World Premiere of MARILYN, MOM & ME to Open International City Theatre 2024 Season

Performances take place February 16 through March 3 at ICT’s home in the Long Beach Convention & Entertainment Center.

By: Jan. 03, 2024
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World Premiere of MARILYN, MOM & ME to Open International City Theatre 2024 Season Attempting to better understand his complicated relationship with his mother, playwright Luke Yankee, son of award-winning actress Eileen Heckart, delves into her friendship with Hollywood legend Marilyn Monroe. International City Theatre opens its 2024 season with the world premiere of Yankee’s deeply personal comic drama, Marilyn, Mom & Me, which he also directs. Performances take place February 16 through March 3 at ICT’s home in the Long Beach Convention & Entertainment Center. Two low-priced previews are set for February 14 and 15.

Eileen Heckart, the no-nonsense Broadway actress, and Marilyn Monroe, the glamorous Hollywood legend, developed an enduring bond during the filming of Bus Stop — perhaps the most important film of Monroe’s career. Forty-five years later, Yankee tries to unravel his mother’s relationship with Monroe in order to better understand his own path with this highly critical, yet loving woman. If Luke can get his mom to open up about Monroe, maybe it will make her a more sympathetic mother — or at least help him to connect with her on another level.

“In 1956, when Marilyn was cast as the lead in the film Bus Stop, she was the biggest star in the world,” says Yankee. “She had taken the previous year off to study with Lee Strasberg and had become the poster child for ‘method’ acting, where an actor has to experience every moment truthfully. My mother was cast as her best friend in the movie, and, as a part of her newly discovered style of acting, Marilyn was determined to make my mother her best friend — both on screen and off. Reluctantly, Eileen went along with it for the sake of the film and found herself emotionally entrenched in Marilyn’s life.” 

“My mother loved to talk about her career… except when it came to Marilyn,” he continues. “Whenever she would do so, she would get very quiet and change the subject. If pressed, she would burst into tears. No one else she worked with had this effect on her.”

Road Theatre and Rogue Machine company member Laura Gardner stars as Heckart, alongside Alisha Soper, who previously played Monroe on two Ryan Murphy series, American Horror Story and Feud: Bette and Joan. Local Long Beach actor Noah Wagner portrays Bus Stop director Joshua Logan, Arthur Miller and Laurence Olivier, and Jacquelin Lorraine Schofield, winner of Ovation and NAACP Theater awards for The Color Purple at Celebration Theatre, takes on the roles of Rosetta LeNoire and Ella Fitzgerald. Emmy winner Brian Rohan, seen on stage at Ensemble Studio Theatre, Pasadena Shakespeare Company and Laguna Playhouse, plays Luke. 

Yankee, a nationally recognized playwright, director, author, actor and teacher, has previously directed three productions at International City Theatre: Crimes of the Heart, Private Lives and Shipwrecked.

“This play is so important to me, I wouldn’t entrust the world premiere to just anyone,” he states. “I have tremendous respect for artistic director caryn desai, who is a wonderful director and caring producer. She has helped me assemble a team of top theater artists.

The creative team for Marilyn, Mom & Me includes set designer Dan Volonte, lighting designer Donna Ruzika, costume designer Kim DeShazo, sound designer Dave Mickey and prop designer Patty Briles. Casting is by Michael Donovan, CSA and Richie Ferris, CSA. The production stage manager is Don Hill

Marilyn, Mom & Me received readings at the Stella Adler Theatre and the Manhattan Theatre Club. During the pandemic, a reading was streamed live on Zoom as a benefit for the Actors Fund. The script has been awarded the 2020 Rising Artists Sponsor's Choice Award from Southwest Theatre Productions, “Best Play” in the 2021 Writer's Digest Play Competition, and the 2022 Stanley Award for Drama from the Stanley-Timolat Foundation. Film critic Rex Reed calls it “a stirring footnote to movie history you won't want to miss. It's a funny, dark, heartbreaking and unforgettable new play.” Larry King found it “a truly wonderful piece of work which reveals the playwright's extraordinary talent at creating characters and storytelling.”  

Yankee’s other plays include The Last Lifeboat and A Place at Forest Lawn, both published by Dramatists Play Service; The Jesus Hickey; and The Man Who Killed the Cure. His book, Just Outside the Spotlight: Growing Up with Eileen Heckart, is published by Random House (under the imprint of Back Stage Books), with a foreword by Mary Tyler Moore. Critics have praised it as “one of the most compassionate, illuminating showbiz books ever written” (Musto, The Village Voice) and “One of the Ten Best Celebrity Memoirs of All Time” (Papermag). His latest book, “The Art of Writing for the Theatre”, was published last year by Bloomsbury Press and includes interviews with 18 Tony and Pulitzer Prize-winning playwrights, lyricists and theater critics. Off-Broadway directing credits include the political comedy, High Infidelity with John Davidson and Morgan Fairchild at the Promenade Theatre and Chekhov’s The Cherry Orchardat the York Theatre with Cynthia Nixon, Penny Fuller, David Canary and Merle Louise. On Broadway, he was assistant director on the musical Grind starring Ben Vereen (as assistant to Harold Prince); The Circle with Sir Rex Harrision and Glynis Johns; Light Up the Skywith Peter Falk; and New York City Opera’s Brigadoon with Tony Roberts. His regional theater directing credits include: Driving Miss Daisy with Eileen Heckart; Nite Club Confidential with Barbara Eden; Private Lives with David Canary; The King and I with Lee Meriwether; Man of La Mancha with John McCook; Love Letters with Edward Asner, Joanna Gleason, John Rubinstein, Sally Struthers and former California governor Pete Wilson; the Southeastern premiere of David Mamet’s Oleanna (Carbonnell Award nomination as Best Director); the 30th anniversary revival of Waiting for Godot at the Coconut Grove Playhouse; a bi-lingual tour of Cyrano De Bergerac; and productions of Sweeney Todd, The Road To Mecca, Painting Churches Lost in Yonkers, A Little Night Music, Gypsy and Lend Me A Tenor.

Marilyn, Mom & Me runs Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m., February 16 through March 3. Two preview performances take place on Wednesday, Feb. 14 and Thursday, Feb. 15, both at 7:30 p.m. Tickets are $49 on Thursdays, Fridays and Saturdays (except Friday. Feb. 16, opening night, for which tickets are $55 and include a post show reception), and $52 at Sunday matinees. Low-priced tickets to previews are $37.

International City Theatre is located in the Long Beach Convention & Entertainment Center at 330 East Seaside Way, Long Beach, CA 90802.


For more information and to purchase tickets, call (562) 436-4610 or go to InternationalCityTheatre.org.
 



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