Brett Cullum

I like a big universal pop song. I like the idea that there are things out there that can connect every person in the world, and that we can all say, “That's great, I like that. This world is a really good place to be,” actually.

I play the character of Goli. She's the youngest character in the play; she's 18. For Goli specifically, her relationship to English is really sweet. She's described as this young, sweet spirit in the classroom. She's just carefree and has fun.

The show introduces us to a half dozen stories from one car, and it’s an interesting look at how humans interact, or in some cases, don’t.

You are in a room with eight excellent performers doing songs purely for the joy of getting to sing them for an audience.

It’s funny, it’s clever, but it sometimes seems to get too caught up in itself as a script. Yet the acting here is top-notch, and the Mildred’s Umbrella production is a wonder in such a small space. Jennifer Decker’s direction is sublime, and she has a solid cast.

But I'd have to say, as far as the scores, I probably like ON A CLEAR DAY. I love the songs, from ON A CLEAR DAY, which was not anywhere near as big a hit as those other shows were.

It’s funny, it’s warm, and you walk away feeling as if you saw a community revealed.

We're a crazy cast of acrobats, and of course, animals, and circus performers, and me, I play a woman named Barbara, who is the head of the “Cooch Tent,” the more promiscuous ladies of the circus.

The play touches on a lot of things, obviously immigration, but the title, REAL WOMEN HAVE CURVES, it's also, all of these women are either fat, or just not thin, or not this conventional, small-bodied woman, right?

Denise Fennell Pasqualone shares so much of herself in THE BRIDE that it just feels like a hug from the actress. There are laughs, teary moments, and even a random game show thrown in for good measure.

KNOW THE PLACE FOR THE FIRST TIME is a show that was born out of disaster, catastrophe, and a feeling of being at a place where I couldn't go on the way that I had been going on...

When you set out to create something, a piece of theater, you don't say to yourself, I'm gonna create something universal that everybody's gonna relate to. You just write what you know; you write your own story, and we found that the specifics of our quirky little union became universal.

The current BEAUTY AND THE BEAST tour is a celebration of the Broadway musical’s 30th anniversary, and a chance for director and choreographer Matt West and book writer Linda Woolverton to revisit a stage version they have been working on since it all began in Houston during 1993.

'I went to school, did a couple of cruise ships, and then I moved to New York with two bags and a tube of Chapstick, and I've lived there for 15 years now. Which makes me official, I think.'

I try to inform Houstonians about all the shows happening in and around the Houston area, as it can be daunting to keep track of them. I also include upcoming auditions for all talented actors in the area.

WHO’S HOLIDAY is playing one weekend only. And if you don’t go, then Cindy Lou Who will remain extra lonely. The play is a ton of fun, and Chaney Moore is the star and the only one.

But before that OH, MARY! run, John is coming to NUMBERS HOUSTON to do a special all-day event for HEDWIG AND THE ANGRY INCH. It's gonna happen on December 28th! It's all brought to us by ARTHOUSE HOUSTON, who were the folks who fought to save the River Oaks Movie Theater.

It’s a fantasy idea that a black gay man could have a Christmas special in 1968 that would revel in his own identity so unapologetically. It sure wasn’t the world of that time, and it sure isn’t the world of today. But in some strange way, you will leave wishing it were the world we live in.

Going into Irving Berlin’s WHITE CHRISTMAS, you already know what you are in for. Most people have seen the film starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen, released in 1954.