This summer the Tony Award®-winning Signature Theatre, one of the nation’s leading forces in musical theater, launches 21/24 Signature Lab, a new initiative for the creation of Musical Theatre Works by emerging young composers which gives audiences a first look at new musicals.
For a three-week period from July 6 through 24, two commissioned musicals, The Hollow by composer
Matt Conner and writer
Hunter Foster, directed by
Eric Schaeffer, and The Boy Detective Fails by composer
Adam Gwon and writer Joe Meno, directed by
Joe Calarco, will be rehearsed in preparation for public performances on July 23 and 24. 21/24 Signature Lab is an expansion of Signature’s American Musical Voices Program – The Next Generation, funded by The Shen Family Foundation.
The 21/24 acting company includes Danny Binstock,
Christopher Bloch,
Sherri L. Edelen,
Eleasha Gamble,
James Gardiner,
Sam Ludwig,
Channez McQuay,
Amy McWilliams, Margo Seibert,
Thomas Adrian Simpson, Chris Sizemore,
Stephen Gregory Smith,
Russell Sunday,
Stephanie Waters, and Bayla Whitten.
On July 22 Signature will also present a cabaret of new songs by The Next Generation composers
Gabriel Kahane,
Peter Foley, and Marisa Michelson, as well as
Matt Conner and
Adam Gwon in The MAX Theatre.
Signature Artistic Director
Eric Schaeffer stated, “It's an exciting time at
Signature Theatre as we provide opportunities for up-and-coming composers to develop and present their new works.
Matt Conner and
Adam Gwon have unique voices and I’m proud to have their new pieces begin at Signature. Our collaboration with The Shen Family Foundation and the creation of the American Musical Voices Project has provided a creative home for exciting new works for the American musical theater. We look forward to sharing these works with our audiences.”
Tickets for 21/24 Signature Lab performances are $20 general admission and a pass for both 21/24 shows costs $30. Tickets can be purchased at the box office or by calling Ticketmaster at (703) 573-SEAT (7328) or visiting
www.signature-theatre.org.
Signature’s American Musical Voices Project, funded by The Shen Family Foundation, began in May 2006. Musical Theater Composer Grants have been awarded to
Ricky Ian Gordon,
Michael John LaChiusa, and
Joseph Thalken providing each composer $25,000 a year plus health coverage for four years. Each of the grants is accompanied by a commission to create a new full-length musical to be produced at
Signature Theatre during its 2009-2011 seasons. In April and May 2009 Giant by
Michael John LaChiusa received its premiere at
Signature Theatre.
Ricky Ian Gordon’s Sycamore Trees will premiere in May 2010, and
Joseph Thalken’s musical the following season. In addition, Musical Theater Leadership Awards have been made to four individuals in recognition of their extraordinary influence on and contribution to the advancement of new musical theater, orchestrator
Bruce Coughlin, composer
Adam Guettel, singer/actress
Audra McDonald, and director/musical director/orchestrator
Ted Sperling.
In May 2007, the American Musical Voices Project was expanded with The New Generation, a program to help emerging composers create new works for musical theater. Composers
Matt Conner,
Adam Gwon, and
Gabriel Kahane each received a $25,000 commission to write new musicals for
Signature Theatre. The Theatre also awarded honorees
Peter Foley and Marisa Michelson $5,000 grants for the development of their musical ideas. Addition
Al Grants to another team of young writers will be announced in late June.
Composer
Matt Conner has been performing, composing, teaching, and music directing in the Washington, DC metropolitan area for the last 12 years. His world premiere musical, Nevermore, was produced at
Signature Theatre in 2006 (directed by
Eric Schaeffer with orchestrations by
Jonathan Tunick). He recently wrote the book/lyrics/music to A Carol Christmas for the Gay Men's Chorus of Washington DC, produced December 2007, as well as a new commissioned work for
Signature Theatre entitled Crossing, which had its first reading in October 2007. Among Mr. Conner's stage credits are: Thenardier/Ensemble in Les Misérables, Aurelio/Ensemble in Kiss of the Spider Woman, Scotty in Merrily We Roll Along, Toby in Witches of Eastwick, Steward in Into the Woods, John Hinckley in Assassins, Tamate in Pacific Overtures (all for
Signature Theatre); Riff in
West Side Story (Olney Theatre Center); and The Page of Herodias in
Oscar Wilde's Salome (Synetic Theatre). Mr. Conner received his Bachelor of Fine Arts in Music Theatre from Shenandoah Conservatory of Music and has been music director for numerous shows including Brigadoon, Grease, Crazy for You, Shenandoah, and his original score, A Christmas Carol. Mr. Conner is currently writing Senior Moments/Silver, a
Signature Theatre commissioned musical still in the pre-workshop phase. Mr. Conner is also working on a children's show called The King of Pizza, about diversity and working together. Mr. Conner is a proud voice on the Grammy Award®-winning recording of
Benjamin Britten's War Requiem, a teaching artist with Creative Cauldron, Inc., and a member of the Actors Equity Association.
