BWW Review: THE HUMANS at Alley Theatre
Though somewhat dark, The Humans illuminates the role of fear in dysfunctional family.
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Though somewhat dark, The Humans illuminates the role of fear in dysfunctional family.
The musical ANASTASIA is the most saccharine, sweet, and kid-friendly musical I've seen to date.
It has a lot to offer audiences, and women will appreciate the portrayal of their struggle to choose which path they should take.
Bootycandy, Bootycandy Bootycandy! There! I've said it three times and a zombie hasn't appeared but the brilliantly written play by Robert O'Hara has made its appearance in H-town! BOOTYCANDY had its world premiere at the Woolly Mammoth Theatre June of 2011 in Washington D.
When attending a jukebox musical, it's expected that the best part of the show will likely be the cherished songs and vocals.
QUACK playwright Eliza Clark is very good at sharp, rapid-fire dialogue, and she gives the actors plenty.
Within the tapestry of American Drama there a strong list of Civil Rights plays as well as other plays that tackle social injustices, sexism, and sexuality.
Houstonian's own Robert Askins brings to the Alley Theatre the life of THE CARPENTER, which after seeing its performance reminds those seeing it that there is more to Houston than oil and NASA.
"Are you trying to be as human as you can be?" Read that again, and ask yourself--Am I trying to be as human as I can be? This is just one of the questions posed in A.
Jenna, a small town waitress and genius pie maker, is broke, pregnant, and stuck in an abusive marriage.
Catastrophic Theatre joins forces with The University of Houston to present Will Eno's WAKEY, WAKEY.
As a part of Stages Repertory Theatre's 2nd Annual Sin Muros: A Latinx Theatre Festival, Marisela Treviño Orta's The River Bride is composed of an entirely Latinx cast.
I realize part of the fun of THE SECRETARY is it never comes down heavily on one side or the other on the gun debate, but that also means I sat there frustrated as I felt there was little point to whipping out pistols and taking on issues.
It is perversely funny, profane at many points, but in the end shows huge heart and calls for the virtue of love and service to your fellow man.
What can I say about the 4th Wall production of Kate Hamill's PRIDE & PREJUDICE? I dig it.
It's December and the holidays are here whether we like it or not.
Theatre Under the Stars' BEAUTY AND THE BEAST is the classic storybook tale vibrantly come to life in every aspect.
The Houston Ballet, after a year of touring various Houston venues while awaiting the refurbishment of the flood-damaged Wortham Theatre Center, makes a triumphant return in Stanton Welch's THE NUTCRACKER.
This is an irreverent retelling with no apologies about what it is doing.
The Catastrophic Theatre's production of FIRST SUBURB is utterly relatable and simply unshakable.
The common themes seem to be 4am, animals and their instincts, an obsession with INDIANA JONES AND THE TEMPLE OF DOOM, and lots of introspective angst about miscommunication.
Technically the effects still work, and I watched as the shocked younger members of the audience witnessed practical effects to contrast all the CGI they had grown up on.
Though it's 2018 in Houston, Texas, at the height of the 2018 primary election, but thankfully, there's an escape from the tumultuous political climate where blue and red are the subject.
I was fortunate enough to see Houston's Classical Theatre Company present THE RETURN OF SHERLOCK HOLMES, written by Arthur Conan Doyle (Writer of The Adventures of Sherlock Holmes novel series).
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