
Theatre Royal Bath Productions and Jonathan Church Productions' critically acclaimed production of David Mamet's highly provocative drama Oleanna, directed by Lucy Bailey, will tour the UK this Summer from 8 June, visiting Cambridge, Bath, Southampton and Malvern, before transferring to the West End's Arts Theatre, London from 21 July to 23 October 2021.
BWW Review: OLEANNA, Theatre Royal Bath
by Cheryl Markosky - Dec 9, 2020
Can a controversial production that was staged nearly 30 years ago still feel relevant today? The answer is a resounding yes.
BWW Review: BETRAYAL, Theatre Royal Bath
by Cheryl Markosky - Oct 22, 2020
In the week that Dominic West appeared in a cringe-worthy “We’re still happily married” two-hander on the doorstep of his Wiltshire home with his deceived wife, the opening of Harold Pinter’s tale of betraying loved ones couldn’t be more timely.
BWW Review: A Glorious RIGOLETTO Opens at Opera Theatre St. Louis
by Steve Callahan - Jun 4, 2019
The Opera Theatre of St. Louis continues its 44th festival season of world class opera with a magnificent production of Giuseppe Verdi's Rigoletto. OTSL presented a splendid Rigoletto fourteen years ago, but this production is, I think, even better. It's the best Rigoletto your ever likely to see.
BWW Review: Fleming and Whishaw Open NY Arts Center, The Shed, with NORMA JEANE BAKER OF TROY
by Richard Sasanow - Apr 10, 2019
Helen of Troy didn't launch a thousand ships but was a put-upon sexual victim and Marilyn Monroe--born Norma Jeane Baker, of the title--was a cloud in the shape of a woman. It was also a “disaster to be a girl” in those days before #MeToo, with powerful men (whether Menelaus or Arthur Miller) holding beautiful women captive (and worse). That was just part of Anne Carson's new ”dramatic work,” NORMA JEANE BAKER OF TROY, with its effective tonal score by Paul Clark, and two wonderful performers, soprano Renee Fleming and British actor Ben Whishaw, under director Katie Mitchell.