The latest reviews and critic recommendations from Los Angeles.
Have you ever wondered what really goes on in cemeteries when memories are shared with those seen and unseen at grave sites? Then head on over to see two, funny and life-affirming plays in this year’s Hollywood Fringe Festival, bundled together as Amazing Graves, produced by Amanda Lynne for Neo
It's a very well done, confrontational hour-long play at this year’s Hollywood Fringe Festival, but also life-affirming to know none of us are alone in the struggle for emotional maturity rather than turn to the easy crutches of overeating, alcohol abuse, drug use or unbridled sex to forget about
BroadwayWorld spoke with director Ellen Geer about her vision for the production, what drew her to adapt it for Theatricum Botanicum, and what she hopes audiences will love about the story as much as she does.
I'll say this now: this Summer's most beguiling, most enchanting theatrical surprise is perhaps the brand new, gorgeously opulent regional production of ANASTASIA - THE MUSICAL, now on stage at the La Mirada Theatre for the Performing Arts through June 20, 2026.
You may ask yourself—is seeing a touring stage production of the globally and generationally ubiquitous 1959 musical THE SOUND OF MUSIC still worth experiencing live on stage in 2026? While the stage musical in its current touring form certainly doesn't offer anything revolutionary or new to the s
9 to 5 the Musical was an enjoyably nostalgic experience for those of us who actually lived through working in mid-20th Century offices, albeit losing much humorous dialogue and lyrics due to the faulty sound system.
The West Coast premiere of Grangeville is staged to absolute perfection on all levels including the script, director, actors, and overall technical brilliance at the Ruskin Group Theatre.
Suzanne Andrade and Barrie Kosky’s Magic Flute returns to LA Opera with a whimsical fusion of animations by Paul Barritt.
It's a very rare treat—particularly all the way here in Orange County, California—to hear Broadway songs and the stories behind them performed directly by the legendary composer himself, even for just a one-night-only event.
As substantial as its built-in assets are, the two-time Tony Award winner, musical is lacking in other areas.
Booth’s deeply sympathetic rendering of a good man navigating a life of crises is 95 minutes of sublimity.
Andy Wolk's production transports Sophokles’s work off the pages of a high school syllabus and directly across the threshold of our comfort zone.
Along with the impeccable acting and Diana Wyenn's brilliant direction, the most striking element of the production is Randy Wong-Westbrooke’s scenic design which features a half-dome representation of a rocket engine.
Based on the adventures of Johnston McCully's legendary pulp hero, Armienta infuses his opera with the music and sounds of early-19th century Alta California, including flamenco, corrido, and mariachi, with all performed exquisitely by the 24-member POP Orchestra.
Brava to Alexandra Silber for capturing all the heart and humor of Lerner’s original book with her thoughtful new adaptation and brava to Katie Spelman for dreaming up a Brigadoon that is as ebullient and spirited as it is deeply human.
Puck Bunnies, a musical from the minds of Kyra Brown and Christian Leonard lovingly lampoons the ludicrousness of this love story through heightened impersonations, witty pop culture needle drops, and a boatload of silliness.
Beautifully acted, engagingly riveting, and populated with impactful characters, Reggie D.
As directed by Kristin Hanggi and led by actors Emma Hunton, Diana Huey and Aynsley Bubbico, KILLING MUSICALS looks to blend pathos, satire and female empowerment not always particularly smoothly.
While harmonizing to perfection, Katis rules the piano with the sensitivity necessary to realistically perform King’s songs of self-awareness and the longing to find your place in the world, while Clews’ finger-picking expertise on guitar adds a real sense of introspective musical magic to Taylo
This marks the second triumph for co-creator-director-choreographer Scott Thompson, following his sensational “One For My Baby” at the same venue last year.
Director Meyer keeps things moving at a fair clip without ever seeming rushed, and he serves up real scares.
Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by
BACK TO OZ is an exhilarating trip through history and down the Yellow Brick Road
Be ready to play your part to find out who can you trust and who wants to destroy The Liminary.
First developed and workshopped at South Coast Repertory’s annual Pacific Playwrights Festival in 2025, celebrated new “it” playwright Talene Monahon’s freshly birthed play EAT ME is currently being presented at OC’s Tony Award-winning regional theater as a fully-formed World Premiere prod
Videos
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The Most Happy Fella North Coast Repertory Theatre (6/03-6/28) |
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MISS MAGNOLIA BEAUMONT GOES TO PROVINCETOWN Los Angeles LGBT Center’s Davidson/Valentini Theatre (6/17-6/28) |
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Mike Blaha: Pivotal Nomad Broadwater Studio (6/07-6/24) |
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My Life is a Sonnet Broadwater Studio (6/07-6/27) |
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The Show Has Been Cancelled (Due to the End of The World) Broadwater Second Stage (6/16-6/27) |
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In the Blink of an Eye: A Musical Memoir The Pico (6/19-6/21) |
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A Haunting Revue II Impro Theatre (6/06-6/26) |
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STRAITJACKET SIRENS Three Clubs (6/01-6/30) |
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Bus People – A Hilarious & Optimistic Take on L.A. Public Transit The Actor's Company (6/06-6/28) |
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The Lionheart Play Festival Skylight Theatre (6/19-6/21) |
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