Review: CARMEN, Grand Opera House
What did our critic think of CARMEN at Grand Opera House, Belfast?…
What did our critic think of CARMEN at Grand Opera House, Belfast?…
Rosaleen Cox and Desmond Eastwood star in an intimate, darkly comic two-hander that turns audience assumptions inside out.…
Neil Green’s spoof diversity seminar brings sharp laughs and timely social observation to Dublin Fringe, but functions more as three stand-up sets than a unified corporate satire.…
Conor Burke turns 2012 Glee obsession and teenage delusion into a warm, hilarious, and deeply personal coming-of-age musical at Dublin Fringe.…
Play Not Funny’s corporate HR satire at Bewley's Café Theatre offers a sharp thesis on exclusion, but gets lost in noise.…
Anna-Jane Casey captures the brilliance, humor, and tragic vulnerability of Judy Garland in Conor Hanratty's compelling revival at The Gaiety Theatre.…
Eoghan Carrick and Lauren Jones turn Shakespeare's mirror inside out in a gripping investigation of crisis, staging, and modern paranoia.…
Sadhbh McLoughlin brings polish and sharp impressions to Smock Alley Theatre, but misses the mark on exploring its central themes of multicultural identity.…
Samuel Yakura and band +353 bring a heartfelt, musically rich examination of grief, first-born duty, and Nigerian fatherhood to Project Arts Centre.…
Theatre Lovett and the Abbey Theatre present a stunningly inventive, circus-infused adaptation of Kafka’s final anecdote at Dublin Fringe.…
The House Must Win is a world premiere musical with script, lyrics, and music by Mick Flannery, drawing on songs from his debut album Evening Train alongside ten new compositions. Set on the western edge of Ireland in the 1970s, it follows two brothers whose diverging paths are...
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