BWW Reviews: John W. Engeman Theater's CAMELOT - A Successful Retelling of a Classic

To "have everything" is usually up for interpretation. The John W. Engeman Theaters' beautiful production of "Camelot" shows us it is possible even if we don't realize it at first. In one of the most classic period pieces, "Camelot" tells a tale of the rise of power, looking to have it all, and the fear of losing what you have built so successfully.

When Arthur (Jim Stanek) was a young man in medieval England, he needed a sword for a Knight he was a Squire for. Successfully, he found one lodged in a stone. Per the King at his death, he who pulls the sword out of the stone shall become King. Arthur did and his reign began. King Arthur and his teacher, Merlyn (David Benoit), created "the perfect Camelot". This included having a beautiful wife, Guenevere (Kim Carson), and the best Knights for his "Round Table". The "Round Table" is an elite group of Knights with Lancelot (Jarid Faubel) second in command. Sounds perfect, right? Pretty much, until Mordred (Jeremy Morse) arrives. He is the Kings' illegitimate son and works to undo King Arthurs' kingdom.

Everyones' performance was top notch. What most enthralled me was how well the cast took us back to that time. Kudos to director Alan Souza. The language, mannerisms, and the costumes (designed by Michael Bottari & Ronald Case and coordinated by Megan Moore) were fantastic. Especially against the sprawling set with the fog; it made the mood melodic, yet hopeful. The music was beautiful as well (Musical direction by Jon Balcourt) and it set the same tone. From the cheery "Take Me To The Fair" to the dramatic "Guenevere", you're on an emotional roller coaster with them all.

With the book by Alan Jay Lerner and music Frederick Lowe, this classic is based on "The Once and Future King" by T.H. White. If you have yet to see this story in any incarnation, this production will not disappoint you.

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