Hunter Foster is a musical theater actor/singer, librettist and playwright. As a writer Foster created the libretto for an off-Broadway 2002 musical based on the motion picture Summer of ’42. In addition to his work on Hollow with composer
Matt Conner, Foster is writing an adaptation of the film Bonnie and Clyde with Urinetown co-star,
Rick Crom. As an actor on Broadway, Foster appeared as
Leo Bloom in The Producers, Seymour in Little Shop of Horrors, for he received a Tony® nomination, and Bobby Strong in Urinetown, garnering an Outer Critics nomination. His other Broadway productions include Les Misérables, Grease, Footloose, and King David. Off Broadway he appeared as Victor Frankenstein in Frankenstein, in Modern Orthodox, and in Urinetown, receiving a Lucie Lortel nomination. Foster’s national tours include Cats, Martin Guerre, and The Producers and regional credits include Mister Roberts at the Kennedy Center, Children of Eden at Papermill Playhouse, Lend Me a Tenor, and The Full Monty. At
Signature Theatre he starred as Molina in Kiss of the Spider Woman as part of the Kander & Ebb Celebration in 2008.
Adam Gwon is a composer and lyricist recently named one of "50 to Watch" by The Dramatist magazine. His latest musical Ordinary Days received its world premiere at Pennsylvania Centre Stage in the summer of 2008, and its UK premiere at the Finborough Theatre in London in the fall of 2008. His other musicals include the upcoming Bernice Bobs Her Hair with librettist
Julia Jordan and director
Joe Calarco, Ethan Frome with bookwriter
Michael Ruby, and Lulu. His work has been seen at
Primary Stages, the York Theatre,
New Dramatists, NYMF, NAMT, American Music Theatre Project, the ASCAP/Disney
Musical Theatre Workshop, HERE,
The Flea Theater, Tribeca Performing Arts Center, and many others. He has scored more than 25 productions across the country, and also writes for film and advertising. Adam is a graduate of NYU's Tisch School of the Arts, was a 2006-07 musical theater fellow at the
Dramatists Guild, and is a teaching artist with
Roundabout Theatre Company, where he helps 8th graders write musicals about paintings, presidents, and pajamas.
Joe Meno is a novelist, writer of short fiction, playwright, and music journalist based in Chicago. After attending Columbia College Chicago, Meno spent time working as a flower delivery truck driver and art therapy teacher at a juvenile detention center. His first novel Tender as Hellfire was published when he was only 24 and received strong reviews from sources like Library Journal. His short fiction has appeared in literary magazines like Tri-Quarterly, Ninth Letter, and Other Voices. Meno's work is known for the use of natural language and realistic dialogue, as well as frequent forays into absurdity. He currently teaches fiction writing at Columbia College Chicago. He is a frequent contributor to Punk Planet magazine, where his comic strip “Iceberg Town” is featured.
Under the leadership of co-founder and Artistic Director
Eric Schaeffer and Managing Director
Maggie Boland, Signature is a non-profit professional theater company dedicated to producing contemporary musicals and plays, reinventing classic musicals, and developing new work. Recipient of the 2009 Regional Theatre Tony Award®, Signature has presented over 25 world premiere productions in the past 19 years and has become renowned for combining Broadway-quality productions with intimate playing spaces. In addition to the finest talent from the DC metropolitan area and New York, Signature has been a home to such theater luminaries as
John Kander and
Fred Ebb,
Cameron Mackintosh,
Terrence McNally, and the company’s signature,
Stephen Sondheim. Signature has been nominated for 276
Helen Hayes Awards for excellence in the professional theater and has been honored with 69
Helen Hayes Awards, including Outstanding Musical in 1992, 1993, 1995, 1997, 2000, 2005, 2006, 2008, and 2009, and Outstanding Play in 1999. Signature will mark its 20th anniversary season this fall.
Signature Theatre is partially supported by grants from the Arlington Commission for the Arts and the Virginia Commission for the Arts.
