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LOS ANGELES THEATER REVIEWS

The latest reviews and critic recommendations from Los Angeles
BWW Review: THE OLD MAN AND THE OLD MOON Takes an Epic Journey at The Wallis

BWW Review: THE OLD MAN AND THE OLD MOON Takes an Epic Journey at The Wallis

by Ellen Dostal — March 6, 2019
Remember the joy of being a kid and spending hours upon hours acting out stories using whatever you could find? When two sticks stood in for a swordfight to save the day or a towel became the mantle of a king? That's what it feels like watching PigPen Theatre Co. in THE OLD MAN AND THE OLD MOON at T...
BWW Review: City Garage Revives Comedic THE BOURGEOIS GENTLEMAN With Uproarious Resul

BWW Review: City Garage Revives Comedic THE BOURGEOIS GENTLEMAN With Uproarious Results

by Ilana Lifshitz — March 5, 2019
When you live anywhere that isn't the Westside, going to Santa Monica is a chore; but it was worth the drive Friday night to see City Garage Theatre's production of THE BOURGEOIS GENTLEMAN....
BWW Review: TWO B'S WITH LOS ANGELES BALLET at Redondo Beach Performing Arts Center

BWW Review: TWO B'S WITH LOS ANGELES BALLET at Redondo Beach Performing Arts Center

by Amber Adams — March 5, 2019
A beautiful snapshot into the variety that ballet provides....
BWW Review: Rob Nagle's A Tour De Force in Stunning THE JUDAS KISS

BWW Review: Rob Nagle's A Tour De Force in Stunning THE JUDAS KISS

by Gil Kaan — March 5, 2019
Boston Court Pasadena's artistic director Michael Michetti assuredly directs his pitch-perfect cast in DEEE-livering the whip-smart words of David Hare's THE JUDAS KISS in a smooth, non-stop, totally involving pace. Chameleon Rob Nagle has once again transformed himself into another fully-fleshed ou...
BWW Review: THE MAGIC FLUTE at the El Portal Theatre in North Hollywood

BWW Review: THE MAGIC FLUTE at the El Portal Theatre in North Hollywood

by Maria Nockin — March 4, 2019
On March 3, 2019, Pacific Opera Project (POP) presented its more-than-a-little-bit-zany version of Wolfgang Amadeus Mozart's THE MAGIC FLUTE (DIE ZAUBERFLÖTE) at Los Angeles's El Portal Theatre. POP Director and Designer Josh Shaw and Baritone E. Scott Levin premiered a new English version of Emanu...
BWW Review: THE CLEMENCY OF TITUS at the Dorothy Chandler Pavilion

BWW Review: THE CLEMENCY OF TITUS at the Dorothy Chandler Pavilion

by Maria Nockin — March 3, 2019
On March 2,2019, Los Angeles Opera presented Wolfgang Amadeus Mozart's THE CLEMENCY OF TITUS (LA CLEMENZA DI TITO) in a production by Thaddeus Strassberger. Having directed and designed the colorful and monumental sets as well, Strassberger has achieved a major opus. Some scenes were played on the f...
BWW Review: The CATS Phenomenon Continues at the Hollywood Pantages

BWW Review: The CATS Phenomenon Continues at the Hollywood Pantages

by Ellen Dostal — March 2, 2019
Without a doubt, Andrew Lloyd Webber's hit musical CATS is of an era. Based on one of Lloyd Webber's favorite books as a child, T. S. Eliot's Old Possum's Book of Practical Cats, it was a perfect vehicle for the tastes of theatre lovers in the eighties, the decade of excess. The large-scale producti...
BWW Review: Potent ATTACK OF THE SECOND BANANAS Successfully Aims & Bullseyes Your Fu

