BWW Review: ROSENCRANTZ AND GUILDENSTERN ARE DEAD at ASB Waterfront Theatre
by Monica Moore - September 19, 2019
With this play and in the words of 'shining star' (he absolutely is!) Director Benjamin Henson 'we are treated to pure delight, laughing at the philosophical goings-on a created space within a stage within a theatre for a play that explores a play within a play'. Loved it all! Go see it!
by Monica Moore - September 19, 2019
With this play and in the words of 'shining star' (he absolutely is!) Director Benjamin Henson 'we are treated to pure delight, laughing at the philosophical goings-on a created space within a stage within a theatre for a play that explores a play within a play'. Loved it all! Go see it!
ESCAPE FROM HAUNTED HOUSE Comes to The Court Theatre
by BWW News Desk - September 19, 2019
The Court Theatre's resident monsters are creeping out from their hiding places with the arrival of silly and spooky school holiday show, Escape from Haunted House!
by BWW News Desk - September 19, 2019
The Court Theatre's resident monsters are creeping out from their hiding places with the arrival of silly and spooky school holiday show, Escape from Haunted House!
Nga Taonga Sound & Vision Moves To The National Library Building
by BWW News Desk - September 17, 2019
Ngā Taonga Sound & Vision, the audiovisual archive for Aotearoa New Zealand, has announced that its Wellington-based staff will begin work at their new offices within the National Library Building in Wellington on Monday, 23 September. The move from its previous premises on Taranaki Street was announced in December 2018.
by BWW News Desk - September 17, 2019
Ngā Taonga Sound & Vision, the audiovisual archive for Aotearoa New Zealand, has announced that its Wellington-based staff will begin work at their new offices within the National Library Building in Wellington on Monday, 23 September. The move from its previous premises on Taranaki Street was announced in December 2018.
BWW Review: WICKED at Bay Court Theatre Tauranga
by Monica Moore - September 15, 2019
The synergy and 'flow of the show' were perfect due to excellent direction and a talented cast who fully invested and understood what was required. Bravo to them all for achieving this.
by Monica Moore - September 15, 2019
The synergy and 'flow of the show' were perfect due to excellent direction and a talented cast who fully invested and understood what was required. Bravo to them all for achieving this.
BWW Review: CRY BABY at Te Auaha - Tapere Nui (Big Theatre), Wellington
by Monica Moore - September 11, 2019
From the vibrant opening number (The Anti-Polio Picnic), the cast let rip with power and passion that does not drop throughout. Each performer grabs every moment with intensity and commitment to showcase their learning and talent while displaying their devotion to the craft. The lyrics are crisp, witty and genuinely laugh-out-loud funny if not cringe-worthy. (I dare anyone not to watch a?oeGirl, Can I Kiss Youa??.?a?? through their fingers.) The rockabilly score adds energy and pep and the music (with band skilfully led by Musical Director, Kate Marshall) is immaculate.
by Monica Moore - September 11, 2019
From the vibrant opening number (The Anti-Polio Picnic), the cast let rip with power and passion that does not drop throughout. Each performer grabs every moment with intensity and commitment to showcase their learning and talent while displaying their devotion to the craft. The lyrics are crisp, witty and genuinely laugh-out-loud funny if not cringe-worthy. (I dare anyone not to watch a?oeGirl, Can I Kiss Youa??.?a?? through their fingers.) The rockabilly score adds energy and pep and the music (with band skilfully led by Musical Director, Kate Marshall) is immaculate.
BWW Review: NEIGHBOURHOOD WATCH at Howick Little Theatre
by Monica Moore - September 08, 2019
a?oeNeighbourhood Watcha?? shows that veteran playwright Alan Ayckbourn still has his finger on the social pulse. Alan Ayckbourn said that, a?oeI'm always a great believer, when I write a play, to narrow it down to the people. Plays are about people for me, not about issues a?' the issues arise from the people.a??
by Monica Moore - September 08, 2019
a?oeNeighbourhood Watcha?? shows that veteran playwright Alan Ayckbourn still has his finger on the social pulse. Alan Ayckbourn said that, a?oeI'm always a great believer, when I write a play, to narrow it down to the people. Plays are about people for me, not about issues a?' the issues arise from the people.a??
