LAUGH FACTORY

by Evan Henerson - May 31, 2026

Booth’s deeply sympathetic rendering of a good man navigating a life of crises is 95 minutes of sublimity. And in the role of Kenneth, actor Petey McGee delivers a performance that is as throat lump-inducing as it is uplifting....

by Evan Henerson - May 27, 2026

Andy Wolk's production transports Sophokles’s work off the pages of a high school syllabus and directly across the threshold of our comfort zone....

by Shari Barrett - May 26, 2026

Along with the impeccable acting and Diana Wyenn's brilliant direction, the most striking element of the production is Randy Wong-Westbrooke’s scenic design which features a half-dome representation of a rocket engine....

by Shari Barrett - May 20, 2026

Based on the adventures of Johnston McCully's legendary pulp hero, Armienta infuses his opera with the music and sounds of early-19th century Alta California, including flamenco, corrido, and mariachi, with all performed exquisitely by the 24-member POP Orchestra....

by Andrew Child - May 18, 2026

Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human....

by Andrew Child - May 17, 2026

Puck Bunnies, a musical from the minds of Kyra Brown and Christian Leonard lovingly lampoons the ludicrousness of this love story through heightened impersonations, witty pop culture needle drops, and a boatload of silliness....

by Michael Quintos - May 14, 2026

Beautifully acted, engagingly riveting, and populated with impactful characters, Reggie D. White's thoughtfully sprawling and emotionally layered new play—directed by Lili-Anne Brown—delivers an ambitious, deeply affecting examination of generational legacy, Black identity, masculinity, and the ...

by Evan Henerson - May 13, 2026

As directed by Kristin Hanggi and led by actors Emma Hunton, Diana Huey and Aynsley Bubbico, KILLING MUSICALS looks to blend pathos, satire and female empowerment not always particularly smoothly....

by Shari Barrett - May 08, 2026

While harmonizing to perfection, Katis rules the piano with the sensitivity necessary to realistically perform King’s songs of self-awareness and the longing to find your place in the world, while Clews’ finger-picking expertise on guitar adds a real sense of introspective musical magic to Taylo...

by Harker Jones - May 07, 2026

This marks the second triumph for co-creator-director-choreographer Scott Thompson, following his sensational “One For My Baby” at the same venue last year....