Brett Cullum has been part of the Houston and Memphis Theatre scenes since the late '80s. He's been seen on community theatre and professional stages in several cities including Playhouse 1960, Theatre Suburbia, Stages, Theatre Memphis, Circuit Playhouse, and Playhouse on the Square. Brett has been a movie critic and blogger as well for DVD Verdict.com where he has published over 1,000 reviews of feature films.
DARK MATTER is a complex show that requires the audience make connections for themselves. It is challenging theatre presented by passionate artists who find ways to keep it light enough to be entertaining.BWW Review: MEMPHIS Gets Houston Flavor at TUTS February 23, 2018
It's freaky and fun! Glittery boots, lots of variations on sex and preference, and even a stripper pole front and center means this one is not gonna be a light family musical. If the phrase 'think BARBARELLA meets ROCKY HORROR' makes you shiver in anticipation, then reserve your seats now.BWW Review: 1984 is Doubleplusungood at Obsidian Theater June 3, 2017
It's certainly a relevant piece for our time, and I applaud the intention of bringing it to life in this era of political debate and mistrust of the media. But if you're going to dig this one up then have the nerve to make it feel dangerously close to the outside world.BWW Review: FUN HOME Shakes the Foundations at Theatre Under The Stars May 18, 2017
It's a deeply emotional musical telling the story of a lesbian girl as she navigates her way through life with a closeted gay father. The Broadway Production won the Tony in 2015 for Best Musical as well as top honors for its book and score. It is a handsome show, acted expertly, and it will move anyone lucky enough to connect with its take on what it is like to be queer in the world.BWW Review: GRAND CONCOURSE forgives at Main Street Theater April 16, 2017
The actors are amazing, the set is handsomely appointed, and the lighting design is creative and well executed. It fascinates for a while. But once the finale fizzles from a lapse in logic, GRAND CONCOURSE proves to be an exercise in dramatic frustration.BWW Review: FIVE COURSE LOVE serves it at Stages Repertory Theatre March 14, 2017
TREVOR is what the Catastrophic Theatre does best - funny and provocative work that has much to say about the human condition. It's fascinating it takes a celebrity-obsessed chimpanzee to deliver the most human and touching of performances thanks to the combination of Kyle Sturdivant's acting prowess and a whipsmart script from Nick Jones.BWW Review: PASSING STRANGE Rocks Out at Standing Room Only Productions February 23, 2017
It's a scary cautionary tale illuminating where we are today in regards to sex workers and the dangers they face being in the crosshairs of those with little regard for them.BWW Review: ROSE AND WALSH at Theatre Suburbia January 18, 2017
ROSE AND WALSH now playing at Theatre Suburbia is Neil Simon's meditation on how love lives on after death, and it serves as a reminder of what a great author can do with a good concept. It's a touching, sweet, and well produced evening out at Northwest Houston's longest running all-volunteer playhouse.BWW Review: THE DESIGNATED MOURNER provokes at Catastrophic Theatre January 6, 2017
Above all else, it offers a glimpse into what could come to pass if we are not mindful and determined to keep our art groups like Catastrophic Theatre alive and well in the coming years. It's a meditation on the state of culture that is wisely timed by one of Houston's most daring theatre companies.BWW Review: PANTO WONDERFUL WIZARD Gets Silly at Stages Repertory Theatre December 6, 2016
This year, STAGES reinvents OZ for a sardonic look at what 2016 means for America, all the while offering a fun, frothy musical on the surface. It's an odd mix of jabs at the federal government combined with a jingoistic love of all things Texas. It works though, and gosh darn it if it isn't fun!BWW Review: SONG ABOUT HIMSELF Confounds at Catastrophic Theatre November 18, 2016
SONG ABOUT HIMSELF is a linguistic fantasia set inside of the chatroom of a post-apocalyptic social network. This is intellectual sci-fi drama played on a sparse set and focused on how we connect as humans and machines. There are ghosts here on both sides of humanity's line, and language suffers the most as a result.BWW Review: THE ROCKY HORROR SHOW Shimmers at TUTS November 11, 2016
What the cast and director are doing here is offering a solid, slick, and oh so faithful rendition of ROCKY HORROR. Director Mitchell Greco relies on the strength of the fortysomething year-old material, and lets his vision grow gorgeous images and sumptuous arrangements.