STATE HIGHWAY 48 Comes to the Bruce Mason Centre
by BWW News Desk - September 06, 2019
After making audiences laugh and cry throughout the North Island 8 centre tour, it's now Auckland's turn to experience the critically acclaimed homegrown magic of STATE HIGHWAY 48, playing for a strictly limited season at the Bruce Mason Centre from 15-19 of October.
by BWW News Desk - September 06, 2019
After making audiences laugh and cry throughout the North Island 8 centre tour, it's now Auckland's turn to experience the critically acclaimed homegrown magic of STATE HIGHWAY 48, playing for a strictly limited season at the Bruce Mason Centre from 15-19 of October.
BWW Review: BARE: A Pop Opera at Gryphon Theatre
by Monica Moore - September 04, 2019
Teen angst is currently in the spotlight on Broadway, with the bullying and suicidal themes of 'Dear Evan Hansen', the catty coterie in 'Mean Girls' and the outcasts of 'Be More Chill'. The American high-school has been used as a familiar setting for any number of musicals over the past 70 years to great success and BARE: A Pop Opera is a dark, rock musical that incorporates the stereotypical characters of the high school genre and their respective struggles with self-discovery, sexuality and acceptance.
by Monica Moore - September 04, 2019
Teen angst is currently in the spotlight on Broadway, with the bullying and suicidal themes of 'Dear Evan Hansen', the catty coterie in 'Mean Girls' and the outcasts of 'Be More Chill'. The American high-school has been used as a familiar setting for any number of musicals over the past 70 years to great success and BARE: A Pop Opera is a dark, rock musical that incorporates the stereotypical characters of the high school genre and their respective struggles with self-discovery, sexuality and acceptance.
AU KO TUVALU Comes to The Forge at The Court Theatre
by BWW News Desk - September 04, 2019
With the world's spotlight on Tuvalu as the Pacific nation faces destructive consequences from climate change, Au Ko Tuvalu rips news straight from the headlines, showcasing the reality of the country's plight in a bittersweet, poignant and affecting new play.
by BWW News Desk - September 04, 2019
With the world's spotlight on Tuvalu as the Pacific nation faces destructive consequences from climate change, Au Ko Tuvalu rips news straight from the headlines, showcasing the reality of the country's plight in a bittersweet, poignant and affecting new play.
BWW Review: A NIGHT OF CABARET at Off Broadway Theatre
by Monica Moore - September 03, 2019
Highly polished quality vocal performances in 'A Night of Cabaret' delighted a full house at Papakura's Theatre Company on August 31 st . Queen Street, is a highly accomplished female quartet (Renee Maurice, Emma Bishop, Chantel Wilson, Sharon Hewlet), and in their inaugural appearance, wowed the audience with a wide range of genre in their songs from musicals and films.
by Monica Moore - September 03, 2019
Highly polished quality vocal performances in 'A Night of Cabaret' delighted a full house at Papakura's Theatre Company on August 31 st . Queen Street, is a highly accomplished female quartet (Renee Maurice, Emma Bishop, Chantel Wilson, Sharon Hewlet), and in their inaugural appearance, wowed the audience with a wide range of genre in their songs from musicals and films.
Auckland and Wellington Head Down The Rabbit Hole With ALICE IN WONDERLAND
by BWW News Desk - September 03, 2019
Families, young people, Mad Hatters - line up, line up and don't be late! This Summer, after four smash-hit seasons across Australia and the United States, the brilliant stage show, Alice in Wonderland - Live on Stage, is finally falling down the rabbit hole to New Zealand, in January.
by BWW News Desk - September 03, 2019
Families, young people, Mad Hatters - line up, line up and don't be late! This Summer, after four smash-hit seasons across Australia and the United States, the brilliant stage show, Alice in Wonderland - Live on Stage, is finally falling down the rabbit hole to New Zealand, in January.
THE LITTLE YELLOW DIGGER Comes to The PumpHouse Theatre
by BWW News Desk - September 01, 2019
Much-loved children's story The Little Yellow Digger comes to life on stage in Auckland in September and October.
by BWW News Desk - September 01, 2019
Much-loved children's story The Little Yellow Digger comes to life on stage in Auckland in September and October.
Show Me Short Film Festival 2019 Focuses on Japanese Films
by BWW News Desk - September 01, 2019
Japan features prominently in the minds of New Zealanders this year with the forthcoming Rugby World Cup, Tokyo Olympics and Paralympics.
by BWW News Desk - September 01, 2019
Japan features prominently in the minds of New Zealanders this year with the forthcoming Rugby World Cup, Tokyo Olympics and Paralympics.