BWW Review: Potent ATTACK OF THE SECOND BANANAS Successfully Aims & Bullseyes Your Funny Bones

by Gil Kaan — March 2, 2019
Menander Productions and Jamie Pierce have gathered a talented cast and crew to populate their world premiere of playwright Gina Torrecilla's ATTACK OF THE SECOND BANANAS, now at the Zephyr Theatre. Ryan Bergmann sharply directs his six-person ensemble in a slick, quick pace of much laughs and hilar...
Review: AMERICA ADJACENT Asks How Far Would You Go to Give Your Child a Better Future

Review: AMERICA ADJACENT Asks How Far Would You Go to Give Your Child a Better Future

by Shari Barrett — February 26, 2019
Discussions proliferate about immigration reform, whether it be the building of a wall to protect our border or deporting those who enter our country illegally to milk the system for everything they can get for free thanks to American taxpayer dollars. But while our focus seems to be on our Southern...
BWW Review: Kevin Willliamson + Company's GNARLED Gives The Human Form New Meanings A

BWW Review: Kevin Willliamson + Company's GNARLED Gives The Human Form New Meanings At The Odyssey Theatre

by Valerie-Jean Miller — February 26, 2019
Kevin Williamson is known as a movement artist, and he and his company, performing three performances as part of the 'Dance At The Odyssey 2019' dance festival on February 8th, 9th and 10th, has most certainly experimented extensively with the many shapes and forms of movement. Each of the three pie...
Review: TOO HEAVY FOR MY POCKET Reflects the Belief a Better Future was Possible in 1

Review: TOO HEAVY FOR MY POCKET Reflects the Belief a Better Future was Possible in 1961

by Shari Barrett — February 23, 2019
I had several reasons for wanting to see the West Coast Premiere of Jireh Breon Holder's TOO HEAVY FOR MY POCKET, produced by Scott Golden for Sacred Fools Theater Company, brilliantly directed by the talented Michael A. Shepperd, Artistic Director of Los Angeles' award-winning Celebration Theatre. ...
Review: ACCIDENTAL DEATH OF AN ANARCHIST Challenges Modern Sensibilities via the Mind

Review: ACCIDENTAL DEATH OF AN ANARCHIST Challenges Modern Sensibilities via the Mind of a Maniac

by Shari Barrett — February 22, 2019
The Actors' Gang is presenting ACCIDENTAL DEATH OF AN ANARCHIST by Dario Fo, directed at an incredibly fast and mind-boggling pace by Will Thomas McFadden, on Thursdays, Fridays, Saturdays and Sundays, through March 9th. Fo's works are characterized by criticisms of organized crime, political corrup...
BWW Review: A Modern Day OTHELLO Finds Humor Amid the Horror of Revenge

BWW Review: A Modern Day OTHELLO Finds Humor Amid the Horror of Revenge

by Ellen Dostal — February 21, 2019
Never has the relationship between Iago and Roderigo in Shakespeare's OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. With an outwardly nonchalant Michael Manuel as the revenge seeking villain, and Jeremy Rabb, an actor who knows comedy l...
BWW Review: Infamous Scandal Gets Punk Rock Concert Treatment in LIZZIE THE MUSICAL a

BWW Review: Infamous Scandal Gets Punk Rock Concert Treatment in LIZZIE THE MUSICAL at Chance Theater

by Michael Quintos — February 19, 2019
Many have, of course, heard of the infamous Lizzie Borden, a young woman, who was charged with---but later acquitted of---the brutal axe murders of her father and stepmother in 1892. Strong curiosity and speculation remain til this day about the tragic events that took place more than a century ago,...
BWW Review: A Brilliantly Acted THE JOY WHEEL Takes An Unexpected Dark Turn

BWW Review: A Brilliantly Acted THE JOY WHEEL Takes An Unexpected Dark Turn

by Gil Kaan — February 18, 2019
Playwright Ian McRae's THE JOY WHEEL kicks offs with one of the most effective opening, introductory scenes I've seen in a while. Jason Alexander smoothly and sure-handedly directs his two top-notch actors, Dann Florek and Gina Hecht as husband and wife Frank and Stella Conlin, as they vividly descr...
BWW Review: RAGTIME Revival Couldn't Come at a Better Time

