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Browse by Year:
| Show | Gross | Avg. Tix | Seats Sold | Total Perf. |
|---|---|---|---|---|
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$35,801,260 | $55 | 656,450 | 415 |
|
BEAUTY AND THE BEAST (PALACE) |
$33,473,004 | $53 | 630,590 | 416 |
|
VICTOR/VICTORIA (MARQUIS) |
$32,308,665 | $61 | 531,064 | 415 |
|
SHOW BOAT (GERSHWIN) |
$31,524,737 | $51 | 620,938 | 417 |
|
SUNSET BOULEVARD (MINSKOFF) |
$30,172,071 | $53 | 575,341 | 414 |
|
MISS SAIGON (BROADWAY) |
$26,757,384 | $42 | 630,560 | 415 |
|
LES MISÉRABLES - ORIGINAL (IMPERIAL) |
$25,061,889 | $46 | 546,499 | 414 |
|
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (ST. JAMES) |
$24,143,391 | $57 | 425,246 | 327 |
|
CATS (WINTER GARDEN) |
$21,653,139 | $43 | 497,454 | 416 |
|
THE KING AND I (NEIL SIMON) |
$21,521,902 | $57 | 379,794 | 327 |
|
SMOKEY JOE'S CAFE (VIRGINIA) |
$19,717,687 | $49 | 400,649 | 415 |
|
RENT (NEDERLANDER) |
$18,358,358 | $52 | 353,103 | 296 |
|
BRING IN DA NOISE BRING IN DA FUNK (AMBASSADOR) |
$15,328,756 | $49 | 308,841 | 303 |
|
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING 95/96 (RICHARD RODGERS) |
$10,859,845 | $42 | 255,222 | 224 |
|
Master Class 1995 (Golden) |
$10,277,872 | $38 | 271,542 | 365 |
|
BIG (SHUBERT) |
$9,736,877 | $42 | 229,895 | 215 |
|
AN IDEAL HUSBAND (ETHEL BARRYMORE) |
$7,038,697 | $35 | 199,964 | 282 |
|
A DELICATE BALANCE (PLYMOUTH) |
$6,066,345 | $32 | 190,963 | 212 |
|
DREAMS AND NIGHTMARES (MARTIN BECK) |
$6,033,691 | $60 | 100,217 | 76 |
|
MOON OVER BUFFALO (MARTIN BECK) |
$5,610,209 | $31 | 177,361 | 204 |
|
DEFENDING THE CAVEMAN (HELEN HAYES) |
$5,591,107 | $38 | 147,697 | 301 |
|
CHICAGO (RICHARD RODGERS) |
$5,233,869 | $54 | 95,959 | 78 |
|
SKYLIGHT (ROYALE) |
$4,514,236 | $42 | 107,557 | 128 |
|
SEVEN GUITARS (WALTER KERR) |
$4,341,182 | $34 | 130,145 | 201 |
|
LOVE THY NEIGHBOR (BOOTH) |
$3,731,603 | $36 | 102,738 | 233 |
|
STATE FAIR (MUSIC BOX) |
$2,926,843 | $40 | 73,138 | 118 |
|
INHERIT THE WIND 1996 (ROYALE) |
$2,883,421 | $44 | 65,270 | 87 |
|
A MIDSUMMER NIGHT'S DREAM (LUNT-FONTANNE) |
$2,731,254 | $41 | 67,830 | 78 |
|
HUGHIE (CIRCLE) |
$2,673,972 | $51 | 51,569 | 84 |
|
ONCE UPON A MATTRESS (BROADHURST) |
$1,833,284 | $50 | 35,913 | 47 |
|
TAKING SIDES (BROOKS ATKINSON) |
$1,723,675 | $26 | 67,592 | 100 |
|
PRESENT LAUGHTER 1996-1997 (WALTER KERR) |
$1,670,479 | $34 | 48,811 | 75 |
|
THE NIGHT OF THE IGUANA (CRITERION) |
$1,540,907 | $36 | 43,376 | 87 |
|
HELLO DOLLY! (LUNT-FONTANNE) |
$1,480,896 | $42 | 35,168 | 32 |
|
SEX AND LONGING (CORT) |
$1,474,936 | $23 | 65,593 | 76 |
|
BURIED CHILD (BROOKS ATKINSON) |
$1,361,820 | $23 | 59,056 | 86 |
|
GETTING AWAY WITH MURDER (BROADHURST) |
$1,254,380 | $33 | 37,811 | 46 |
|
SUMMER AND SMOKE (CRITERION) |
$1,194,418 | $33 | 36,681 | 75 |
|
THE FATHER (CRITERION) |
$1,074,469 | $30 | 31,741 | 64 |
|
A THOUSAND CLOWNS 1996 (CRITERION) |
$1,019,814 | $29 | 34,601 | 70 |
|
JUAN DARIEN (VIVIAN BEAUMONT) |
$979,747 | $26 | 37,884 | 61 |
|
THE REHEARSAL (CRITERION) |
$962,190 | $32 | 29,919 | 67 |
|
BUS STOP (CIRCLE) |
$650,106 | $21 | 31,842 | 50 |
|
CRAZY FOR YOU (SHUBERT) |
$383,733 | $43 | 9,006 | 8 |
|
IT'S A SLIPPERY SLOPE (VIVIAN BEAUMONT) |
$334,458 | $22 | 15,032 | 16 |
|
TARTUFFE 1997 (CIRCLE) |
$321,371 | $19 | 17,029 | 54 |
|
FOOL MOON 1995-1996 (AMBASSADOR) |
$302,319 | $39 | 7,774 | 8 |
|
GOD SAID "HA" (LYCEUM) |
$286,310 | $25 | 11,388 | 33 |
|
SWINGING ON A STAR (MUSIC BOX) |
$155,903 | $28 | 5,652 | 15 |
|
HOLIDAY (CIRCLE) |
$147,059 | $11 | 6,518 | 16 |
|
THE APPLE DOESN'T FALL (LYCEUM) |
$98,544 | $19 | 5,256 | 20 |
|
JACK: A NIGHT ON THE TOWN WITH JOHN BARRYMORE (BELASCO) |
$73,498 | $21 | 3,513 | 16 |
Gross$24,143,391
Avg. Ticket$57
Seats Sold425,246
Total Perf.327
Gross$15,328,756
Avg. Ticket$49
Seats Sold308,841
Total Perf.303
Gross$10,859,845
Avg. Ticket$42
Seats Sold255,222
Total Perf.224
Gross$2,731,254
Avg. Ticket$41
Seats Sold67,830
Total Perf.78
Gross$1,670,479
Avg. Ticket$34
Seats Sold48,811
Total Perf.75
Gross$73,498
Avg. Ticket$21
Seats Sold3,513
Total Perf.16
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League.
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