BWW Review: RAGTIME at Selwyn Theatre
by Monica Moore - August 28, 2019
The singing, both chorus and solos, put the quality in quality with each number being so good that it was difficult to comprehend that the next one would be too. But out they rolled, one after the other; simply supreme.
by Monica Moore - August 28, 2019
The singing, both chorus and solos, put the quality in quality with each number being so good that it was difficult to comprehend that the next one would be too. But out they rolled, one after the other; simply supreme.
Te Auaha Presents NZ Premiere Of CRY-BABY: THE MUSICAL
by BWW News Desk - August 22, 2019
The full cohort of Whitireia's Musical Theatre students are rehearsing their bobby socks off in preparation for New Zealand's first ever season of Cry-Baby The Musical. Adapted from the John Waters film of the same name, this campy and wickedly subversive show will run for eight outrageous nights at Te Auaha a?" The NZ Institute of Creativity from 5-14 September.
by BWW News Desk - August 22, 2019
The full cohort of Whitireia's Musical Theatre students are rehearsing their bobby socks off in preparation for New Zealand's first ever season of Cry-Baby The Musical. Adapted from the John Waters film of the same name, this campy and wickedly subversive show will run for eight outrageous nights at Te Auaha a?" The NZ Institute of Creativity from 5-14 September.
BWW Review: SIX DEGREES OF SEPARATION at Auckland Theatre Company
by Monica Moore - August 21, 2019
It's funny, it's a social commentary, there's satire and pathos. There's human connection in spite of the social constructs dictating division and there's betrayal, examination of conscious as well as frivolity and superficiality. And the notion that we are more connected than we think was made popular by this play.
by Monica Moore - August 21, 2019
It's funny, it's a social commentary, there's satire and pathos. There's human connection in spite of the social constructs dictating division and there's betrayal, examination of conscious as well as frivolity and superficiality. And the notion that we are more connected than we think was made popular by this play.
BWW Review: SOFT 'N' HARD at The Loft Q Theatre, Auckland
by Monica Moore - August 21, 2019
I don't think I've ever felt as uplifted on a wet wintry Tuesday evening as I was at the opening night of Barbarian Productions'
by Monica Moore - August 21, 2019
I don't think I've ever felt as uplifted on a wet wintry Tuesday evening as I was at the opening night of Barbarian Productions'
BWW Review: MY FAIR LADY at Te Auaha - Tapere Nui (Big Theatre), Wellington
by Monica Moore - August 21, 2019
Mark Steyn called My Fair Lady the 'perfect musical' with the 1956 Broadway production winning a number of Tonys and setting records for the longest run of any show on Broadway up to that time. It has since been followed by numerous revivals including a popular film version starring Rex Harrison and Audrey Hepburn in 1964.
by Monica Moore - August 21, 2019
Mark Steyn called My Fair Lady the 'perfect musical' with the 1956 Broadway production winning a number of Tonys and setting records for the longest run of any show on Broadway up to that time. It has since been followed by numerous revivals including a popular film version starring Rex Harrison and Audrey Hepburn in 1964.
Aotea Centre's ASB Theatre to be Renamed in Honour of Dame Kiri Te Kanawa
by BWW News Desk - August 20, 2019
On 20 November this year, Aotea Centre's ASB Theatre will be renamed Kiri Te Kanawa Theatre, with a gala concert to commemorate the occasion and acknowledge Dame Kiri's formidable talent and contribution to the arts.
by BWW News Desk - August 20, 2019
On 20 November this year, Aotea Centre's ASB Theatre will be renamed Kiri Te Kanawa Theatre, with a gala concert to commemorate the occasion and acknowledge Dame Kiri's formidable talent and contribution to the arts.
Pasifika Myths Are Reborn For Theatrical Schools Tour
by BWW News Desk - August 19, 2019
Māui is making his way into Primary Schools across Canterbury in The Court Theatre's latest touring show, O Le Malaga Fa'a'Atua (The Journey of the Gods).
by BWW News Desk - August 19, 2019
Māui is making his way into Primary Schools across Canterbury in The Court Theatre's latest touring show, O Le Malaga Fa'a'Atua (The Journey of the Gods).
Anthea Williams Returns Christchurch for her Court Theatre Debut in THE PINK HAMMER
by BWW News Desk - August 19, 2019
After directing work around the world, Churchill Fellow Anthea Williams is returning to Christchurch for her Court Theatre debut in homegrown comedy, The Pink Hammer.
by BWW News Desk - August 19, 2019
After directing work around the world, Churchill Fellow Anthea Williams is returning to Christchurch for her Court Theatre debut in homegrown comedy, The Pink Hammer.