BWW Review: RAGTIME Revival Couldn't Come at a Better Time

by Ellen Dostal — February 15, 2019
How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled ev...
BWW Review: Matthew Bourne's CINDERELLA is a Shoe-in Splendiferous Success at The Ahm

BWW Review: Matthew Bourne's CINDERELLA is a Shoe-in Splendiferous Success at The Ahmanson Theatre

by Valerie-Jean Miller — February 14, 2019
New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreog...
BWW Review: WITNESS UGANDA, Changing the World One Life at a Time

BWW Review: WITNESS UGANDA, Changing the World One Life at a Time

by Ellen Dostal — February 13, 2019
The need for human connection runs deep in WITNESS UGANDA, a musical by Griffin Matthews and Matt Gould based on Matthews' real-life experiences in Uganda. At its center is the idea that we are all part of a global family - one world, one heart - connected by an invisible thread that never lets go....
BWW Review: MINNIE'S BOYS Returns to the Stage Celebrating the Early Years of the Mis

BWW Review: MINNIE'S BOYS Returns to the Stage Celebrating the Early Years of the Mischievous Marx Brothers

by Shari Barrett — February 13, 2019
Musical Theatre Guild was founded 21 years ago by a dedicated group of professional musical artists who were interested in exploring and preserving works from the musical theater repertoire that were either forgotten, neglected or unfairly dismissed. Working under a special Actors' Equity Concert S...
BWW Review:  CARRIE, THE MUSICAL at M&W Theatre Group

BWW Review: CARRIE, THE MUSICAL at M&W Theatre Group

by Jeffrey Scott — February 12, 2019
In this contemporary musical version of the famous (and infamous) 1978 movie adapted from the 1974 Stephen King novel, Carrie: The Musical follows a young woman with telekinetic powers. An outcast at school, where she is bullied viciously for her differences, Carrie (played by the very capable Tiann...
BWW Review: Heartfelt COME FROM AWAY Exudes the Best of Humanity at OC's Segerstrom C

BWW Review: Heartfelt COME FROM AWAY Exudes the Best of Humanity at OC's Segerstrom Center

by Michael Quintos — February 12, 2019
Currently a welcome, much-lauded presence in each city it visits, the top-notch first national tour of the multi-award-winning 2017 Broadway musical COME FROM AWAY---currently enchanting audiences at OC's Segerstrom Center for the Arts in Costa Mesa through February 17---is just the kind of timely s...
BWW Review: A Deceptively Devilish MAN OF GOD

BWW Review: A Deceptively Devilish MAN OF GOD

by Gil Kaan — February 8, 2019
East West Players solidly world premieres playwright Anna Moench's MAN OF GOD , a witty, biting account of four teenage Korean girls on a prayer mission to Thailand under the guidance of their male pastor. What starts off as a mish-mash of teenage bickering and clashing personalities smoothly morphs...
Review: JULIA SWEENEY May Be OLDER AND WIDER but She is Still Shrewdly Funny

Review: JULIA SWEENEY May Be OLDER AND WIDER but She is Still Shrewdly Funny

by Shari Barrett — February 6, 2019
Luckily for us, after a 10-year hiatus raising her adopted daughter Mulan ("Yes, that was her given name in China," she shared with embarrassment) with her Eastern European Jewish husband in suburban Chicago, the Irish Catholic comic recently moved back to Los Angeles to resume her career as a write...
BWW Review: TL/JA: DANCE COLLECTIVES: COLLECTIVESDRIFT - MIXIN' IT UP - A New Breed O

BWW Review: TL/JA: DANCE COLLECTIVES: COLLECTIVESDRIFT - MIXIN' IT UP - A New Breed Of Dance Presenters - at The Odyssey Theatre

by Valerie-Jean Miller — February 5, 2019
It is obvious that the dancers in each company, The JA Collective, and The TL Collective are well trained and full of creativity. It takes countless hours of rehearsal to be that tight & in sync....
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