Ngā Taonga Welcomes Archives New Zealand Development
by BWW News Desk - August 14, 2019
Ngā Taonga welcomes Archives New Zealand development The announcement yesterday by Internal Affairs Minister Tracey Martin that a new Archives New Zealand building in Wellington could also accommodate Ngā Taonga Sound & Vision is a welcome acknowledgement of the importance of our audiovisual taonga, says Ngā Taonga Acting Chief Executive Honiana Love.
by BWW News Desk - August 14, 2019
Ngā Taonga welcomes Archives New Zealand development The announcement yesterday by Internal Affairs Minister Tracey Martin that a new Archives New Zealand building in Wellington could also accommodate Ngā Taonga Sound & Vision is a welcome acknowledgement of the importance of our audiovisual taonga, says Ngā Taonga Acting Chief Executive Honiana Love.
BWW Review: THE WIZARD OF OZ at St James Theatre Gore
by Monica Moore - August 07, 2019
The production team have brought together a creative collaboration that well- celebrates a much loved story. Director Stephanie Green, Musical Director Terry Gentle and Choreographer Nikoia McKelvie have been thorough in their work and come together to present something very special to the local community. Very special indeed.
by Monica Moore - August 07, 2019
The production team have brought together a creative collaboration that well- celebrates a much loved story. Director Stephanie Green, Musical Director Terry Gentle and Choreographer Nikoia McKelvie have been thorough in their work and come together to present something very special to the local community. Very special indeed.
BWW Review: A MIDSUMMER NIGHT'S DREAM at Pop-up Globe, Ellerslie, Auckland
by Monica Moore - August 07, 2019
The forest dwellers were mesmerising. The use of Te Reo to portray Shakespeare-speak was beautifully executed. Accolades to Anatonio Te Maioha in his portrayal of Oberon and Renaye Tamati as Titania. These two brought a level of myth, the spiritual and passion totally enhancing, honouring and making the story part of 'us'. Beautiful. The forest scenes were spellbinding with ancient creatures of myth and legend replacing the usual fairies. Those who could not understand the Te Reo could still understand the story. Te Maioha and Tamati respectively played the roles of Theseus and Hippolyta wearing a clever combination of traditional and Maori. Clever. Reuben Butler as Puck is sensational with his agility, delivery and all round high energy.
by Monica Moore - August 07, 2019
The forest dwellers were mesmerising. The use of Te Reo to portray Shakespeare-speak was beautifully executed. Accolades to Anatonio Te Maioha in his portrayal of Oberon and Renaye Tamati as Titania. These two brought a level of myth, the spiritual and passion totally enhancing, honouring and making the story part of 'us'. Beautiful. The forest scenes were spellbinding with ancient creatures of myth and legend replacing the usual fairies. Those who could not understand the Te Reo could still understand the story. Te Maioha and Tamati respectively played the roles of Theseus and Hippolyta wearing a clever combination of traditional and Maori. Clever. Reuben Butler as Puck is sensational with his agility, delivery and all round high energy.
BWW Review: TWELFTH NIGHT At Pop-Up Globe, Ellerslie, Auckland
by Monica Moore - August 06, 2019
Watching the groundlings interact with the cast on Saturday night was heartening. Young people fully engaged and wanting more - eager to participate in all the goings-on. Yes! Frivolity, flippancy and folly hit the mark with the full audience despite Auckland turning on it's coldest and windiest weather that could have easily distracted and derailed. But the weather was no competitor for the waves made from leaf blowers, the stylised french sailors, the stunning costumes (Valentine's was my new all time favourite ever) and the general tomfoolery highlighted within this great yarn of disguise and dissipation (whether calculated or heart-felt)
by Monica Moore - August 06, 2019
Watching the groundlings interact with the cast on Saturday night was heartening. Young people fully engaged and wanting more - eager to participate in all the goings-on. Yes! Frivolity, flippancy and folly hit the mark with the full audience despite Auckland turning on it's coldest and windiest weather that could have easily distracted and derailed. But the weather was no competitor for the waves made from leaf blowers, the stylised french sailors, the stunning costumes (Valentine's was my new all time favourite ever) and the general tomfoolery highlighted within this great yarn of disguise and dissipation (whether calculated or heart-felt)
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